The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio.
1. Hillbilly Fingerstyle Blues Guitar ? An Introduction
2. Learning the Songs
3. Understanding the Tablature
4. The Songs
5. 1) Knoxville Blues?Sam McGee
6. 2) Easy Rider?Sam McGee
7. 3) Railroad Blues?Sam McGee
8. 4) Sally Long?Sam McGee
9. 5) Fuzzy Rag?Riley Puckett
10. 6) Worried Blues?Frank Hutchison
11. 7) Train That Carried The Girl From Town?Frank Hutchison
12. 8) The Miner?s Blues?Frank Hutchison
13. 9) K. C. Whistle?Lester McFarland
14. 10) John Hardy Was A Desperate Little Man?The Carter Family
15. 11) Johnson City Blues?Clarence Greene
16. 12) Brown Skin Blues?Dick Justice
17. 13) Cocaine?Dick Justice
18. 14) She Lied To Me?Emry Arthur
19. 15) Everyday Dirt?David McCarn
20. 16) Take Them For A Ride?David McCarn
21. 17) Jailhouse Rag?David Miller
22. 18) Match Box Blues?Larry Hensley
23. 19) New Chattanooga Mama?Lake Howard
24. 20) Soap Box Blues?Debs Mays
25. 21) Rabbit Blues?Debs Mays
26. 22) Graveyard Blues?Hobart Smith
27. 23) Railroad Bill?Hobart Smith
28. 24) K. C. Moan?Hobart Smith
29. 25) Mississippi Heavy Water Blues?Roscoe Holcomb
30. 26) Riley And Spencer?Fields Ward
31. 27) Raggin? The Wires?E. C. Ball
32. 28) Ain?t No Grave Can Hold My Body Down?E. C. Ball
33. Appendix?Default Chord Positions
34. ABOUT THE AUTHOR
35. Afterword
36. ACKNOWLEDGEMENTS
/ Partitions variété - pop - rock / Variété internationale / Guitare tablatures / MEL BAY

Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare

Avec une nouvelle introduction par le guitariste blues et Woody MannJazz Woody Mann tirées de la légendaire Révérend Gary Davis et ensuite joué et enregistré avec Son House, Bukka White et John Fahey. Il a joué dans le monde entier, enregistré à travers une douzaine CD et un professeur de guitare de renommée internationale.Six grandes leçons des maîtres de la guitare Blues de Chicago : vous ne manquerez jamais une note! - vous voyez la musique et la tablature sur écran comme il est joué! - toutes les techniques de main droite et gauche sont indiquées en gros plan et avec des effets d'écran partagé utiles pour rendre l'apprentissage facile-Slow motion segments avec la norme tangage sound-artiste biographies-suggéré l'écoute-livret avec des exemples de musique inclus / Guitare / Dvd

Avec assez chauds licks à l'ensemble de l'Etat Lone Star incendiées, détails de ce livre les styles solos des guitaristes légendaires, complets avec des détails stylistiques essentielles qui rendent la musique vivante. Vous l'obtenez tous, de pionniers comme t-Bone Walker, Freddie King et Lightnin' Hopkins, par le biais de la prochaine génération d'innovateurs comme Stevie Ray Vaughan, Billy Gibbons et Johnny Winter et à des explorateurs des derniers jours comme Eric Johnson. Vous apprendre plus de 100 licks dans l'authentique style de chaque joueur, chacun lécher avec son propre mini-lesson, interprété par l'auteur à moitié et pleine tempo sur le CD qui l'accompagne. Comprend aussi : une réduction de guitares, SAP et effets - listes des pistes must-have, des albums et des vidéos - révélant des citations de dizaines de leçons d'insight remplis de 6 cordes notables - conseils essentiels sur le ton et le style - de chaque joueur. / Guitare / Partition Cd

Jouez six classiques à la guitare de légendes du rock grâce à cet excellent CD et le livre musical. Ce dernier contient les parties à la guitare présentées en tablature facile à suivre et notation standard, avec symboles d'accord, paroles complètes, notes et astuces techniques. Le CD vous offre les parties solos authentiques et des morceaux d'accompagnement complet de groupe pour chaque chanson.Apprendre ces morceaux améliorera votre répertoire tout en vous aidant à développer vos propres capacités d'improvisation. / Guitare

Partitions pour chant (paroles complètes) et guitare (tablatures et symboles d'accords) de 8 chansons de Rock Acoustique.Inclus une clé USB avec les versions complètes des 8 chansons pour écouter et des versions play-back afin de vous entraîner. Fichiers au format MP3. Clé USB compatible avec le logiciel Boss eBand. Vous pouvez aussi lire les chansons avec un autre lecteur MP3 sur votre ordinateur. / Guitare / Partition

The Guitar Play-Along Series will help you play your favorite songs quickly and easily! Just follow the tab, listen to the audio to hear how the guitar should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along. The audio is available online for download or streaming, and includes PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right! 1. Uncle John's Band 2. CASEY JONES 3. Easy Wind 4. Touch Of Grey 5. Truckin' 6. Ripple 7. Friend Of The Devil 8. Sugar Magnolia / Guitare tablatures / Hal Leonard

This comprehensive approach to basic guitar skills includes varied repertoire, theory, detailed instruction about seating and hand position, standard music notation, an introduction to tablature, basic improvisation, and teaches both the pickstyle and fingerstyle techniques. Great for college non-music majors, continuing education classes, music dealer in-store programs, and group guitar classes at the middle and high school levels. Book 1 contains 16 units, each with a variety of repertoire, exercises, and timed tests at the end. Unit 16 provides instructions for playing 11 hit songs. Students can cut out flashcards provided at the back of the book to use for home study. The comb binding creates a lay-flat book that is perfect for study and performance. / Guitare