Harp (Harp) - difficult SKU: HL.49019232 For Harpe solo. Composed ...(+)
Harp (Harp) - difficult
SKU: HL.49019232
For Harpe solo.
Composed by Thierry
Pecou. This edition:
Saddle stitching. Sheet
music. String Solo.
Softcover. Composed 2011.
16 pages. Duration 8'.
Schott Music #ED21269.
Published by Schott Music
(HL.49019232).
ISBN
9790001179911. UPC:
884088907624.
9.0x12.0x0.075
inches.
Although
the composer Thierry
Pecou mostly does without
experimental playing
techniques, an exemplary
modern harp sound emerges
from among soft
whispering sounds and
massive chord clusters.
Tone colours
associatively modelled on
the sparkling green of
jade crystallize.Pecou
composed 'Harpe de jade'
for the international
harp competition of the
Cite des Arts in Paris.
The work is dedicated to
the internationally
renowned harpist Isabelle
Moretti. 'Harpe de jade'
is the first work of the
young French composer
published by Schott
Music.
Harp SKU: UT.MAG-276 Composed by Ludwig van Beethoven. Edited by Anna Pas...(+)
Harp
SKU:
UT.MAG-276
Composed
by Ludwig van Beethoven.
Edited by Anna Pasetti.
Saddle stitching.
Magadis. Classical. Ut
Orpheus #MAG 276.
Published by Ut Orpheus
(UT.MAG-276).
ISBN
9790215326880. 9 x 12
inches.
Johannes
Snoer is not one of the
most remembered harpists
today, but his didactic
work was really important
and can still be useful
today. For didactic
purposes, he also
published collections of
simple pieces by great
composers transcribed for
harp. Among his
transcriptions there is
the Adagio from Sonata n.
5 in C minor, op. 10 no.
1, by Ludwig van
Beethoven, subject of
this edition. The
original musical text has
been left unchanged, only
the ornamentation has
been written in full and
the harp fingerings and
indications relating to
the movement of the
pedals have been added.
The work brings the
dedication to Mr. H.
Rutters, probably a
relative of his wife
Antoinette.
[The Wet Garden for Harp]. Composed by Jacques de la Presle. Leduc. Classical....(+)
[The Wet Garden for
Harp].
Composed by Jacques de la
Presle. Leduc. Classical.
Softcover. 7 pages.
Alphonse
Leduc #AL20001. Published
by
Alphonse Leduc
Harp SKU: HL.14007563 Harp Solo. Composed by Per Norgard. Music Sa...(+)
Harp
SKU:
HL.14007563
Harp
Solo. Composed by Per
Norgard. Music Sales
America. Classical. Book
[Softcover]. 6 pages.
Music Sales #KP01320.
Published by Music Sales
(HL.14007563).
ISBN
9788759867587. UPC:
888680753047.
10.5x14.0x0.033
inches.
Consolation
- Like A Roselike Flower
(Consolazione - Flos Ut
Rosa) for Harp solo by
Per Norgard (2002).
Written for and dedicated
to Tine Rehling.
Programme note by the
composer: The concept of
Mary has a depth that
transcends all religious
persuasions. All over the
earth symbols of the
gentle and maternal are
known. But the word
'Maria' is also
associated - in sound -
with the Latin word for
the sea, mare, and she
thus become the Star of
the Sea, Maris
Stella. In my 3rd
Symphony the Maria motif
is used in a hymn section
in the second, and last,
part of the work. The
choral song “Flos
ut rosa floruit”
was composed directly in
the context of the
symphony, and themelody
had a 'stamina' that
carried it over into many
later vocal and choral
compositions, for
instance the
“Concerto for Harp
No. 2 - through
thorns” (2003) and
the present Consolazione
for harp solo , both
works dedicated to Tine
Rehling. .
Harp SKU: HL.50606509 Two Pieces for Harp. Composed by Gergely Vaj...(+)
Harp
SKU:
HL.50606509
Two
Pieces for Harp.
Composed by Gergely
Vajda. EMB. Classical,
Contemporary. Softcover.
12 pages. Editio Musica
Budapest #Z15211.
Published by Editio
Musica Budapest
(HL.50606509).
ISBN
9781705190722. UPC:
196288126850.
The
two harp pieces by
Gergely VAJDA (*1973)
approach the instrument
as a machine, moreover,
as a machine that can
produce several sounds
and noises and create a
specific polyphony from
them. The two movements,
composed in 2020 and
2022, are dedicated to
the Ars Nova Ensemble and
Collegium21,
respectively. Contents:
1. Idle Time 2. Minute
Machinery.
Harp SKU: HL.50605490 Two Pieces for Harp. Composed by Gergely Vaj...(+)
Harp
SKU:
HL.50605490
Two
Pieces for Harp.
Composed by Gergely
Vajda. EMB. Classical.
Softcover. Editio Musica
Budapest #V15211.
Published by Editio
Musica Budapest
(HL.50605490).
ISBN
9781705190548. UPC:
196288126577.
Come
un meccanismo di
precisione (like a
precision machine) - as
Gyorgy Ligeti wrote above
one of his works. The two
harp pieces by Gergely
Vajda (*1973) also
approach the instrument
as a machine, moreover,
as a machine that can
produce several sounds
and noises and create a
specific polyphony from
them. The two movements,
composed in 2020 and
2022, are dedicated to
the Ars Nova Ensemble and
Collegium21,
respectively. Contents:
1. Idle Time 2. Minute
Machinery.
Harp SKU: UT.HS-284 Composed by Pellegrino Santucci. Edited by Giuseppe M...(+)
Harp
SKU:
UT.HS-284
Composed by
Pellegrino Santucci.
Edited by Giuseppe
Monari. Saddle stitching.
Classical. Ut Orpheus #HS
284. Published by Ut
Orpheus (UT.HS-284).
ISBN 9790215326460. 9
x 12
inches.
Melodia
for Solo Harp/ Alleluja
Modo II - Wachet auf for
Harp and
Organ
This
publication gathers
together in these three
pieces the only
compositions by Santucci
devoted to the harp, both
as a solo instrument and
in dialogue with the
organ, his favourite
instrument. The little
Melodia per arpa,
a simple piece having an
apparently didactic
purpose, does not show
the date of composition
but, judging by the
handwriting of the
manuscript, it probably
dates back to the period
between 1980 and 1990. No
other information has
reached us as to why the
piece was
composed. The two
pieces Alleluja Modo
II and Wachet
auf, both dated 20
March 1993, composed for
the unusual duo of harp
and organ, are dedicated
to Anna Maria Restani,
first harp in the
orchestra of the Teatro
Comunale of Bologna from
1965 to 2002, and to her
son Wladimir Matesic,
organist and now teacher
at the Conservatoire in
Trieste. Gregorian chant
is the protagonist of the
first piece, evoking a
Gothic and rarefied
atmosphere. The second is
instead a blatant tribute
to Johann Sebastian Bach
(right from the first
bars the reference to
Prelude no. 1 of the
Well-Tempered
Clavier is clear),
through one of his most
famous chorales
(Wachet auf, ruft uns
die stimme), also
used by Santucci for
numerous other
compositions, including
Il corteo dei Magi
[for trumpet, organ,
orchestra and choir,
1986, ms.], still
performed in the
Christmas concerts in
Bologna. (Giuseppe
Monari).
Harp SKU: UT.MAG-265 Composed by Wilhelm Posse. Edited by Anna Pasetti. S...(+)
Harp
SKU:
UT.MAG-265
Composed
by Wilhelm Posse. Edited
by Anna Pasetti. Saddle
stitching. Magadis.
Classical. Ut Orpheus
#MAG 265. Published by Ut
Orpheus (UT.MAG-265).
ISBN 9790215326422. 9
x 12
inches.
Posseâ€â
„¢s compositions for harp
are rich and varied, and
range from the easy
pieces dedicated to his
students to the virtuoso
concert pieces; we must
also remember his
didactic works, in
particular the ‘Six
Small Studies’ and
the universally known
‘Eight Great
Concert
Studies’. It is
not easy to draw a
balance of his legacy in
the harp world. On one
hand his technical vision
of virtuosity combined
with a great stability of
the hand and rigor of the
fingerings certainly
contributed to the
development of the 20th
Century harp technique;
on the other hand, his
use of the pedals, often
driven by two together
with the same foot (a
very old French
technique), has gradually
become more and more
difficult on modern
harps. From the point of
view of his contribution
to the harp repertoire,
the constant run-up to
the piano has heavily
influenced his
compositional production,
making him often
completely miss the
idiomatic effects of 19th
Century harp music
(except for the use of
harmonic sounds), which
were so loved by his
friend Liszt in the
compositions of Parish
Alvars.
Harp SKU: FG.55011-885-0 Composed by Lotta Wennäkoski. Classical, cont...(+)
Harp
SKU:
FG.55011-885-0
Composed by Lotta
Wennäkoski. Classical,
contemporary. Part.
Fennica Gehrman
#55011-885-0. Published
by Fennica Gehrman
(FG.55011-885-0).
Whizzing,
growling and rattling
– you can produce
all kinds of sounds with
the harp, not just the
fairy-tale shimmer and
glissandos that you first
think of. Lotta
Wennäkoski composed
Sigla for harp and
orchestra (2021-2022) in
close collaboration with
the harpist Sivan Magen,
to whom the concerto is
dedicated. The title of
the concerto, Sigla, has
different meanings in
different languages. In
Italian, it means a
jingle; in Icelandic, it
means sailing; and in
Tagalog, spoken in the
Philippines, it means
vivaciousness or
enthusiasm. Wennäkoski
has not specifically
referenced these in the
movements of the concerto
as such, but she does
allow that the various
meanings of the word may
be identified with the
music according to the
listener’s
perception.
The
recording of the work
(Ondine ODE1420-2) was
premiered with the
Gramophone award as the
the best release in the
contemporary category in
October 2023.
This
product is the solo
part.
The
orchestral material is
available for hire from
the
publisher.
Duratio
n:
19' Instrumentation:Harp solo –
equipped with paint
brush, tuning key and a
plastic hair clip 2
Flutes (2nd doubling
piccolo) 2 Oboes 2
Clarinets in Bb 2
Bassoons 2 Horns in
F 2 Trumpets in C
– trumpets and
trombone doubling an egg
slicer Bass trombone
attached to a piece of
wood or a flat cardboard
box Percussion (2
players) Percussion I:
crotales, vibraphone, 5
gongs (a#, bn, c’,
e’, f’),
bass drum, cymbal, guiro,
bell tree, shell chimes,
whip, lion’s roar
and different beaters
including a bow,
superball stck and wire
brushes Percussion II:
tam-tam, cymbal, snare
drum, 2 cowbells, 2
temple blocks (med/lg),
triangle (small/med),
vibraslap and different
beaters including a bow,
wire brushes and
superball stick Piano
– equipped with a
plectrum, wire brushes
and 2 soft percussion
beaters Strings.
Unaccompanied Harp SKU: HL.14043342 Harp Solo. Composed by Per N&o...(+)
Unaccompanied Harp
SKU: HL.14043342
Harp Solo.
Composed by Per Nø,
rd, and rgå. Music
Sales America. Classical,
Contemporary. Softcover.
Composed 2014. 2 pages.
Edition Wilhelm Hansen
#WH32130. Published by
Edition Wilhelm Hansen
(HL.14043342).
ISBN
9788759831403. 16.5x11.75
inches.
Per
Norgard's Songline For
Tine. Dedicated to Tine
Rehling 2014.
Harp (Harp) SKU: HL.48181026 Composed by R. Nicholas-Charles Bochsa. Ledu...(+)
Harp (Harp)
SKU:
HL.48181026
Composed
by R. Nicholas-Charles
Bochsa. Leduc. Classical.
Softcover. Alphonse Leduc
#AL20022. Published by
Alphonse Leduc
(HL.48181026).
UPC:
888680878597.
This
book, the first volume of
Famous Studies for the
Harp - Fifty Studies, Op.
34 by Nicolas-Charles
Bochsa, was dedicated to
J.B. Cramer. Edited and
arranged according to
Hasselmans's methods by
R. Martenot, it features
the studies 1 to 25 for
intermediate harp players
and above. This volume is
followed by a second book
including the studies 26
to 50. Nicolas-Charles
Bochsa (1789-1856) was a
musician and composer
able to play the flute,
the piano and the harp.
He became the harpist of
the Imperial Orchestra
but had to move to London
where he was one of the
founders of the Royal
Academy of Music.
Harp SKU: UT.MAG-266 Composed by Wilhelm Posse. Edited by Anna Pasetti. S...(+)
Harp
SKU:
UT.MAG-266
Composed
by Wilhelm Posse. Edited
by Anna Pasetti. Saddle
stitching. Magadis.
Classical. Ut Orpheus
#MAG 266. Published by Ut
Orpheus (UT.MAG-266).
ISBN 9790215326439. 9
x 12
inches.
Posseâ€â
„¢s compositions for harp
are rich and varied, and
range from the easy
pieces dedicated to his
students to the virtuoso
concert pieces; we must
also remember his
didactic works, in
particular the ‘Six
Small Studies’ and
the universally known
‘Eight Great
Concert
Studies’. It is
not easy to draw a
balance of his legacy in
the harp world. On one
hand his technical vision
of virtuosity combined
with a great stability of
the hand and rigor of the
fingerings certainly
contributed to the
development of the 20th
Century harp technique;
on the other hand, his
use of the pedals, often
driven by two together
with the same foot (a
very old French
technique), has gradually
become more and more
difficult on modern
harps. From the point of
view of his contribution
to the harp repertoire,
the constant run-up to
the piano has heavily
influenced his
compositional production,
making him often
completely miss the
idiomatic effects of 19th
Century harp music
(except for the use of
harmonic sounds), which
were so loved by his
friend Liszt in the
compositions of Parish
Alvars.