Harp (folk/celtic) - Beginning-Intermediate SKU: MB.97853 Traditional ...(+)
Harp (folk/celtic) -
Beginning-Intermediate
SKU: MB.97853
Traditional and
Original Irish Airs.
Arranged by Dennis Doyle.
Harp: Folk and Pedal,
Saddle-stitched, Style,
Solos. Archive Edition.
Celtic / Irish. Book. 48
pages. Mel Bay
Publications, Inc #97853.
Published by Mel Bay
Publications, Inc
(MB.97853).
ISBN
9780786628469. UPC:
796279057912. 8.75 x
11.75 inches.
With
the exception of two
pieces, the arrangements
in this book of
traditional tunes are
adapted from the
collections of Francis
ONeill, Edward Bunting,
Donal OSullivan, Manus
OBaoill, and Sean Og
OBaoill. Performance
notes are included.
Standard notation.
(Cahier No. 3: 18 Etudes De Haut Niveau). By Francois Joseph Nadermann (1781-183...(+)
(Cahier No. 3: 18 Etudes
De Haut Niveau). By
Francois Joseph Nadermann
(1781-1835). Arranged by
Edmund Schuecker. For
Harp. Standard notation.
Published by Gerard
Billaudot Editeur
Harp SKU: HL.431600 By Various. Arranged by Ann Lobotzke. Harp. Classics,...(+)
Harp
SKU:
HL.431600
By Various.
Arranged by Ann Lobotzke.
Harp. Classics, Movies,
Pop. Softcover. 112
pages. Duration 310
seconds. Published by Hal
Leonard (HL.431600).
ISBN 9781705163382.
UPC: 196288064633.
9.0x12.0x0.234
inches.
Meticulousl
y curated, Beautiful
songs for Harp features
28 timeless melodies,
thoughtfully arranged for
harpists of all levels.
Suitable for both pedal
and lever harps, this new
collection is perfect for
harpists looking to
enhance their current
repertoire. Songs
include: And I Love Her
⢠Bless the Broken
Road ⢠Bring Him
Home ⢠Can't Help
Falling in Love â¢
For All We Know â¢
God Only Knows â¢
Hallelujah ⢠I Will
Always Love You ⢠If
Ever I Would Leave You
⢠Mia and
Sebastian's Theme â¢
Morning Has Broken â¢
On the Street Where You
Live ⢠The Rainbow
Connection ⢠The
Sound of Silence â¢
You've Got a Friend
⢠and more.
Harp SKU: HL.234540 Harp Solo. Composed by John Luther Adams. Musi...(+)
Harp
SKU:
HL.234540
Harp
Solo. Composed by
John Luther Adams. Music
Sales America. Classical.
Softcover. Composed 2017.
14 pages. Chester Music
#CH86295. Published by
Chester Music
(HL.234540).
9.0x12.0x0.09 inches.
English.
'This set
of miniatures is based on
traditional dance songs
of the Yupik Eskimo
people of Western Alaska.
In their original forms,
these melodies would be
sung in unison. The
first, third and fifth
songs would be
accompanied by frame
drums. The second and
fourth are game songs,
for jumping rope and
juggling pebbles. Aside
from the obvious
difference in
instrumentation, my
settings of these songs
differ from the Yup'ik
originals in other
respects. I have extended
and varied the melodies,
and added
countermelodies, ostinato
figurations,
introductions, interludes
and codas. The first four
melodies are drawn from
the collection Yup'ik
Eskimo songs, compiled by
Thomas F. Johnston, and
Tupou L. Pulu, and
published by the
University Of Alaska. The
fifth was 'loaned' to me
by Yup'ik singer and
dancer Chuna McIntyre,
who learned it in his
village of Eek, Alaska.
The poems preceding each
piece are rough
translations of the words
to the songs. These
verses are often cryptic
and enigmatic. Their
obscurity is increased
because some of the words
or their meanings have
been lost, over time.' -
John Luther Adams.
Harp SKU: M7.DUX-959 Music For Harp. Edited by Evelyn Huber. Sheet...(+)
Harp
SKU:
M7.DUX-959
Music
For Harp. Edited by
Evelyn Huber. Sheet
music. 36 pages. Edition
Dux Verlag #DUX 959.
Published by Edition Dux
Verlag (M7.DUX-959).
ISBN
9783868493047.
Die
Harfe??sie kann so viel
mehr, als manche ihr
zutrauen! Mal ruhig,
sanft, ein anderes Mal
rhythmisch fordernd,
manchmal frech und dann
wieder meditativ.
»Five Pieces For Pedal
Harp« ist eine
Sammlung mit
Eigenkompositionen,
Jazzstandards und
Arrangements wunderbarer
Traditionals -
Improvisationen mit
eingeschlossen. Music for
Harp: die Reihe für
World Music, Jazz & more.
Level:
medium/advanced.
Harp (Harp) SKU: HL.48181028 For Harp. Composed by R. Nicholas-Cha...(+)
Harp (Harp)
SKU:
HL.48181028
For
Harp. Composed by R.
Nicholas-Charles Bochsa.
Leduc. Classical.
Softcover. Alphonse Leduc
#AL20026. Published by
Alphonse Leduc
(HL.48181028).
Composed by
Bochsa, Twenty-Five
Studies, Op. 6a is a set
of part of the Favourite
Studies from the same
author for intermediate
and advanced harp
players. Reviewed by
Alphonse Hasselmans, each
studies has a different
difficulty level and can
be played separately.
This set of studies will
help the harpist to gain
in flexibility and speed,
and would ideally be
played on pedal harps. In
the same series, Bochsa
also composed a set of
Forty Easy Studies, Op.
318, a set of Twenty
Studies in two books and
one called Fifty Studies,
Op.34. All these sets
have been reviewed by
Alphonse Hasselmans,
professor at the Paris
Conservatoire, who also
indicated the best finger
positions to use.
Harp SKU: M7.DUX-960 Music For Harp Vol. 3. Composed by Evelyn Hub...(+)
Harp
SKU:
M7.DUX-960
Music
For Harp Vol. 3.
Composed by Evelyn Huber.
Sheet music. 36 pages.
Edition Dux Verlag #DUX
960. Published by Edition
Dux Verlag (M7.DUX-960).
ISBN
9783868493054.
Die
Harfe??sie kann so viel
mehr, als manche ihr
zutrauen! Mal ruhig,
sanft, ein anderes Mal
rhythmisch fordernd,
manchmal frech und dann
wieder meditativ.
»Five Pieces For Pedal
Harp« ist eine
Sammlung mit
Eigenkompositionen,
Jazzstandards und
Arrangements wunderbarer
Traditionals -
Improvisationen mit
eingeschlossen. Music for
Harp: die Reihe für
World Music, Jazz & more.
Level: advanced.
Viola, Electronics SKU: CA.1630200 For Viola and live electronics....(+)
Viola, Electronics
SKU: CA.1630200
For Viola and live
electronics. Composed
by Walter Feldmann. This
edition: Paperbound.
German title: Courbe 2
(1993/2001). Full score.
Composed 1993/rev. 2001.
34 pages. Duration 8
minutes. Carus Verlag #CV
16.302/00. Published by
Carus Verlag
(CA.1630200).
ISBN
9790007099695. Language:
all languages.
The
viola solo courbe 2 is
based on an excerpt from
the viola part in the
Trio for flute, viola and
harp << courbes >> -
sequences. In the densest
time curve of this piece
the viola plays the
leading role for a span
of almost three minutes.
This material is taken
from the Trio, presented
and divided into separate
parts. courbe 2 is three
times longer in duration
than the Trio excerpt
from which it is derived.
The musical text of the
individual fragments
remains as it is in the
original, but, pulsating,
demarcated in seconds.
Fissures emerge between
the fragments, windows
open: - to harmonic
fields, central sounds,
taken over from the
reverberations, from
which new tone material
is derived; the fields in
turn are distorted and
spacialised by the
electronics - to metrical
structures and pulses
freed from the individual
motives of the original
musical text, which forms
new variants in
interaction with these
fields. Thus in courbe 2
which, as already
indicated, is three times
longer in duration than
the original, three
musical levels are
interpenetrated, whereby
all three are derived
from one tone, which
plays an absolutely
central role in most of
my works. It is a
reference to the French
writer Anne-Marie Albiach
(and to her great text <<
H II >> lineaires), and
it remains as the only
tone at the end of the
piece, definitively,
determining everything, b
= 247 Hertz. Walter
Feldmann.
(Cahier No. 1: 30 Etudes Progressives). By Francois Joseph Nadermann (1781-1835)...(+)
(Cahier No. 1: 30 Etudes
Progressives). By
Francois Joseph Nadermann
(1781-1835). Arranged by
Edmund Schuecker. For
Harp. Standard notation.
Published by Gerard
Billaudot Editeur
Composed by Monika Mandelartz. For Folk Harp and Pedal Harp. Saddle-stitched. ...(+)
Composed by Monika
Mandelartz. For Folk Harp
and
Pedal Harp.
Saddle-stitched.
Intermediate-Advanced.
Book.
28 pages. Published by
Mel
Bay Publications, Inc
Harp (Harp) - difficult SKU: HL.49019232 For Harpe solo. Composed ...(+)
Harp (Harp) - difficult
SKU: HL.49019232
For Harpe solo.
Composed by Thierry
Pecou. This edition:
Saddle stitching. Sheet
music. String Solo.
Softcover. Composed 2011.
16 pages. Duration 8'.
Schott Music #ED21269.
Published by Schott Music
(HL.49019232).
ISBN
9790001179911. UPC:
884088907624.
9.0x12.0x0.075
inches.
Although
the composer Thierry
Pecou mostly does without
experimental playing
techniques, an exemplary
modern harp sound emerges
from among soft
whispering sounds and
massive chord clusters.
Tone colours
associatively modelled on
the sparkling green of
jade crystallize.Pecou
composed 'Harpe de jade'
for the international
harp competition of the
Cite des Arts in Paris.
The work is dedicated to
the internationally
renowned harpist Isabelle
Moretti. 'Harpe de jade'
is the first work of the
young French composer
published by Schott
Music.
Chamber Music harp SKU: PR.114417670 For Harp. Composed by Carter ...(+)
Chamber Music harp
SKU: PR.114417670
For Harp. Composed
by Carter Pann. Sws.
Contemporary. Solo part.
With Standard notation.
Composed 2010. 8 pages.
Duration 4:30. Theodore
Presser Company
#114-41767. Published by
Theodore Presser Company
(PR.114417670).
ISBN
9781491107973. UPC:
680160636228. 9x12
inches.
The
inscription above Carter
Pann's Emerald's on
Artemis reads: A music
box for Emerald Weber
(born 18 June, 2010) on
Morgan Black's harp
Artemis. The title of
this 2010 composition is
a bit cryptic, but
Artemis is the given name
of harpist Morgan Black's
instrument. The music is
both out-and-out tender
and exuberant, clearly
celebrating the birth of
Emerald, the first
daughter of one of Pann's
dear childhood friends.
For advanced
harpists.________________
_______________________Te
xt on the scanned back
cover:Composer/pianist
Carter Pann (2016
Pulitzer Prize Finalist
in Music) has written for
and worked with musicians
around the world,
garnering performances by
ensembles such as the
London Symphony and City
of Birmingham Symphony,
the Tchaikovsky Symphony
in Moscow, many radio
symphonies around Europe,
the Seattle Symphony,
National Repertory
Orchestra, the youth
orchestras of New York
and Chicago, and
countless wind
ensembles.He has written
for Richard Stoltzman,
the Antares Ensemble, the
Capitol Saxophone
Quartet, the West Coast
Wind Quintet, the River
Oaks Chamber Ensemble,
and many concert
pianists. His String
Quartet No. 2
“Operas†was
commissioned by the
Takács Quartet. Pann
has been awarded a
Charles Ives Fellowship,
a Masterprize seat in
London, and many ASCAP
awards over the years.
His numerous CDs
encompass solo, vocal,
chamber, orchestral, and
wind music, and have
received two Grammy
nominations. He currently
teaches at the University
of Colorado in
Boulder.
Harp SKU: UT.MAG-265 Composed by Wilhelm Posse. Edited by Anna Pasetti. S...(+)
Harp
SKU:
UT.MAG-265
Composed
by Wilhelm Posse. Edited
by Anna Pasetti. Saddle
stitching. Magadis.
Classical. Ut Orpheus
#MAG 265. Published by Ut
Orpheus (UT.MAG-265).
ISBN 9790215326422. 9
x 12
inches.
Posseâ€
s compositions for harp
are rich and varied, and
range from the easy
pieces dedicated to his
students to the virtuoso
concert pieces; we must
also remember his
didactic works, in
particular the ‘Six
Small Studies’ and
the universally known
‘Eight Great
Concert
Studies’. It is
not easy to draw a
balance of his legacy in
the harp world. On one
hand his technical vision
of virtuosity combined
with a great stability of
the hand and rigor of the
fingerings certainly
contributed to the
development of the 20th
Century harp technique;
on the other hand, his
use of the pedals, often
driven by two together
with the same foot (a
very old French
technique), has gradually
become more and more
difficult on modern
harps. From the point of
view of his contribution
to the harp repertoire,
the constant run-up to
the piano has heavily
influenced his
compositional production,
making him often
completely miss the
idiomatic effects of 19th
Century harp music
(except for the use of
harmonic sounds), which
were so loved by his
friend Liszt in the
compositions of Parish
Alvars.
Harp SKU: UT.MAG-266 Composed by Wilhelm Posse. Edited by Anna Pasetti. S...(+)
Harp
SKU:
UT.MAG-266
Composed
by Wilhelm Posse. Edited
by Anna Pasetti. Saddle
stitching. Magadis.
Classical. Ut Orpheus
#MAG 266. Published by Ut
Orpheus (UT.MAG-266).
ISBN 9790215326439. 9
x 12
inches.
Posseâ€
s compositions for harp
are rich and varied, and
range from the easy
pieces dedicated to his
students to the virtuoso
concert pieces; we must
also remember his
didactic works, in
particular the ‘Six
Small Studies’ and
the universally known
‘Eight Great
Concert
Studies’. It is
not easy to draw a
balance of his legacy in
the harp world. On one
hand his technical vision
of virtuosity combined
with a great stability of
the hand and rigor of the
fingerings certainly
contributed to the
development of the 20th
Century harp technique;
on the other hand, his
use of the pedals, often
driven by two together
with the same foot (a
very old French
technique), has gradually
become more and more
difficult on modern
harps. From the point of
view of his contribution
to the harp repertoire,
the constant run-up to
the piano has heavily
influenced his
compositional production,
making him often
completely miss the
idiomatic effects of 19th
Century harp music
(except for the use of
harmonic sounds), which
were so loved by his
friend Liszt in the
compositions of Parish
Alvars.
Harp SKU: HL.48181024 For Harp. Composed by Henriette Renie. Leduc...(+)
Harp
SKU:
HL.48181024
For
Harp. Composed by
Henriette Renie. Leduc.
Classical. Softcover. 15
pages. Alphonse Leduc
#AL20016. Published by
Alphonse Leduc
(HL.48181024).
UPC:
888680878566. 9x12
inches.
French
harpist and composer,
Henriette Renié
(1875-1956) lived in
poverty for much of her
life. However, this did
not stop her from
composing significant
works for the harp,
including Legend of
the Elves inspired
the poem of the same name
by French poet, Leconte
de Lisle. Despite being a
talented composer,
Renié lived at a
time where fame and
success was socially
unacceptable for women.
In 1903, she composed her
substantial work for
harp, Legend of the
Elves. As a highly
virtuosic work, this
Renié piece
displays use of cadenza
passages, exploitation of
tonality, complex rhythms
and variety in
performance directions.
For advanced harpists,
Renié's Legend
of the Elves is an
exciting and varied
addition to the
repertoire.
Harp SKU: HL.48180979 For Harp. Composed by Henriette Renie. Leduc...(+)
Harp
SKU:
HL.48180979
For
Harp. Composed by
Henriette Renie. Leduc.
Classical. CD only. 3
pages. Alphonse Leduc
#AL19922. Published by
Alphonse Leduc
(HL.48180979).
UPC:
888680878399. 9x12
inches.
French
harpist and composer,
Henriette Renié
(1875-1956) lived in
poverty for much of her
life. However, this did
not stop her from
composing significant
works for the harp,
including Grandmother
Tells a Story, an
easy piece for beginners
of the instrument.
Despite being a talented
composer, Renié
lived at a time where
fame and success was
socially unacceptable for
women. In 1940,
Grandmother Tells a
Story was published.
As a easy piece, this
Renié work is
suitable for beginners of
the instrument, including
detailed performance
directions and
fingerings. For all
beginner harpists,
Renié's
Grandmother Tells a
Story is an exciting
and varied addition to
the repertoire.
Harp SKU: UT.HS-231 Arranged by Sara Simari. Saddle stitching. Classical....(+)
Harp
SKU:
UT.HS-231
Arranged by
Sara Simari. Saddle
stitching. Classical. Ut
Orpheus #HS 231.
Published by Ut Orpheus
(UT.HS-231).
ISBN
9790215324558. 9 x 12
inches.
Tarascon
e; Tarantella Capuanese;
Valzer; Polka di
Vittorio; Tarantella
Stiglianese
Th
e history of the
Viggianesi, strolling
musicians, winds over a
period of about four
centuries and esprimeun
‘unicum’
musically and
anthropologically. Heirs
of a travelling musical
tradition that from the
late Middle Ages
inhabited more than just
the streets of the
Kingdom of Sicily and
Naples, the harpists of
this extraordinary story
made their first
appearances as early as
the end of the 1600s
engaged in musical
practices at
shrines. Armed with an
urgent need to make a
living together with a
strong musical
inclination, adaptability
and versatility, the
groups of musicians,
almost always belonging
to the same family
circle, became the
promoters of the great
Italian musical tradition
(Southern in particular),
and with their harps on
their shoulders they
became the identification
symbol of a well-defined
and limited area of
Italy: the Agri Valley,
in Basilicata. From
the many documents
examined, a very wide and
varied musical repertoire
emerges mixing the
pastoral tradition with
classical tradition
(mainly opera, devotional
music with songs from the
cities (from the
Neapolitan tradition to
international
production). The pastoral
repertoire, the subject
of this publication,
consists of a strongly
characterized native
repertoire which the
Viggianesi had
consolidated in both
public and private ritual
occasions in their native
land, even if performing
in distant
lands.
This
collection is included
among the compulsory
pieces of The 7th
International Harp
Contest in Italy Suoni
D’Arpa, 2017,
Category A –
Associazione Italiana
dell’Arpa –
www.ass
ociazioneitalianarpa.it
a>
Chamber Music harp SKU: PR.110406720 Composed by Samuel Adler. Classical....(+)
Chamber Music harp
SKU: PR.110406720
Composed by Samuel Adler.
Classical. Softcover.
With Standard notation.
Duration 14 minutes.
Theodore Presser Company
#110-40672. Published by
Theodore Presser Company
(PR.110406720).
UPC:
680160001316.
I
have always been fond of
writing works for
specific people or
organizations. It has
been my good fortune
during most of my
creative career to be
asked to compose for many
extraordinary performers.
The Sonata for
Harpsichord Solo is such
a case in point: it was
written in 1982 for
Barbara Harbach, a superb
performer, close friend,
and collaborator on many
musical projects. The
Sonata was premiered on
March 2, 1984, in a
recital given by Dr.
Harbach at Nazareth
College in Rochester, New
York. During my formative
years as a composer, one
seldom heard of the
harpsichord as a modern
instrument, though while
I attended undergraduate
school at Boston
University, some of us
banded together to
construct a small
harpsichord from one of
the first do-it-yourself
kits which began to
appear in the late '40s.
It was also during this
time that I heard the
Sonatina for Violin and
Harpsichord by my teacher
Walter Piston and
consequently specified
that the accompanying
instrument for my second
violin sonata could
either be a piano or a
harpsichord. It was not
until recently, however,
that my interest in the
harpsichord as a solo
instrument for new music
was aroused. This was
because of the emergence
of so many young
virtuosi, such as Barbara
Harbach, who are
interested in the
performance of new music
besides the great
harpsichord music of the
Classical, Baroque, and
pre-Baroque eras. The
keyboard music of
Domenico Scarlatti has
always intrigued and
fascinated me. The
brevity, excitement, and
clarity of this sparkling
music is charming as well
as exhilarating. It is
this type of Baroque
sonata that inspired the
conception and form of my
harpsichord sonata. The
entire work is loosely
based on the musical
translation of Barabara
Harbach's name,
especially the conflict
of the B (B-flat) and H
(B-natural in German
notation). This secondo
rub or dissonance
especially pervades the
first movement, which is
in a modified sonata
form, pitting jagged and
tense melodic elements
against most lyrical and
smooth lines. This second
movement is a song-like
melody accompanied by
rolled chords which may
be played on the lute
stop of the instrument if
this sonata is performed
on a two-manual
harpsichord. The final
movement is an
ever-driving joyous
toccata which brings the
work to an exciting close
with a coda made up of
accelerating repeated
chords. --Samuel
Adler.