Harp

SKU: UT.MAG-249

Composed by Francois-Joseph Gossec. Edited by Emanuela Degli Esposti. Arranged by Emanuela Degli Esposti. Saddle stitching. Magadis. Classical. Score and Parts. Ut Orpheus #MAG 249. Published by Ut Orpheus (UT.MAG-249).

ISBN 9790215321137. 9 x 12 inches.

Flute, Clarinet, Cello, 2 Harp

SKU: CA.1605109

Composed by Wolfram Buchenberg. Church year: Christmas. German title: Dances and movements 5. Set of Orchestra Parts. 64 pages. Carus Verlag #CV 16.051/09. Published by Carus Verlag (CA.1605109).

Language: all languages.

Score available separately - see item CA.1605100.

Harp

SKU: UT.MAG-160

Vol. 3. Composed by Gioachino Rossini. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Score and Parts. Ut Orpheus #MAG 160. Published by Ut Orpheus (UT.MAG-160).

ISBN 9790215309814. 8.26 x 11.69 inches. Transcribed by Robert Nicolas Charles Bochsa.

Tempesta ; Il vecchiotto cerca moglie; Freddo ed immobile come una statua; Di sí felice innesto

Viola, Electronics

SKU: CA.1630200

For Viola and live electronics. Composed by Walter Feldmann. This edition: Paperbound. German title: Courbe 2 (1993/2001). Full score. Composed 1993/rev. 2001. 34 pages. Duration 8 minutes. Carus Verlag #CV 16.302/00. Published by Carus Verlag (CA.1630200).

ISBN 9790007099695. Language: all languages.

The viola solo courbe 2 is based on an excerpt from the viola part in the Trio for flute, viola and harp << courbes >> - sequences. In the densest time curve of this piece the viola plays the leading role for a span of almost three minutes. This material is taken from the Trio, presented and divided into separate parts. courbe 2 is three times longer in duration than the Trio excerpt from which it is derived. The musical text of the individual fragments remains as it is in the original, but, pulsating, demarcated in seconds. Fissures emerge between the fragments, windows open: - to harmonic fields, central sounds, taken over from the reverberations, from which new tone material is derived; the fields in turn are distorted and spacialised by the electronics - to metrical structures and pulses freed from the individual motives of the original musical text, which forms new variants in interaction with these fields. Thus in courbe 2 which, as already indicated, is three times longer in duration than the original, three musical levels are interpenetrated, whereby all three are derived from one tone, which plays an absolutely central role in most of my works. It is a reference to the French writer Anne-Marie Albiach (and to her great text << H II >> lineaires), and it remains as the only tone at the end of the piece, definitively, determining everything, b = 247 Hertz. Walter Feldmann.

Harp (Score & Parts)

SKU: HL.14048306

For Two Harps. Composed by Nico Muhly. Music Sales America. Classical. Set. Composed 2016. St. Rose Music #SRO100075. Published by St. Rose Music (HL.14048306).

UPC: 888680687762. 9.0x12.0x0.234 inches. English.

Nico Muhly's Fast Dances (2014) for two Harps. Score and parts.

Oboe & harp

SKU: OU.9780193588790

Composed by Howard Skempton. Mixed Ensemble. Set of parts. 16 pages. Duration 6'. Oxford University Press #9780193588790. Published by Oxford University Press (OU.9780193588790).

ISBN 9780193588790. 12 x 8 inches.

For oboe and harp The piece is a suite of six contrasting miniatures built around fragments of melodies which are repeated, each time with subtle variations. Particularly striking is the simple, folk-like melody of the fifth movement and the dissonant, almost grotesque march that precedes it.

Flute, Viola and Harp

SKU: HL.50575806

Parties Separees. Composed by Philippe Hersant. Editions Durand. Set of Parts. Composed 2004. Editions Durand #DF15488/01. Published by Editions Durand (HL.50575806).

8.25x11.75x0.16 inches.

Folk Harp; Harp

SKU: HL.131541

Arranged for Harp. By A. Great Big World. Arranged by Sylvia Woods. Harp. Pop. Softcover. 4 pages. Published by Hal Leonard (HL.131541).

ISBN 9780936661667. UPC: 888680025564. 8.5x11.0x0.031 inches.

Say Something is an original song by the American duo A Great Big World. The lyrics are about letting go when a relationship ends. It became an international hit when Christina Aguilera joined A Great Big World on a re-recorded version in 2013. Sylvia Woods has made a 4-page advanced beginner to intermediate arrangement, playable on either lever or pedal harp. This music features a pedal point (also called a pedal note or pedal tone), which is a sustained or continually repeated note that is held constant while harmonies change in other parts. A pedal point is usually found in the bass, but here it is in the middle register. Virtually every measure includes a middle C note on the downbeat. Sometimes it is played with the right hand, and at other times with the left. But it is almost always there. This pedal point harmony is what originally drew me into this beautiful piece of music the first time I heard it on the radio. The music is in the key of C, and no sharping levers are required, as there are no lever changes. Fingerings, lyrics and chord symbols are included. The harp range required is 24 strings from a low C up to an E. It can be played on 24-string to 26-string harps with a C as the lowest string if you play both hands an octave higher than written.

Harp

SKU: CF.H77

Harp part only. Composed by Maurice Ravel. Edited by Carl Swanson. For Harp with Accompaniment of String Quartet. Flute, and Clarinet. Part. With Standard notation. 24 pages. Carl Fischer Music #H77. Published by Carl Fischer Music (CF.H77).

ISBN 9781491153840. UPC: 680160911349. 9 x 12 inches.

This critical edition of Ravel's Introduction and Allegro has been carefully prepared by Carl Swanson. The preface includes historical and performance information on the piece, including a comparison of the separate parts of all seven instruments to the full score with a list of corrections for each instrument. It has been published the way that it is actually played, making it clear to read and consistent with Ravel's music and musical intent.