Harp Solo. Performed by Sylvia Woods. By Various. Arranged by Sylvia Woods. Harp. Size 8.5x11 inches. 96 pages. Published by Hal Leonard.

(Arranged for Harp). Arranged by Sylvia Woods. For Harp. Harp. Softcover. Published by Hal Leonard

Harp Solo. By Carlos Salzedo. (Harp). Boosey and Hawkes Chamber Music. Size 9x12 inches. 36 pages. Published by Boosey & Hawkes.

Harp

SKU: HL.48181018

Composed by Marcel Tournier. Leduc. Classical. Softcover. 22 pages. Alphonse Leduc #AL20003. Published by Alphonse Leduc (HL.48181018).

UPC: 888680907761. 9x12 inches.

Theme and Variations by Marcel Tournier is a piece for advanced harp players. Starting with a main theme of arpeggiated chords, the piece then follows with a number of variations, including chords, arpeggios, glissandos, and numerous nuances and speed variations. The piece starts in Allegro moderato, then evolving to Allegretto, Allegretto Scherzando, sometimes more energetic or quieter. This piece is great to master speed, flexibility and agility as well as the different types of nuances. Marcel Tournier (1879-1951) was a French harpist and teacher. He studied with Alphonse Hasselmans at the Paris Conservatoire and composed numerous pieces for solo harp: Russian Lullabies, Six Christmas, Four Preludes and Three Images, Suite 1, Op. 29, among many others.

Harp

SKU: UT.HS-284

Composed by Pellegrino Santucci. Edited by Giuseppe Monari. Saddle stitching. Classical. Ut Orpheus #HS 284. Published by Ut Orpheus (UT.HS-284).

ISBN 9790215326460. 9 x 12 inches.

Melodia for Solo Harp/ Alleluja Modo II - Wachet auf for Harp and Organ

This publication gathers together in these three pieces the only compositions by Santucci devoted to the harp, both as a solo instrument and in dialogue with the organ, his favourite instrument.
The little Melodia per arpa, a simple piece having an apparently didactic purpose, does not show the date of composition but, judging by the handwriting of the manuscript, it probably dates back to the period between 1980 and 1990. No other information has reached us as to why the piece was composed.
The two pieces Alleluja Modo II and Wachet auf, both dated 20 March 1993, composed for the unusual duo of harp and organ, are dedicated to Anna Maria Restani, first harp in the orchestra of the Teatro Comunale of Bologna from 1965 to 2002, and to her son Wladimir Matesic, organist and now teacher at the Conservatoire in Trieste. Gregorian chant is the protagonist of the first piece, evoking a Gothic and rarefied atmosphere. The second is instead a blatant tribute to Johann Sebastian Bach (right from the first bars the reference to Prelude no. 1 of the Well-Tempered Clavier is clear), through one of his most famous chorales (Wachet auf, ruft uns die stimme), also used by Santucci for numerous other compositions, including Il corteo dei Magi [for trumpet, organ, orchestra and choir, 1986, ms.], still performed in the Christmas concerts in Bologna.
(Giuseppe Monari).

For Harp. Composed by Marcel Tournier (1879-1951). Leduc. Classical. Softcover. 18 pages. Alphonse Leduc #AL20059. Published by Alphonse Leduc