By Turlough O Carolan ; Donal O'sullivan. For Harp. Irish, Folk, Celtic. 380 pages. Published by Ossian Publications.

By Richard Proulx. For Harp. Instrumental Part. Sacred. 2 pages. Published by GIA Publications.

Composed by Monika Mandelartz. For Folk Harp and Pedal Harp. Saddle-stitched. Intermediate-Advanced. Book. 28 pages. Published by Mel Bay Publications, Inc

by Janna McCall Geller and Mallory Geller. For Harp (Folk/Celtic). method. Non-Series. All styles. Level: Beginning. Book. Size 8.5x11. 208 pages. Published by Mel Bay Publications, Inc.

By Star Edwards. For Harp (Folk/Celtic). Solos. Celtic/Irish. Level: Beginning. Book. Size 8.5x11. 40 pages. Published by Mel Bay Publications, Inc.

By Kim Robertson. For Harp (Folk/Celtic). Solos. Scottish. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 64 pages. Published by Mel Bay Publications, Inc.

Composed by Susan Raimond. Book and Online Audio. Published by Mel Bay Publications, Inc (MB.96704M).

Saddle-stitched, Solos. Scottish. Book. 72 pages. Mel Bay Publications, Inc #30925. Published by Mel Bay Publications, Inc

By George Frideric Handel (1685-1759). Arranged by David Marlatt. For Brass Quintet & Organ. Brass Ensemble - Quintet; Masterworks. Baroque. Duration 00:07:00

Composed by Monika Mandelartz. For harp. Saddle-stitched. Intermediate-Advanced. Book. 24 pages. Published by Mel Bay Publications, Inc

Music from Historical Collections. Composed by Star Edwards. Saddle- stitched. Book. 64 pages. Published by Mel Bay Publications, Inc

Harp

SKU: HL.48180090

[Variations On an Ancient Tune]. Composed by Carlos Leon Salzedo. Leduc. Classical. Softcover. 20 pages. Alphonse Leduc #AL15280. Published by Alphonse Leduc (HL.48180090).

UPC: 888680795412. 9x12 inches.

“Vari ations on an Ancient Tune” by Carlos Salzedo is the third and final work of a series called Three Pieces'for Solo Pedal Harp. Difficult to play, it requires good mastering of the instrument and of its technique, including the pedals. Using the full range of the instrument, this work features numerous trills, glissandos and accidentals among other technicalities and is divided between really fast and more quiet parts. Really delightful, this melodious piece is composed of a main theme and eleven variations: Main Theme (Maestoso) is composed of chords I. A tempo, Graziamente II. Tempo di Bourrée III. Scherzando IV. L'Istesso tempo V. Maestoso VI. Vigorosamente VII. Molto piú lento VIII. Vivo risoluto IX. Lento, tempo di Barcaruola X. Como un preludio XI. Fuga Finishing on the main theme “A Tempo,” this wonderful work is an amazing piece to include in a concert or a recital. Carlos Salzedo (1885-1961) was a French harpist and composer who wrote and transcribed numerous pieces for the harp. He also wrote some pedagogical publications for harpists.

Harp

SKU: UT.HS-231

Arranged by Sara Simari. Saddle stitching. Classical. Ut Orpheus #HS 231. Published by Ut Orpheus (UT.HS-231).

ISBN 9790215324558. 9 x 12 inches.

Tarascon e; Tarantella Capuanese; Valzer; Polka di Vittorio; Tarantella Stiglianese

Th e history of the Viggianesi, strolling musicians, winds over a period of about four centuries and esprimeun ‘unicum’ musically and anthropologically. Heirs of a travelling musical tradition that from the late Middle Ages inhabited more than just the streets of the Kingdom of Sicily and Naples, the harpists of this extraordinary story made their first appearances as early as the end of the 1600s engaged in musical practices at shrines.
Armed with an urgent need to make a living together with a strong musical inclination, adaptability and versatility, the groups of musicians, almost always belonging to the same family circle, became the promoters of the great Italian musical tradition (Southern in particular), and with their harps on their shoulders they became the identification symbol of a well-defined and limited area of Italy: the Agri Valley, in Basilicata.
From the many documents examined, a very wide and varied musical repertoire emerges mixing the pastoral tradition with classical tradition (mainly opera, devotional music with songs from the cities (from the Neapolitan tradition to international production). The pastoral repertoire, the subject of this publication, consists of a strongly characterized native repertoire which the Viggianesi had consolidated in both public and private ritual occasions in their native land, even if performing in distant lands.

This collection is included among the compulsory pieces of The 7th International Harp Contest in Italy Suoni D’Arpa, 2017, Category A – Associazione Italiana dell’Arpa – www.ass ociazioneitalianarpa.it