Composed by Monika Mandelartz. For Folk Harp and Pedal Harp. Saddle-stitched. ...(+)
Composed by Monika
Mandelartz. For Folk Harp
and
Pedal Harp.
Saddle-stitched.
Intermediate-Advanced.
Book.
28 pages. Published by
Mel
Bay Publications, Inc
by Janna McCall Geller and Mallory Geller. For Harp (Folk/Celtic). method. Non-S...(+)
by Janna McCall Geller
and Mallory Geller. For
Harp (Folk/Celtic).
method. Non-Series. All
styles. Level: Beginning.
Book. Size 8.5x11. 208
pages. Published by Mel
Bay Publications, Inc.
By Kim Robertson. For Harp (Folk/Celtic). Solos. Scottish. Level: Beginning-Inte...(+)
By Kim Robertson. For
Harp (Folk/Celtic).
Solos. Scottish. Level:
Beginning-Intermediate.
Book. Size 8.75x11.75. 64
pages. Published by Mel
Bay Publications, Inc.
Harp (folk/celtic) - Beginning-Intermediate SKU: MB.97853 Traditional ...(+)
Harp (folk/celtic) -
Beginning-Intermediate
SKU: MB.97853
Traditional and
Original Irish Airs.
Arranged by Dennis Doyle.
Harp: Folk and Pedal,
Saddle-stitched, Style,
Solos. Archive Edition.
Celtic / Irish. Book. 48
pages. Mel Bay
Publications, Inc #97853.
Published by Mel Bay
Publications, Inc
(MB.97853).
ISBN
9780786628469. UPC:
796279057912. 8.75 x
11.75 inches.
With
the exception of two
pieces, the arrangements
in this book of
traditional tunes are
adapted from the
collections of Francis
ONeill, Edward Bunting,
Donal OSullivan, Manus
OBaoill, and Sean Og
OBaoill. Performance
notes are included.
Standard notation.
By George Frideric Handel (1685-1759). Arranged by David Marlatt. For Brass Quin...(+)
By George Frideric Handel
(1685-1759). Arranged by
David Marlatt. For Brass
Quintet & Organ. Brass
Ensemble - Quintet;
Masterworks. Baroque.
Duration 00:07:00
Harp SKU: HL.48180090 [Variations On an Ancient Tune]. Composed by...(+)
Harp
SKU:
HL.48180090
[Variations On an
Ancient Tune].
Composed by Carlos Leon
Salzedo. Leduc.
Classical. Softcover. 20
pages. Alphonse Leduc
#AL15280. Published by
Alphonse Leduc
(HL.48180090).
UPC:
888680795412. 9x12
inches.
“Vari
ations on an Ancient
Tune” by Carlos
Salzedo is the third and
final work of a series
called Three
Pieces'for Solo Pedal
Harp. Difficult to
play, it requires good
mastering of the
instrument and of its
technique, including the
pedals. Using the full
range of the instrument,
this work features
numerous trills,
glissandos and
accidentals among other
technicalities and is
divided between really
fast and more quiet
parts. Really delightful,
this melodious piece is
composed of a main theme
and eleven variations:
Main Theme (Maestoso) is
composed of chords I. A
tempo, Graziamente II.
Tempo di Bourrée
III. Scherzando IV.
L'Istesso tempo V.
Maestoso VI.
Vigorosamente VII. Molto
piú lento VIII.
Vivo risoluto IX. Lento,
tempo di Barcaruola X.
Como un preludio XI. Fuga
Finishing on the main
theme “A
Tempo,” this
wonderful work is an
amazing piece to include
in a concert or a
recital. Carlos Salzedo
(1885-1961) was a French
harpist and composer who
wrote and transcribed
numerous pieces for the
harp. He also wrote some
pedagogical publications
for harpists.
Harp SKU: UT.HS-231 Arranged by Sara Simari. Saddle stitching. Classical....(+)
Harp
SKU:
UT.HS-231
Arranged by
Sara Simari. Saddle
stitching. Classical. Ut
Orpheus #HS 231.
Published by Ut Orpheus
(UT.HS-231).
ISBN
9790215324558. 9 x 12
inches.
Tarascon
e; Tarantella Capuanese;
Valzer; Polka di
Vittorio; Tarantella
Stiglianese
Th
e history of the
Viggianesi, strolling
musicians, winds over a
period of about four
centuries and esprimeun
‘unicum’
musically and
anthropologically. Heirs
of a travelling musical
tradition that from the
late Middle Ages
inhabited more than just
the streets of the
Kingdom of Sicily and
Naples, the harpists of
this extraordinary story
made their first
appearances as early as
the end of the 1600s
engaged in musical
practices at
shrines. Armed with an
urgent need to make a
living together with a
strong musical
inclination, adaptability
and versatility, the
groups of musicians,
almost always belonging
to the same family
circle, became the
promoters of the great
Italian musical tradition
(Southern in particular),
and with their harps on
their shoulders they
became the identification
symbol of a well-defined
and limited area of
Italy: the Agri Valley,
in Basilicata. From
the many documents
examined, a very wide and
varied musical repertoire
emerges mixing the
pastoral tradition with
classical tradition
(mainly opera, devotional
music with songs from the
cities (from the
Neapolitan tradition to
international
production). The pastoral
repertoire, the subject
of this publication,
consists of a strongly
characterized native
repertoire which the
Viggianesi had
consolidated in both
public and private ritual
occasions in their native
land, even if performing
in distant
lands.
This
collection is included
among the compulsory
pieces of The 7th
International Harp
Contest in Italy Suoni
D’Arpa, 2017,
Category A –
Associazione Italiana
dell’Arpa –
www.ass
ociazioneitalianarpa.it
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