Music Minus One Harp and Flute. Composed by Wolfgang Amadeus Mozart (1756-1791)....(+)
Music Minus One Harp and
Flute. Composed by
Wolfgang Amadeus Mozart
(1756-1791). Sheet music
with CD. Music Minus One.
Classical. Softcover
Audio Online. 28 pages.
Music Minus One #MMO5201.
Published by Music Minus
One
Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Am...(+)
Fantasia on the Rondo
from
the Piano Sonata in A
major
K. 331 by Wolfgang
Amadeus
Mozart, arranged for harp
by
Ekaterina Afanasieva
(2015).
Composed by Fazil Say.
Arranged by Ekaterina
Afanasieva. This edition:
Saddle stitching. Sheet
music. Der Finalsatz der
Sonate A-Dur KV 331 von
Wolfgang Amadeus Mozart,
das
Rondo Alla Turca, ist
eines
der bekanntesten
Klavierstucke uberhaupt.
An
diese Popularitat knupft
das
als effektvolle Zugabe
entstandene Stuck von
Faz?l
Say in der Bearbeitung
fur
Harf. Classical. Single
sheet. Composed 1993. Op.
5b.
8 pages. Duration
4'. Schott
Music #ED22797. Published
by
Schott Music
Harp (Harp) SKU: HL.48181026 Composed by R. Nicholas-Charles Bochsa. Ledu...(+)
Harp (Harp)
SKU:
HL.48181026
Composed
by R. Nicholas-Charles
Bochsa. Leduc. Classical.
Softcover. Alphonse Leduc
#AL20022. Published by
Alphonse Leduc
(HL.48181026).
UPC:
888680878597.
This
book, the first volume of
Famous Studies for the
Harp - Fifty Studies, Op.
34 by Nicolas-Charles
Bochsa, was dedicated to
J.B. Cramer. Edited and
arranged according to
Hasselmans's methods by
R. Martenot, it features
the studies 1 to 25 for
intermediate harp players
and above. This volume is
followed by a second book
including the studies 26
to 50. Nicolas-Charles
Bochsa (1789-1856) was a
musician and composer
able to play the flute,
the piano and the harp.
He became the harpist of
the Imperial Orchestra
but had to move to London
where he was one of the
founders of the Royal
Academy of Music.
Harp SKU: FG.55011-885-0 Composed by Lotta Wennäkoski. Classical, cont...(+)
Harp
SKU:
FG.55011-885-0
Composed by Lotta
Wennäkoski. Classical,
contemporary. Part.
Fennica Gehrman
#55011-885-0. Published
by Fennica Gehrman
(FG.55011-885-0).
Whizzing,
growling and rattling
– you can produce
all kinds of sounds with
the harp, not just the
fairy-tale shimmer and
glissandos that you first
think of. Lotta
Wennäkoski composed
Sigla for harp and
orchestra (2021-2022) in
close collaboration with
the harpist Sivan Magen,
to whom the concerto is
dedicated. The title of
the concerto, Sigla, has
different meanings in
different languages. In
Italian, it means a
jingle; in Icelandic, it
means sailing; and in
Tagalog, spoken in the
Philippines, it means
vivaciousness or
enthusiasm. Wennäkoski
has not specifically
referenced these in the
movements of the concerto
as such, but she does
allow that the various
meanings of the word may
be identified with the
music according to the
listener’s
perception.
The
recording of the work
(Ondine ODE1420-2) was
premiered with the
Gramophone award as the
the best release in the
contemporary category in
October 2023.
This
product is the solo
part.
The
orchestral material is
available for hire from
the
publisher.
Duratio
n:
19' Instrumentation:Harp solo –
equipped with paint
brush, tuning key and a
plastic hair clip 2
Flutes (2nd doubling
piccolo) 2 Oboes 2
Clarinets in Bb 2
Bassoons 2 Horns in
F 2 Trumpets in C
– trumpets and
trombone doubling an egg
slicer Bass trombone
attached to a piece of
wood or a flat cardboard
box Percussion (2
players) Percussion I:
crotales, vibraphone, 5
gongs (a#, bn, c’,
e’, f’),
bass drum, cymbal, guiro,
bell tree, shell chimes,
whip, lion’s roar
and different beaters
including a bow,
superball stck and wire
brushes Percussion II:
tam-tam, cymbal, snare
drum, 2 cowbells, 2
temple blocks (med/lg),
triangle (small/med),
vibraslap and different
beaters including a bow,
wire brushes and
superball stick Piano
– equipped with a
plectrum, wire brushes
and 2 soft percussion
beaters Strings.
Viola, Electronics SKU: CA.1630200 For Viola and live electronics....(+)
Viola, Electronics
SKU: CA.1630200
For Viola and live
electronics. Composed
by Walter Feldmann. This
edition: Paperbound.
German title: Courbe 2
(1993/2001). Full score.
Composed 1993/rev. 2001.
34 pages. Duration 8
minutes. Carus Verlag #CV
16.302/00. Published by
Carus Verlag
(CA.1630200).
ISBN
9790007099695. Language:
all languages.
The
viola solo courbe 2 is
based on an excerpt from
the viola part in the
Trio for flute, viola and
harp << courbes >> -
sequences. In the densest
time curve of this piece
the viola plays the
leading role for a span
of almost three minutes.
This material is taken
from the Trio, presented
and divided into separate
parts. courbe 2 is three
times longer in duration
than the Trio excerpt
from which it is derived.
The musical text of the
individual fragments
remains as it is in the
original, but, pulsating,
demarcated in seconds.
Fissures emerge between
the fragments, windows
open: - to harmonic
fields, central sounds,
taken over from the
reverberations, from
which new tone material
is derived; the fields in
turn are distorted and
spacialised by the
electronics - to metrical
structures and pulses
freed from the individual
motives of the original
musical text, which forms
new variants in
interaction with these
fields. Thus in courbe 2
which, as already
indicated, is three times
longer in duration than
the original, three
musical levels are
interpenetrated, whereby
all three are derived
from one tone, which
plays an absolutely
central role in most of
my works. It is a
reference to the French
writer Anne-Marie Albiach
(and to her great text <<
H II >> lineaires), and
it remains as the only
tone at the end of the
piece, definitively,
determining everything, b
= 247 Hertz. Walter
Feldmann.