By Dusik Jan Ladislav. Czech title: Sest sonatin pro harfu. Published by Praha (Czech import).

Harp Solo. By Sophia Giustani Dussek, Johann Ladislaus Dussek. Arranged by Nicanor Zabaleta. (Harp). Schott. Size 9.25x12 inches. 12 pages. Published by Schott.

Harp (Harp)

SKU: HL.48181033

Composed by Alphonse Hasselmans. Leduc. Classical, Romantic. Softcover. 25 pages. Alphonse Leduc #AL20037. Published by Alphonse Leduc (HL.48181033).

UPC: 888680868758. 9.0x12.0x0.198 inches.

Written by Francois Joseph Naderman (1781-1835), Sonatinas Progressive, Op. 92 consists of a series of seven small sonatas. The level of difficulty alternates between intermediate and advanced as these can be played at different speeds but necessitates some strong technique as well as some pedal changes. These Sonatinas Progressive, Op. 92 are still considered as some of the most famous pieces of the harp repertoire today. Francois Joseph Naderman was a classical harpist, composer and teacher at the Paris Conservatoire. His vocation was developed by growing up as the son of a Luthier harp maker. He also wrote Sonatas for harp, harp and cello, studies and other pieces.

Chamber Music harp

SKU: PR.110406720

Composed by Samuel Adler. Classical. Softcover. With Standard notation. Duration 14 minutes. Theodore Presser Company #110-40672. Published by Theodore Presser Company (PR.110406720).

UPC: 680160001316.

I have always been fond of writing works for specific people or organizations. It has been my good fortune during most of my creative career to be asked to compose for many extraordinary performers. The Sonata for Harpsichord Solo is such a case in point: it was written in 1982 for Barbara Harbach, a superb performer, close friend, and collaborator on many musical projects. The Sonata was premiered on March 2, 1984, in a recital given by Dr. Harbach at Nazareth College in Rochester, New York. During my formative years as a composer, one seldom heard of the harpsichord as a modern instrument, though while I attended undergraduate school at Boston University, some of us banded together to construct a small harpsichord from one of the first do-it-yourself kits which began to appear in the late '40s. It was also during this time that I heard the Sonatina for Violin and Harpsichord by my teacher Walter Piston and consequently specified that the accompanying instrument for my second violin sonata could either be a piano or a harpsichord. It was not until recently, however, that my interest in the harpsichord as a solo instrument for new music was aroused. This was because of the emergence of so many young virtuosi, such as Barbara Harbach, who are interested in the performance of new music besides the great harpsichord music of the Classical, Baroque, and pre-Baroque eras. The keyboard music of Domenico Scarlatti has always intrigued and fascinated me. The brevity, excitement, and clarity of this sparkling music is charming as well as exhilarating. It is this type of Baroque sonata that inspired the conception and form of my harpsichord sonata. The entire work is loosely based on the musical translation of Barabara Harbach's name, especially the conflict of the B (B-flat) and H (B-natural in German notation). This secondo rub or dissonance especially pervades the first movement, which is in a modified sonata form, pitting jagged and tense melodic elements against most lyrical and smooth lines. This second movement is a song-like melody accompanied by rolled chords which may be played on the lute stop of the instrument if this sonata is performed on a two-manual harpsichord. The final movement is an ever-driving joyous toccata which brings the work to an exciting close with a coda made up of accelerating repeated chords. --Samuel Adler.

Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart, arranged for harp by Ekaterina Afanasieva (2015). Composed by Fazil Say. Arranged by Ekaterina Afanasieva. This edition: Saddle stitching. Sheet music. Der Finalsatz der Sonate A-Dur KV 331 von Wolfgang Amadeus Mozart, das Rondo Alla Turca, ist eines der bekanntesten Klavierstucke uberhaupt. An diese Popularitat knupft das als effektvolle Zugabe entstandene Stuck von Faz?l Say in der Bearbeitung fur Harf. Classical. Single sheet. Composed 1993. Op. 5b. 8 pages. Duration 4'. Schott Music #ED22797. Published by Schott Music

For Harp. Composed by Various. Leduc. Classical. Softcover. 12 pages. Alphonse Leduc #AL20132. Published by Alphonse Leduc

By Paul McCartney, John Lennon. Arranged by Sylvia Woods. Harp. Softcover. 144 pages. Published by Hal Leonard.

[Towards the Fountain in the Woods pour la Harpe]. Composed by Marcel Tournier (1879-1951). Leduc. Classical. Softcover. 10 pages. Alphonse Leduc #AL20002. Published by Alphonse Leduc

For Folk Harp. Instructional. Softcover with CD. 48 pages. Published by Hal Leonard

Selected from Bach Sonatas and Partitas for Unaccompanied Violin. By Johann Sebastian Bach. For Harp Solo. Bach-Grandjany. Classical. Soft Cover. 63 pages. Published by Carl Fischer.

[The Wet Garden for Harp]. Composed by Jacques de la Presle. Leduc. Classical. Softcover. 7 pages. Alphonse Leduc #AL20001. Published by Alphonse Leduc

For Harp. Composed by Henriette Renie (1875-1956). Leduc. Post-1900. Softcover. 11 pages. Alphonse Leduc #AL20157. Published by Alphonse Leduc

Composed by Various. Leduc. Classical. Softcover. 14 pages. Alphonse Leduc #AL20163. Published by Alphonse Leduc

For Harp. Composed by Various. Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #AL20133. Published by Alphonse Leduc

Harp - Grade 3

SKU: RM.SL10695

Composed by Bochsa H.N. Harpe. Instrumental music. Duration 24 minutes, 30 seconds. Editions Robert Martin #SL10695. Published by Editions Robert Martin (RM.SL10695).

ISBN 9790231096958.

(Harp). Editions Durand. Book only. Size 8.5x11.75 inches. 20 pages. Published by Durand.

Harp

SKU: FG.55011-912-3

Composed by Tauno Marttinen. Classical, contemporary. Score. Fennica Gehrman #55011-912-3. Published by Fennica Gehrman (FG.55011-912-3).

ISBN 9790550119123.

Luon nonjumala (God of Nature) is Tauno Marttinen’s adaption for harp of his piano suite Taara op. 34. The manuscript for harp was found in January 2024 by Rauno Marttinen, composer’s son.

Duration: c. 15’
Movements:
1. Virran ääniä | The Voices of the Stream
2. Luonnonjumalan lähde | The Spring of God of Nature
3. Metsässä tuulee |The Wind Blows through the Forest

Tauno Marttinen (1912–2008) studied in Viipuri and later in Helsinki at the Helsinki Conservatoire. His piano teachers were Ilmari Hannikainen and Selim Palmgren, but he soon became increasingly interested in composing. Marttinen was also the conductor of the Hämeenlinna City Orchestra in 1949−1958 and the founder and principal of the Hämeenlinna Music Institute.

Marttin en started his composing career in late Romantic vein. However, his first concerts in the 1940s met with criticism since the winds of Modernism had already landed in Finland. He then became interested in Dodecaphony and studied under Vladimir Vogel in Ascona but later abandoned strict dodecaphony and found his own, personal style incorporating elements from Neo-classicism and free-tonality with a hint of mysticism – he was called the Shaman of Hämeenlinna (his hometown).

Tauno Marttinen was an incredibly productive composer; he wrote around four hundred works with opus numbers as well as a wealth of other pieces. His oeuvre includes 10 symphonies, concertos for various solo instruments, operas as well as vocal, chamber and instrumental works. Many of Marttinen’s pieces have become popular standard repertoire, such as the piano piece Kimalluksia (Gleams).

Harp

SKU: HL.48181739

Composed by Pierrick Houdy. Leduc. Classical. Softcover. 5 pages. Alphonse Leduc #AL21596. Published by Alphonse Leduc (HL.48181739).

UPC: 888680862275. 9x12 inches.

“Born in 1929, French composer, Pierick Houdy was a student of Olivier Messiaen at the Paris Conservatoire. He led a successful career as director of many institutions and choirs, and his compositions remain known to this day, Sonata for Harp being no exception. Composed in 1983, Sonata for Harp contributes to a substantial catalogue of works by Houdy. The Sonata comprises three movements and a typical performance lasts about twelve minutes. The work is modern in style and addresses a range of technical features. Suitable for advanced harpists, Houdy's Sonata for Harp is an exciting addition to the contemporary Harp repertoire and makes for a evocative performance.&rdquo.

By J.J. Thomas. Arranged by Martine Geliot. For Harp. Standard notation. Published by Gerard Billaudot Editeur

Music from Historical Collections. Composed by Star Edwards. Saddle- stitched. Book. 64 pages. Published by Mel Bay Publications, Inc

Chamber Music harp

SKU: PR.114415700

For Harp. Composed by Gary Schocker. Sws. Contemporary. Performance Score. With Standard notation. Composed August 5 2011. 12 pages. Duration 8 minutes. Theodore Presser Company #114-41570. Published by Theodore Presser Company (PR.114415700).

ISBN 9781598064711. UPC: 680160612284. 9x12 inches.

Schocker's first harp Sonata offers three movements (1. Changes; 2. Procession, Remembering; 3.Facing Forward) in approachable form for advancing students Perfect for year-end recitals. For intermediate to advanced. Duration: 8'_______________________ ________________SONATA NO. 1 for Harp (114-41570)With the same spontaneous gift and gusto that Gary Schocker has offered the flute world, providing a rich library of solo works and chamber music, Schocker has recently turned his creative generosity to harp. The 8-minute SONATA NO. 1 is within the reach of intermediate players, and set in three movements: Changes; Procession, Remembering; and Facing Forward. .

For Harp. Composed by Marcel Tournier (1879-1951). Leduc. Classical. Softcover. 18 pages. Alphonse Leduc #AL20059. Published by Alphonse Leduc

Harp

SKU: UT.MAG-276

Composed by Ludwig van Beethoven. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 276. Published by Ut Orpheus (UT.MAG-276).

ISBN 9790215326880. 9 x 12 inches.

Johannes Snoer is not one of the most remembered harpists today, but his didactic work was really important and can still be useful today.
For didactic purposes, he also published collections of simple pieces by great composers transcribed for harp.
Among his transcriptions there is the Adagio from Sonata n. 5 in C minor, op. 10 no. 1, by Ludwig van Beethoven, subject of this edition. The original musical text has been left unchanged, only the ornamentation has been written in full and the harp fingerings and indications relating to the movement of the pedals have been added. The work brings the dedication to Mr. H. Rutters, probably a relative of his wife Antoinette.

(Hors Serie. Musica Varia). By Sophia Corri. Edited by Floraleda Sacchi. For harp. 76 pages. Published by Ut Orpheus

Harp

SKU: UT.HS-213

Composed by Vito Giuseppe Millico. Edited by Alice Talignani. Saddle stitching. Classical. 52 pages. Ut Orpheus #HS 213. Published by Ut Orpheus (UT.HS-213).

ISBN 9790215323025. 9 x 12 inches.

Harp

SKU: UT.MAG-212

Composed by Christian Hochbrucker. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Score. Ut Orpheus #MAG 212. Published by Ut Orpheus (UT.MAG-212).

ISBN 9790215316188. 9 x 12 inches.