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Depuis le 1er juillet 2021, Sheet Music Plus n'expédie plus d'articles physiques en zone Européenne!
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76 Disney Songs for the Harp (Folk Harp) Harpe Hal Leonard
Arranged by Sylvia Woods. Harp. Size 8.5x11 inches. 173 pages. Published by Hal ...(+)
Arranged by Sylvia Woods.
Harp. Size 8.5x11 inches.
173 pages. Published by
Hal Leonard.
$39.99 - Voir plus => Acheter Délais: 24 hours - In Stock
The Road Home From Skye: Scottish and Irish Tunes for Celtic Harp Harpe - Intermédiaire Mel Bay
Saddle-stitched, Solos. Scottish. Book. 72 pages. Mel Bay Publications, Inc #3...(+)
Saddle-stitched, Solos.
Scottish. Book. 72 pages.
Mel
Bay Publications, Inc
#30925.
Published by Mel Bay
Publications, Inc
$19.99 - Voir plus => Acheter Délais: 1 to 2 weeks
Impromptu Harpe Martin, Robert
Harp SKU: RM.SL10386 Composed by Jean Louis Cadee. Harpe. Instrumental mu...(+)
Harp
SKU:
RM.SL10386
Composed
by Jean Louis Cadee.
Harpe. Instrumental
music. Editions Robert
Martin #SL10386.
Published by Editions
Robert Martin
(RM.SL10386).
ISBN
9790231093865.
$18.95 - Voir plus => Acheter Délais: 4 to 6 weeks
Harpe De Graziella Harpe [Conducteur] Lemoine, Henry
Harp SKU: LM.24631 Composed by Monique Gabus. Classical. Score. Editions ...(+)
Harp
SKU: LM.24631
Composed by Monique
Gabus. Classical. Score.
Editions Henry Lemoine
#24631. Published by
Editions Henry Lemoine
(LM.24631).
ISBN
9790230946315.
Dans
les montagnes - La petite
biche - Crepuscule sur le
lagon - Melodie -
Ritournelle bretonne - Le
jardin des tourterelles -
Au bord du fleuve -
Flutes indiennes - Les
jardins flottants de
Xochimilco - La deesse
des fleurs.
$21.95 - Voir plus => Acheter Délais: 3 to 4 weeks
Seven Verses Harpe - Avancé Schott
Harp - advanced SKU: HL.49046174 On Seven Fixed Notes and One Variable...(+)
Harp - advanced
SKU:
HL.49046174
On
Seven Fixed Notes and One
Variable Note Harp .
Composed by Heinz
Holliger. This edition:
Saddle stitching. Sheet
music. String Solo.
Classical. Softcover.
Composed 2008. 12 pages.
Duration 270 seconds.
Schott Music #ED22528.
Published by Schott Music
(HL.49046174).
ISBN
9790001160766. 0.083
inches.
In this
solo piece written by
Heinz Holliger for his
wife, he notated the
dying away of individual
tones. Powerfully
plucked, stimulated
microtonally by harmonics
or quivering runs, they
ultimately drop to the
deepest bass.
$7.99 - Voir plus => Acheter
Stalk Harpe Schott
(for Harp). Composed by Hannah Lash. For Harp. Instrumental Solo. 12 pages. Scho...(+)
(for Harp). Composed by
Hannah Lash. For Harp.
Instrumental Solo. 12
pages. Schott Music
#ED30056. Published by
Schott Music
$12.99 - Voir plus => Acheter Délais: 24 hours - In Stock
Making Music for Folk Harp Harpe [Partition + Accès audio] - Débutant Mel Bay
Composed by Susan Raimond. Book and Online Audio. Published by Mel Bay Publicati...(+)
Composed by Susan
Raimond. Book and Online
Audio. Published by Mel
Bay Publications, Inc
(MB.96704M).
$14.99 - Voir plus => Acheter Délais: 1 to 2 weeks
Marcel Tournier: Intermediate Pieces for Solo Harp, Volume II Harpe Carl Fischer
Chamber Music harp SKU: CF.H84 Composed by Marcel Tournier. Edited by Car...(+)
Chamber Music harp
SKU: CF.H84
Composed by Marcel
Tournier. Edited by Carl
Swanson. Collection -
Score. Carl Fischer Music
#H84. Published by Carl
Fischer Music (CF.H84).
ISBN 9781491165539.
UPC:
680160924530.
Marce
l Tournier
(1879–1951) was
one of the most important
harpist/composers in the
history of the harp. Over
his long career, he added
a significant catalogue
of very beautiful works
to the harp repertoire.
Many of his solo works,
almost one hundred, have
been consistently in
print since they were
first published. But in
recent years harpist Carl
Swanson has discovered a
treasure trove of pieces
by Tournier heretofore
unknown and unpublished.
These include the
Déchiffrages in this
edition, as well as songs
set for voice, harp, and
string quartet, and
ensemble arrangements of
some of his most beloved
works.All of the works
that Carl Swanson found
were in manuscript only.
With the help of the
great harpist Catherine
Michel, he has put these
pieces into playable
form, and they are being
published for the very
first time. He and
Catherine often had to
re-notate passages to
show clearly how they
could be played, adding
fingerings and musical
nuances, tempos, pedals,
and pedal
diagrams.Tournier wrote
these pieces when he was
in his 20s, and before he
became the
impressionistic composer
those familiar with his
work know so well. They
are written in the late
nineteenth-century
romantic style that was
being taught at that time
at the Paris
Conservatory. They are
beautiful short,
intermediate level pieces
by a first rate composer,
and add much needed
repertoire to that level
of playing. Marcel
Tournier
(1879–1951) was
one of the most important
harpist/composers in the
history of the harp. He
graduated from the Paris
Conservatory with a first
prize in harp in 1899. He
also studied composition
there and won a second
prize in the prestigious
Prix de Rome competition,
as well as a first prize
in the Rossini
competition, another
major composition
competition of the day.
From 1912 to 1948 he
taught the harp class at
the Paris Conservatory.
But composition, and
almost entirely,
composition for the harp,
was the main focus of his
life. His published
works, including many
works for solo harp, a
few for harp and other
instruments, and several
songs, number around one
hundred pieces.In 2019,
while researching
Tournier for my edition
MARCEL TOURNIER: 10
Pieces for Solo Harp, I
discovered that there was
a significant list of
pieces by this composer
that had never been
published and were not
included on any inventory
of his music. Principal
on this list were his
déchiffrages
(pronounced
day-she-frahge, like the
second syllable in the
word garage).The word
déchiffrage means
sight-reading exercise,
and that was their
original purpose.
Tournier numbered and
dated these pieces, with
dates ranging from 1900
to 1910, indicating that
they were in all
likelihood written for
Alphonse
Hasselmans’ class
at the Paris
Conservatory. Tournier
was probably told how
long to make each one,
and how difficult. They
range in length from two
to four pages, with only
one in the whole series
extending to five, and
from thirty to fifty-five
measures, with only one
extending to eight-five.
The level of difficulty
for the whole series is
intermediate, with some
at the easier end, and
others at the middle or
upper end.We don’t
know if they were
intended to test students
trying to enter the harp
class, or if they were
used to test students in
the class as they played
their exams. The fact
that they were never
published means that
students had to not only
sight read them, but
sight read them in
manuscript form!I worked
from digital images of
the original manuscripts,
which are in the private
music library of a
harpist in France. She
had twenty-seven of these
pieces, and this edition
is the second in a series
of three that will
publish, for the first
time, all of the ones
that I have found thus
far. The manuscripts
themselves consist of
little more than notes on
the page: no pedals
written in, no
fingerings, few if any
musical nuances and tempo
markings, and no clear
indication as to which
hand plays which notes.
These would have been
difficult to sight read
indeed! My collaborator
Catherine Michel and I
added musical nuances,
fingerings, pedals and
pedal diagrams, and tempo
indications to put them
into their current
condition.At the time
these were written,
Tournier would have been
in his twenties, having
just graduated from the
harp class himself
(1899), and might still
have been in the
composition class. These
are the earliest known
pieces that he wrote, and
they were written at the
very beginning of a
cultural revolution and
upheaval in Paris that
was to completely and
profoundly alter musical
composition. Tournier
himself would eventually
be caught up in this new
way of composing. But not
yet.All of the
déchiffrages are
written in the late
romantic style that was
being taught at that time
at the Paris
Conservatory. Each one is
built on a clear musical
idea, and the variety
over the whole series
makes them wonderful to
listen to as well as to
learn. They are also
great technical lessons
for intermediate level
players.The obvious
question is: Why
didn’t Tournier
publish these pieces, and
why didn’t he list
them on his own inventory
of his music? Actually,
four of them were
published, with small
changes, as his
collection Four Preludes,
Op. 16. These came from
the ones that will be in
volume three of this
series from Carl Fischer.
His first large piece,
Theme and Variations, was
published in 1908, and
his two best known and
frequently played pieces,
Féerie and Au Matin,
followed in 1912 and 1913
respectively. We can only
speculate because there
is so much still unknown
about Tournier and about
these unpublished pieces.
He may have looked at
them, fresh out of school
as he was, as simply a
way to make some quick
money. The first several
pieces that he did
publish are much longer
than any of the
déchiffrages. So it
could be that, because of
their shorter length, as
well as the earlier
musical style that he was
moving away from, he
chose not to publish any
more of them. We may
never know the full
story. But all these
years later, more than a
century after they were
composed, we can listen
to them for their own
merits, and not measured
against whatever else was
going on at the time. The
numbers on these pieces
are the ones that
Tournier assigned to
them, and the gaps
between some of the
numbers suggest that
there are perhaps thirty
or more of these pieces
still to be found, if
they still exist. They
will, in all likelihood,
be found, as these were,
in private collections of
harp music, not in
institutional libraries.
We can only hope that
more of them will be
located in years to
come.—Carl
SwansonGlossary of French
Musical TermsTournier was
very precise about how he
wanted his pieces played,
and carefully
communicated this with
many musical indications.
He used standard Italian
words, but also used
French words and phrases,
and occasionally mixed
both together. It is
extremely important to
observe and understand
everything that he put on
the page.Here is a list
of the French words and
phrases found in the
pieces in this edition,
with their
translation.bien
chanté well sung,
melodiousdécidé
firm, resolutediminu peu
à peu becoming softer
little by littleen
diminuant becoming
softeren riten. slowing
downen se perdant dying
awayGaiement gayly,
lightlygracieusement
gracefully,
elegantlyLéger light,
quickLent slowmarquez le
chant emphasize the
melodyModéré at a
moderate tempopeu Ã
peu animé more lively,
little by littleplus lent
slowerRetenu held
backsans lenteur without
slownesssans retinir
without slowing downsec
drily, abruptlysoutenu
sustained, heldtrès
arpegé very
arpeggiatedTrès
Modéré Very
moderate tempoTrès peu
retenu slightly held
backTrès soutenu very
sustainedun peu retenu
slightly held back.
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52 Scottish Songs For All Harps Fifty Two Book Harpe Hal Leonard
52 Scottish Songs for All Harps arranged by Sylvia Woods. For Harp, Folk Harp. H...(+)
52 Scottish Songs for All
Harps arranged by Sylvia
Woods. For Harp, Folk
Harp. Harp. 112 pages.
Published by Hal Leonard
$22.99 - Voir plus => Acheter Délais: 24 hours - In Stock
Carolan: The Life Times And Music Of An Irish Harper Harpe [Partition] Ossian Publications
By Turlough O Carolan ; Donal O'sullivan. For Harp. Irish, Folk, Celtic. 380 pag...(+)
By Turlough O Carolan ;
Donal O'sullivan. For
Harp. Irish, Folk,
Celtic. 380 pages.
Published by Ossian
Publications.
$49.95 - Voir plus => Acheter Délais: 24 hours - In Stock
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