Harp

SKU: UT.MAG-158

Vol. 1. Composed by Gioachino Rossini. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Score and Parts. Ut Orpheus #MAG 158. Published by Ut Orpheus (UT.MAG-158).

ISBN 9790215309791. 8.26 x 11.69 inches. Transcribed by Robert Nicolas Charles Bochsa.

Piano pianissimo senza parlar; Ecco ridente in cielo; Largo al factotum della città; All’idea di quel metallo

Books and Journals; Harp

SKU: UT.LB-3

Composed by Mirella Vita. Paperback (Soft Cover). Classical. Books and Journals. Ut Orpheus #LB 3. Published by Ut Orpheus (UT.LB-3).

ISBN 9788881094462. 6.5 x 9.5 inches.

«Sono stata un?arpista attiva per mezzo secolo. Come tutti i miei colleghi, ho dovuto affrontare le difficoltà create dalla leggenda che l?arpa non abbia né musica, né storia.
Fortunatamente, nel corso della mia carriera, ho potuto constatare che questa diceria è infondata e ho cercato di mettere in risalto almeno una piccola parte dell?immenso repertorio antico e moderno di questo strumento considerato un Paria della musica.
Il lavoro è stato piano e diretto per i libri che ho scritto sulla musica d?arpa italiana e svizzera, perché basato su precisi titoli e frontespizi; la ricerca sarebbe stata ugualmente scorrevole per i libri che non scriverò sulla musica d?arpa francese, tedesca, austriaca, britannica, boema, spagnola, portoghese e scandinava.
Per la musica olandese il cammino è un po? diverso: i pittori, i trattatisti e gli storici sono i testimoni e le guide che aiutano a ritrovare gli usi e i costumi musicali nei quali l?arpa aveva una parte importante.
Il concertista in cerca di pezzi potrà utilizzare così questo libro: dopo i trattati (capitolo II), i dipinti (capitolo III), la storia e la cronaca (capitoli IV-VII), autori e musiche (capitoli VIII e IX), biblioteche ed editori (capitoli X e XI), arriverà all?indice secondo le formazioni strumentali (capitolo XII).
Potrà cominciare dal cercare, in quest?ultimo capitolo, gli Autori adatti al suo gruppo e al suo programma; ritroverà i relativi dettagli nei capitoli VIII e IX; otterrà i pezzi seguendo le indicazioni dei capitoli X, XI e XII; e buona caccia, buono studio, buone prove!
Nel cercare di stabilire che cosa sia olandese o non-olandese nella musica antica è stata seguita l?abitudine corrente di considerare patrimonio comune dei Paesi Bassi l?arte e la storia anteriori alla separazione delle "Sette Province" nel secolo XVI; e specificamente olandese tutto ciò che accadde in quei coraggiosi territori da allora in poi.»

Harp

SKU: LM.24631

Composed by Monique Gabus. Classical. Score. Editions Henry Lemoine #24631. Published by Editions Henry Lemoine (LM.24631).

ISBN 9790230946315.

Dans les montagnes - La petite biche - Crepuscule sur le lagon - Melodie - Ritournelle bretonne - Le jardin des tourterelles - Au bord du fleuve - Flutes indiennes - Les jardins flottants de Xochimilco - La deesse des fleurs.

Harp (Harp)

SKU: HL.50585721

Composed by Alfredo Casella. Salabert. Score Only. Composed 1984. Editions Salabert #SLB5514. Published by Editions Salabert (HL.50585721).

Harp

SKU: HL.50496567

Composed by Alfredo Casella. MGB. Score Only. Composed 1984. Editions Salabert #SLB727. Published by Editions Salabert (HL.50496567).

By Star Edwards. For Harp (Folk/Celtic). Solos. Early Music/Renaissance. Level: Beginning-Intermediate. Book. Size 8.5x11. 40 pages. Published by Mel Bay Publications, Inc.

Harp

SKU: HL.14007563

Harp Solo. Composed by Per Norgard. Music Sales America. Classical. Book [Softcover]. 6 pages. Music Sales #KP01320. Published by Music Sales (HL.14007563).

ISBN 9788759867587. UPC: 888680753047. 10.5x14.0x0.033 inches.

Consolation - Like A Roselike Flower (Consolazione - Flos Ut Rosa) for Harp solo by Per Norgard (2002). Written for and dedicated to Tine Rehling. Programme note by the composer: The concept of Mary has a depth that transcends all religious persuasions. All over the earth symbols of the gentle and maternal are known. But the word 'Maria' is also associated - in sound - with the Latin word for the sea, mare, and she thus become the Star of the Sea, Maris Stella.  In my 3rd Symphony the Maria motif is used in a hymn section in the second, and last, part of the work. The choral song “Flos ut rosa floruit” was composed directly in the context of the symphony, and themelody had a 'stamina' that carried it over into many later vocal and choral compositions, for instance the “Concerto for Harp No. 2 - through thorns” (2003) and the present Consolazione for harp solo , both works dedicated to Tine Rehling. .

Arranged by Sylvia Woods. Harp. Size 8.5x11 inches. 173 pages. Published by Hal Leonard.

By Christina Perri. Arranged by Sylvia Woods. For Harp. Harp. Softcover. 4 pages. Published by Hal Leonard

Books and Journals; Harp

SKU: UT.LB-4

Composed by Mirella Vita. Paperback (Soft Cover). Classical. Books and Journals. Ut Orpheus #LB 4. Published by Ut Orpheus (UT.LB-4).

ISBN 9788881094479. 6.5 x 9.5 inches.

â??During my career spanning half a century, like all my fellow harpists I constantly had to grapple with the commonly held view that the harp has neither music nor history of its own.
Fortunately, over the years I have been able to give the lie to this myth and have tried to bring to light some of the vast repertoire, both early and modern, expressly composed for this instrument which has been treated somewhat as an outsider in the musical world.
The research work for my books on Italian and Swiss harp music was plain sailing because source materials were specific titles and title pages. Were I to write books on French, German, Austrian, British, Bohemian, Spanish, Portuguese or Scandinavian harp music, the work involved would be equally smooth and straightforward.
Howev er, where Dutch music is concerned, the approach is rather different, because here it is the painters, treatise-writers and historians who provide the evidence and guidance necessary to discover the musical customs and traditions where the harp played a significant part.
Performers looking for pieces of music may use this book as follows: chapter II deals with treatises, chapter III with paintings, chapter IV with history and research accounts. Chapters V and VI are concerned with confusions in terminology. Chapter VII describes recent developments and chapters VIII and IX cover composers and pieces of music. Libraries and publishers are listed with their addresses in chapters X and XI, and finally chapter XII consists of the index based on the various groups of performers.
In this last chapter harpists will find the composers most suited to their programme, and can then turn to chapters VIII and IX for details. The actual pieces can be obtained by consulting chapters X and XI. I wish you every success in your search, in your rehearsals and in your concerts !
In order to define what is Dutch or non-Dutch in early music, I have followed the current approach, i.e. all art and history prior to the separation of the â??Seven Provin­ces in the 16th century is the common heritage of the Low Countries, whereas everything pertaining to those courageous lands from then onwards is specifically Dutch..

Harp

SKU: NR.17735

Per pianoforte, opus 3, 1930. Composed by Attilio Brugnoli. Keyboard instruments. Score. Noten Roehr #17735. Published by Noten Roehr (NR.17735).

Preludio, Pulcinella, Colombina, Tarantella, Intermezzo, Canzonetta, Notturno.

Harp

SKU: BT.DV-21943

By Anna Castellari. Composed by Leonardo Leo. Book Only. Composed 2022. 40 pages. Da Vinci Publishing #DV 21943. Published by Da Vinci Publishing (BT.DV-21943).

English-Italian.