Harp SKU: UT.MAG-221 Composed by Martin-Pierre Dalvimare. Edited by Anna ...(+)
Harp
SKU:
UT.MAG-221
Composed
by Martin-Pierre
Dalvimare. Edited by Anna
Pasetti. Saddle
stitching. Magadis.
Classical. Ut Orpheus
#MAG 221. Published by Ut
Orpheus (UT.MAG-221).
ISBN 9790215318625. 9
x 12
inches.
Martin-Pier
re Dalvimare, born in
1770, in Dreux
(Eure-et-Loir), from a
distinguished family,
learnt music as an
entertainment art, and
was obliged to make it a
resource for his
existence, after the
troubles of the
Revolution in 1789. He
had acquired a remarkable
talent for the harp; when
he arrived in Paris he
made a very good
impression. Then, man of
the world, knowledgeable
in many fields, which is
rare for a musician, he
was welcome everywhere,
and very soon came in
friendly terms with some
of the most renowned
artists and men of
letters of his times. The
marriage certificate of
the poet Legouve (15
pluviose of the year XI,
or February 1803, 12th
municipality of Paris),
shows that Dalvimare was
one of his best men and
that at the time he was
thirty-two years old. He
became harpist of the
Opera in the year VIII
(1800), and was
definitively confirmed in
the month of fructidor of
the year IX. At the time
of the institution of the
emperor Napoleon's
private music, M.
Dalvimare was appointed
as his harpist. In
September 1807 he
obtained the title of
harp master of the
empress Josephine. A
lucky change of his
fortune allowed this
artist to renounce to
practise his talent for
living, he resigned from
all of his positions on
March, 12th, 1812, and he
retired in Dreux, where
he still was living in
1837. For a peculiar
weakness, he does not
like to speak about his
artist career, which had
been entirely honourable,
and he would like to
forget his success too.
His first composition was
a symphonie concertant
for harp and horn, which
he composed with Frederic
Duvernoy, and published
in the year VII (1798);
notwithstanding, he
counted as his first opus
a collection of romances
with accompaniment of
piano or harp, which he
later published with
Pleyel.
In 1809
Dalvimare composed, for
the theatre Feydeau, a
one-act opera-comique
called The Marriage for
Imprudence. The music was
weak; the work did not
succeed, and people used
to say that the greatest
imprudence had been the
one of the authors who
had it performed.
Nevertheless, the score
of this opera was
published in Paris by
erard. (Francois-Joseph
Fetis).
Harp (Harp) SKU: HL.48181033 Composed by Alphonse Hasselmans. Leduc. Clas...(+)
Harp (Harp)
SKU:
HL.48181033
Composed
by Alphonse Hasselmans.
Leduc. Classical,
Romantic. Softcover. 25
pages. Alphonse Leduc
#AL20037. Published by
Alphonse Leduc
(HL.48181033).
UPC:
888680868758.
9.0x12.0x0.198
inches.
Written by
Francois Joseph Naderman
(1781-1835), Sonatinas
Progressive, Op. 92
consists of a series of
seven small sonatas. The
level of difficulty
alternates between
intermediate and advanced
as these can be played at
different speeds but
necessitates some strong
technique as well as some
pedal changes. These
Sonatinas Progressive,
Op. 92 are still
considered as some of the
most famous pieces of the
harp repertoire today.
Francois Joseph Naderman
was a classical harpist,
composer and teacher at
the Paris Conservatoire.
His vocation was
developed by growing up
as the son of a Luthier
harp maker. He also wrote
Sonatas for harp, harp
and cello, studies and
other pieces.
Harp SKU: BT.HU3268 Revised edition. Composed by Joseph Haussler. ...(+)
Harp
SKU:
BT.HU3268
Revised
edition. Composed by
Joseph Haussler. Book
Only. 6 pages. Harmonia
#HU3268. Published by
Harmonia (BT.HU3268).
ISBN 9789043146647. A4
(210X297) inches.
International.
Cont
ents: I. Theme -
ascribed to Wolfgang A.
Mozart - with variations
for harp by Joseph
Häussler. II.
Variations on Mozarts
Joseph Häussler theme
for harp or celtic harp
by Ank van
Campen.
Inhalt:
I. Thema - Wolfgang
A. Mozart zugeschrieben -
mit Variationen für
Harfe von Joseph
Häussler. II.
Variationen über Joseph
Häusslers Mozartthema
für Harfe oder keltische
Harfe von Ank van
Campen.
Harp SKU: UT.MAG-274 Composed by Philipp-Joseph Hinner. Edited by Frances...(+)
Harp
SKU:
UT.MAG-274
Composed
by Philipp-Joseph Hinner.
Edited by Francesca La
Carrubba Jessica
Pettenà . Saddle
stitching. Magadis.
Classical. Score and
Parts. Ut Orpheus #MAG
274. Published by Ut
Orpheus (UT.MAG-274).
ISBN 9790215326859. 9
x 12
inches.
Rediscoveri
ng, studying and
analyzing the musical art
of Philipp Joseph Hinner
means enhancing a piece
of the eighteenth-century
harp music mosaic.
Hinner's work intrigues
for its extraordinary
simplicity, for its
regularity and harmony;
the ordered balance of
the parts, symmetry and
sense of proportion are
essential elements for
the author, and give
character and unity to
his work. The harp
repertoire has long been
overshadowed by the
keyboard one, which
boasts extensive solo and
chamber literature, and
consolidated for over two
centuries. The
rediscovery of the
history of our
instrument, however, is
still recent and the
research work in the
field of harp music is
still long. Hinner,
with the apparent
simplicity of his opus
10, can thus regain his
role in the harp
repertoire of the
eighteenth century, as
well as covering a
considerable didactic
value today. The part of
the first harp
undoubtedly presents
characteristics of
greater rhythmic and
virtuosic complexity than
that of the second, which
consists of a continuous
accompaniment
interspersed with simple
thematic imitated
episodes. Furthermore in
the composition are
included arias such as
O ma tendre
Musette, a French
popular melody of the
18th century (previously
set to music by
Pierre-Alexandre
Monsigny), and <>, taken from
the opera-comique
L'erreur d'un moment
ou la Suite de Julie
by Nicolas Dezede, as
well as themes from
Gluck's Iphigenie en
Aulide, which had
been all used also by
Hinner's first harp
master, Francesco Petrini
(1744-1819). Hinner's
opus 10, originally
written in separate parts
for two harps, or harp
and fortepiano, is
presented here updated
and completed with its
score, for a thorough
perception of the
work.
Christmas Eve Harpe [Partition] - Intermédiaire Mel Bay
arranged by Sunita Staneslow. For Harp (Folk/Celtic). solos. Maxemillan Prod. Ch...(+)
arranged by Sunita
Staneslow. For Harp
(Folk/Celtic). solos.
Maxemillan Prod.
Christmas. Level:
Intermediate. Book. Size
8.75x11.75. 56 pages.
Published by Mel Bay
Publications, Inc.
Harp SKU: PR.574002050 Composed by Josef Tal. With Standard notation. Dur...(+)
Harp
SKU:
PR.574002050
Composed
by Josef Tal. With
Standard notation.
Duration 6 minutes.
Israel Music Institute
#574-00205. Published by
Israel Music Institute
(PR.574002050).
Harp SKU: PR.574005010 Composed by Josef Tal. With Standard notation. Dur...(+)
Harp
SKU:
PR.574005010
Composed
by Josef Tal. With
Standard notation.
Duration 7 minutes.
Israel Music Institute
#574-00501. Published by
Israel Music Institute
(PR.574005010).
Harp SKU: PR.574005000 Composed by Josef Tal. With Standard notation. Dur...(+)
Harp
SKU:
PR.574005000
Composed
by Josef Tal. With
Standard notation.
Duration 9 minutes.
Israel Music Institute
#574-00500. Published by
Israel Music Institute
(PR.574005000).
(Cahier No. 1: 30 Etudes Progressives). By Francois Joseph Nadermann (1781-1835)...(+)
(Cahier No. 1: 30 Etudes
Progressives). By
Francois Joseph Nadermann
(1781-1835). Arranged by
Edmund Schuecker. For
Harp. Standard notation.
Published by Gerard
Billaudot Editeur
Harp SKU: UT.MAG-258 Composed by François Joseph Dizi. Edited by Anna ...(+)
Harp
SKU:
UT.MAG-258
Composed
by François Joseph
Dizi. Edited by Anna
Pasetti. Saddle
stitching. Magadis.
Classical. Ut Orpheus
#MAG 258. Published by Ut
Orpheus (UT.MAG-258).
For Harp. By Franz Joseph Haydn, Anton Rubenstein, Christoph Willibald von Gluck...(+)
For Harp. By Franz Joseph
Haydn, Anton Rubenstein,
Christoph Willibald von
Gluck, Carlos Salzedo.
Arranged by Carlos
Salzedo. Text: Yolanda
Kondonassis. For Harp.
Solo part. 64 pages.
Published by Carl
Fischer.
Harp SKU: UT.MAG-249 Composed by Francois-Joseph Gossec. Edited by Emanue...(+)
Harp
SKU:
UT.MAG-249
Composed
by Francois-Joseph
Gossec. Edited by
Emanuela Degli Esposti.
Arranged by Emanuela
Degli Esposti. Saddle
stitching. Magadis.
Classical. Score and
Parts. Ut Orpheus #MAG
249. Published by Ut
Orpheus (UT.MAG-249).
Harp SKU: UT.MAG-257 Composed by François Joseph Dizi. Edited by Anna ...(+)
Harp
SKU:
UT.MAG-257
Composed
by François Joseph
Dizi. Edited by Anna
Pasetti. Saddle
stitching. Magadis.
Classical. Ut Orpheus
#MAG 257. Published by Ut
Orpheus (UT.MAG-257).
Harp SKU: UT.MAG-270 Composed by François Joseph Dizi. Edited by Anna ...(+)
Harp
SKU:
UT.MAG-270
Composed
by François Joseph
Dizi. Edited by Anna
Pasetti. Saddle
stitching. Magadis.
Classical. Ut Orpheus
#MAG 270. Published by Ut
Orpheus (UT.MAG-270).
(Cahier No. 3: 18 Etudes De Haut Niveau). By Francois Joseph Nadermann (1781-183...(+)
(Cahier No. 3: 18 Etudes
De Haut Niveau). By
Francois Joseph Nadermann
(1781-1835). Arranged by
Edmund Schuecker. For
Harp. Standard notation.
Published by Gerard
Billaudot Editeur