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Depuis le 1er juillet 2021, Sheet Music Plus n'expédie plus d'articles physiques en zone Européenne!
1
Play And Learn The Celtic Harp Harpe Heugel
Composed by Denise Megevand. Leduc. Classical. Softcover. 68 pages. Heugel &...(+)
Composed by Denise
Megevand.
Leduc. Classical.
Softcover.
68 pages. Heugel &
Cie
#HE32022. Published by
Heugel
& Cie
$32.10 - Voir plus => Acheter Délais: 24 hours - In Stock
Jouer et apprendre la Harpe Celtique Harpe Heugel
Harp SKU: BT.ALHE32022 Composed by Megevand. Classical. Book Only. 68 pag...(+)
Harp
SKU:
BT.ALHE32022
Composed
by Megevand. Classical.
Book Only. 68 pages.
Heugel & Cie #ALHE32022.
Published by Heugel & Cie
(BT.ALHE32022).
French.
As a
student of famous harpist
Lily Laskine, Denise
Mégevand (1917-2004)
received high quality
musical education and was
significantly
instrumental in the
revival of the Celtic
Harp. She compiled
numerous, prolific books
for theinstrument, Play
and Learn the Celtic Harp
being no exception. The
Celtic Harp
characteristically has
metal strings, and is
notoriously challenging
to play. However,
Mégevand's Play and
Learn the Celtic Harp
provides excellentand
clear instruction to
progression on the
instrument. The book
addresses general
principles of the Celtic
Harp, intervals,
arpeggios, chords and
scales, as well as
including 13 pieces. For
all aspiring players of
the CelticHarp,
Mégevand's Play and
Learn the Celtic Harp
provides excellent
insight and instruction
for beginners.
$28.95 - Voir plus => Acheter Délais: 2 to 3 weeks
First Lessons Folk Harp Harpe [Partition + Accès audio] - Débutant Mel Bay
Composed by Star Edwards. Saddle-stitched. First Lessons. Book and Online Aud...(+)
Composed by Star Edwards.
Saddle-stitched. First
Lessons. Book and Online
Audio. 36 pages.
Published
by Mel Bay Publications,
Inc
$14.99 - Voir plus => Acheter Délais: 1 to 2 weeks
Harpsicle Harp Method, Book 1 Harpe Mel Bay
Composed by Darlene Walton. Folk and Pedal, Method, Solos. Book and Digital ...(+)
Composed by Darlene
Walton.
Folk and Pedal, Method,
Solos. Book and Digital
Video. 28 pages.
Published by
Mel Bay Publications, Inc
$14.99 - Voir plus => Acheter Délais: 1 to 2 weeks
Berklee Harp Harpe [Partition + Accès audio] Berklee
(Reading, Improvisation, and Arranging for Pedal and Lever Harpists). For Harp. ...(+)
(Reading, Improvisation,
and Arranging for Pedal
and Lever Harpists). For
Harp. Berklee Guide.
Softcover Audio Online.
Published by Berklee
Press
$26.99 - Voir plus => Acheter Délais: 24 hours - In Stock
Brave Harpe Hal Leonard
(Music from the Motion Picture Arranged for Harp). Arranged by Sylvia Woods. For...(+)
(Music from the Motion
Picture Arranged for
Harp). Arranged by Sylvia
Woods. For Harp. Harp.
Softcover. 28 pages.
Published by Hal Leonard
$16.95 - Voir plus => Acheter Délais: 24 hours - In Stock
Hal Leonard Folk Harp Method Harpe [Partition + CD] - Débutant Hal Leonard
For Folk Harp. Instructional. Softcover with CD. 48 pages. Published by Hal ...(+)
For Folk Harp.
Instructional.
Softcover with CD. 48
pages.
Published by Hal Leonard
$12.99 - Voir plus => Acheter Délais: 24 hours - In Stock
Methode Complete (harp Solo) Harpe Leduc, Alphonse
Composed by Henriette Renie (1875-1956). Leduc. Classical. Softcover. 232 pag...(+)
Composed by Henriette
Renie
(1875-1956). Leduc.
Classical. Softcover. 232
pages. Alphonse Leduc
#AL23707. Published by
Alphonse Leduc
$57.60 - Voir plus => Acheter Délais: 24 hours - In Stock
Marcel Tournier: Intermediate Pieces for Solo Harp, Volume II Harpe Carl Fischer
Chamber Music harp SKU: CF.H84 Composed by Marcel Tournier. Edited by Car...(+)
Chamber Music harp
SKU: CF.H84
Composed by Marcel
Tournier. Edited by Carl
Swanson. Collection -
Score. Carl Fischer Music
#H84. Published by Carl
Fischer Music (CF.H84).
ISBN 9781491165539.
UPC:
680160924530.
Marce
l Tournier
(1879–1951) was
one of the most important
harpist/composers in the
history of the harp. Over
his long career, he added
a significant catalogue
of very beautiful works
to the harp repertoire.
Many of his solo works,
almost one hundred, have
been consistently in
print since they were
first published. But in
recent years harpist Carl
Swanson has discovered a
treasure trove of pieces
by Tournier heretofore
unknown and unpublished.
These include the
Déchiffrages in this
edition, as well as songs
set for voice, harp, and
string quartet, and
ensemble arrangements of
some of his most beloved
works.All of the works
that Carl Swanson found
were in manuscript only.
With the help of the
great harpist Catherine
Michel, he has put these
pieces into playable
form, and they are being
published for the very
first time. He and
Catherine often had to
re-notate passages to
show clearly how they
could be played, adding
fingerings and musical
nuances, tempos, pedals,
and pedal
diagrams.Tournier wrote
these pieces when he was
in his 20s, and before he
became the
impressionistic composer
those familiar with his
work know so well. They
are written in the late
nineteenth-century
romantic style that was
being taught at that time
at the Paris
Conservatory. They are
beautiful short,
intermediate level pieces
by a first rate composer,
and add much needed
repertoire to that level
of playing. Marcel
Tournier
(1879–1951) was
one of the most important
harpist/composers in the
history of the harp. He
graduated from the Paris
Conservatory with a first
prize in harp in 1899. He
also studied composition
there and won a second
prize in the prestigious
Prix de Rome competition,
as well as a first prize
in the Rossini
competition, another
major composition
competition of the day.
From 1912 to 1948 he
taught the harp class at
the Paris Conservatory.
But composition, and
almost entirely,
composition for the harp,
was the main focus of his
life. His published
works, including many
works for solo harp, a
few for harp and other
instruments, and several
songs, number around one
hundred pieces.In 2019,
while researching
Tournier for my edition
MARCEL TOURNIER: 10
Pieces for Solo Harp, I
discovered that there was
a significant list of
pieces by this composer
that had never been
published and were not
included on any inventory
of his music. Principal
on this list were his
déchiffrages
(pronounced
day-she-frahge, like the
second syllable in the
word garage).The word
déchiffrage means
sight-reading exercise,
and that was their
original purpose.
Tournier numbered and
dated these pieces, with
dates ranging from 1900
to 1910, indicating that
they were in all
likelihood written for
Alphonse
Hasselmans’ class
at the Paris
Conservatory. Tournier
was probably told how
long to make each one,
and how difficult. They
range in length from two
to four pages, with only
one in the whole series
extending to five, and
from thirty to fifty-five
measures, with only one
extending to eight-five.
The level of difficulty
for the whole series is
intermediate, with some
at the easier end, and
others at the middle or
upper end.We don’t
know if they were
intended to test students
trying to enter the harp
class, or if they were
used to test students in
the class as they played
their exams. The fact
that they were never
published means that
students had to not only
sight read them, but
sight read them in
manuscript form!I worked
from digital images of
the original manuscripts,
which are in the private
music library of a
harpist in France. She
had twenty-seven of these
pieces, and this edition
is the second in a series
of three that will
publish, for the first
time, all of the ones
that I have found thus
far. The manuscripts
themselves consist of
little more than notes on
the page: no pedals
written in, no
fingerings, few if any
musical nuances and tempo
markings, and no clear
indication as to which
hand plays which notes.
These would have been
difficult to sight read
indeed! My collaborator
Catherine Michel and I
added musical nuances,
fingerings, pedals and
pedal diagrams, and tempo
indications to put them
into their current
condition.At the time
these were written,
Tournier would have been
in his twenties, having
just graduated from the
harp class himself
(1899), and might still
have been in the
composition class. These
are the earliest known
pieces that he wrote, and
they were written at the
very beginning of a
cultural revolution and
upheaval in Paris that
was to completely and
profoundly alter musical
composition. Tournier
himself would eventually
be caught up in this new
way of composing. But not
yet.All of the
déchiffrages are
written in the late
romantic style that was
being taught at that time
at the Paris
Conservatory. Each one is
built on a clear musical
idea, and the variety
over the whole series
makes them wonderful to
listen to as well as to
learn. They are also
great technical lessons
for intermediate level
players.The obvious
question is: Why
didn’t Tournier
publish these pieces, and
why didn’t he list
them on his own inventory
of his music? Actually,
four of them were
published, with small
changes, as his
collection Four Preludes,
Op. 16. These came from
the ones that will be in
volume three of this
series from Carl Fischer.
His first large piece,
Theme and Variations, was
published in 1908, and
his two best known and
frequently played pieces,
Féerie and Au Matin,
followed in 1912 and 1913
respectively. We can only
speculate because there
is so much still unknown
about Tournier and about
these unpublished pieces.
He may have looked at
them, fresh out of school
as he was, as simply a
way to make some quick
money. The first several
pieces that he did
publish are much longer
than any of the
déchiffrages. So it
could be that, because of
their shorter length, as
well as the earlier
musical style that he was
moving away from, he
chose not to publish any
more of them. We may
never know the full
story. But all these
years later, more than a
century after they were
composed, we can listen
to them for their own
merits, and not measured
against whatever else was
going on at the time. The
numbers on these pieces
are the ones that
Tournier assigned to
them, and the gaps
between some of the
numbers suggest that
there are perhaps thirty
or more of these pieces
still to be found, if
they still exist. They
will, in all likelihood,
be found, as these were,
in private collections of
harp music, not in
institutional libraries.
We can only hope that
more of them will be
located in years to
come.—Carl
SwansonGlossary of French
Musical TermsTournier was
very precise about how he
wanted his pieces played,
and carefully
communicated this with
many musical indications.
He used standard Italian
words, but also used
French words and phrases,
and occasionally mixed
both together. It is
extremely important to
observe and understand
everything that he put on
the page.Here is a list
of the French words and
phrases found in the
pieces in this edition,
with their
translation.bien
chanté well sung,
melodiousdécidé
firm, resolutediminu peu
à peu becoming softer
little by littleen
diminuant becoming
softeren riten. slowing
downen se perdant dying
awayGaiement gayly,
lightlygracieusement
gracefully,
elegantlyLéger light,
quickLent slowmarquez le
chant emphasize the
melodyModéré at a
moderate tempopeu Ã
peu animé more lively,
little by littleplus lent
slowerRetenu held
backsans lenteur without
slownesssans retinir
without slowing downsec
drily, abruptlysoutenu
sustained, heldtrès
arpegé very
arpeggiatedTrès
Modéré Very
moderate tempoTrès peu
retenu slightly held
backTrès soutenu very
sustainedun peu retenu
slightly held back.
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Sonata Op. 18 No. 2 for Harp Harpe Ut Orpheus
Harp SKU: UT.MAG-221 Composed by Martin-Pierre Dalvimare. Edited by Anna ...(+)
Harp
SKU:
UT.MAG-221
Composed
by Martin-Pierre
Dalvimare. Edited by Anna
Pasetti. Saddle
stitching. Magadis.
Classical. Ut Orpheus
#MAG 221. Published by Ut
Orpheus (UT.MAG-221).
ISBN 9790215318625. 9
x 12
inches.
Martin-Pier
re Dalvimare, born in
1770, in Dreux
(Eure-et-Loir), from a
distinguished family,
learnt music as an
entertainment art, and
was obliged to make it a
resource for his
existence, after the
troubles of the
Revolution in 1789. He
had acquired a remarkable
talent for the harp; when
he arrived in Paris he
made a very good
impression. Then, man of
the world, knowledgeable
in many fields, which is
rare for a musician, he
was welcome everywhere,
and very soon came in
friendly terms with some
of the most renowned
artists and men of
letters of his times. The
marriage certificate of
the poet Legouve (15
pluviose of the year XI,
or February 1803, 12th
municipality of Paris),
shows that Dalvimare was
one of his best men and
that at the time he was
thirty-two years old. He
became harpist of the
Opera in the year VIII
(1800), and was
definitively confirmed in
the month of fructidor of
the year IX. At the time
of the institution of the
emperor Napoleon's
private music, M.
Dalvimare was appointed
as his harpist. In
September 1807 he
obtained the title of
harp master of the
empress Josephine. A
lucky change of his
fortune allowed this
artist to renounce to
practise his talent for
living, he resigned from
all of his positions on
March, 12th, 1812, and he
retired in Dreux, where
he still was living in
1837. For a peculiar
weakness, he does not
like to speak about his
artist career, which had
been entirely honourable,
and he would like to
forget his success too.
His first composition was
a symphonie concertant
for harp and horn, which
he composed with Frederic
Duvernoy, and published
in the year VII (1798);
notwithstanding, he
counted as his first opus
a collection of romances
with accompaniment of
piano or harp, which he
later published with
Pleyel. In 1809
Dalvimare composed, for
the theatre Feydeau, a
one-act opera-comique
called The Marriage for
Imprudence. The music was
weak; the work did not
succeed, and people used
to say that the greatest
imprudence had been the
one of the authors who
had it performed.
Nevertheless, the score
of this opera was
published in Paris by
erard. (Francois-Joseph
Fetis).
$21.95 - Voir plus => Acheter Délais: 3 to 4 weeks
Five Yu'pik Dances Harpe Chester
Harp SKU: HL.234540 Harp Solo . Composed by John Luther Adams. Musi...(+)
Harp
SKU:
HL.234540
Harp
Solo . Composed by
John Luther Adams. Music
Sales America. Classical.
Softcover. Composed 2017.
14 pages. Chester Music
#CH86295. Published by
Chester Music
(HL.234540).
9.0x12.0x0.09 inches.
English.
'This set
of miniatures is based on
traditional dance songs
of the Yupik Eskimo
people of Western Alaska.
In their original forms,
these melodies would be
sung in unison. The
first, third and fifth
songs would be
accompanied by frame
drums. The second and
fourth are game songs,
for jumping rope and
juggling pebbles. Aside
from the obvious
difference in
instrumentation, my
settings of these songs
differ from the Yup'ik
originals in other
respects. I have extended
and varied the melodies,
and added
countermelodies, ostinato
figurations,
introductions, interludes
and codas. The first four
melodies are drawn from
the collection Yup'ik
Eskimo songs, compiled by
Thomas F. Johnston, and
Tupou L. Pulu, and
published by the
University Of Alaska. The
fifth was 'loaned' to me
by Yup'ik singer and
dancer Chuna McIntyre,
who learned it in his
village of Eek, Alaska.
The poems preceding each
piece are rough
translations of the words
to the songs. These
verses are often cryptic
and enigmatic. Their
obscurity is increased
because some of the words
or their meanings have
been lost, over time.' -
John Luther Adams.
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Things I Learned From My Cat Harpe [Partie seule] Theodore Presser Co.
(For Solo Harp). By Gary Schocker. For harp. Contemporary. Solo part. Standard n...(+)
(For Solo Harp). By Gary
Schocker. For harp.
Contemporary. Solo part.
Standard notation.
Composed July 07 2012. 16
pages. Duration 16
minutes. Published by
Theodore Presser Company
$13.99 - Voir plus => Acheter Délais: 1 to 2 weeks
Celtic Harp Anthology Harpe - Facile Mel Bay
Music from Historical Collections. Composed by Star Edwards. Saddle- stitch...(+)
Music from Historical
Collections. Composed by
Star Edwards. Saddle-
stitched. Book. 64 pages.
Published by Mel Bay
Publications, Inc
$19.99 - Voir plus => Acheter Délais: 1 to 2 weeks
1