(Reading, Improvisation, and Arranging for Pedal and Lever Harpists). For Harp. Berklee Guide. Softcover Audio Online. Published by Berklee Press

For Pedal and Lever Harpists. Berklee Guide. Instruction, Technique. Softcover Media Online. Duration 7200 seconds. Published by Berklee Press

Harp

SKU: HL.14042650

Composed by Svend Hvidtfelt Nielsen. Music Sales America. Classical. Softcover. Composed 2013. Edition Wilhelm Hansen #WH31817. Published by Edition Wilhelm Hansen (HL.14042650).

ISBN 9788759827925.

Deso lee for solo Harp by Svend Hvidtfelt Nielsen. Written in 1993.

By Roxana Goodwin. For Harp (Folk/Celtic). Method. Fun With. Folk. Level: Beginning. Book. Size 8.75x11.75. 32 pages. Published by Mel Bay Publications, Inc.

Composed by Star Edwards. Harp: Folk and Pedal,Style,Celtic / Irish,Classical,Folk,Feat ured Products,Method. Young Beginner. Book and Online Audio. 80 pages. Published by Mel Bay Publications, Inc

Saddle-stitched, Solos. Scottish. Book. 72 pages. Mel Bay Publications, Inc #30925. Published by Mel Bay Publications, Inc

Arranged by Sarajane Williams. For Harp (Folk/Celtic). Solos. Children's. Level: Intermediate. Book. Size 8.5x11. 32 pages. Published by Mel Bay Publications, Inc.

Harp

SKU: BT.XYZ1411

Composed by Rosetty. Book with CD. 24 pages. XYZ #XYZ1411. Published by XYZ (BT.XYZ1411).

English.

Ten pieces for the beginner harp player, for Irish or Concert Harp with CD accompaniment.

Arranged for Harp Spiral Bound. Arranged by Sylvia Woods. Harp. Pop, Oldies. Softcover. 122 pages. Published by Hal Leonard

Composed by Monika Mandelartz. For Folk Harp and Pedal Harp. Saddle-stitched. Intermediate-Advanced. Book. 28 pages. Published by Mel Bay Publications, Inc

52 Scottish Songs for All Harps arranged by Sylvia Woods. For Harp, Folk Harp. Harp. 112 pages. Published by Hal Leonard

By Kim Robertson. For Harp (Folk/Celtic). Solos. Scottish. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 64 pages. Published by Mel Bay Publications, Inc.

Celtic harp - Intermediate

SKU: MB.97226M

By Kim Robertson. Harp: Folk and Pedal, Saddle-stitched, Celtic / Irish, Solos. Style. Book and online video. 64 pages. Mel Bay Publications, Inc #97226M. Published by Mel Bay Publications, Inc (MB.97226M).

ISBN 9780786695225. 8.75 x 11.75 inches.

Kim Robertson is one of Americas premier Celtic harp soloists. Her technique and range of expression are extraordinary as illustrated in this book containing the selections from her highly acclaimed CD Treasures of the Celtic Harp. The book contains all of the selections from Kim Robertsons Treasures of the Celtic Harp video except Sailors Hornpipe. Includes access to the online performance video.

By Sunita Staneslow. For Harp (Folk/Celtic). Solos. French. Level: Intermediate. Book. 32 pages. Published by Mel Bay Publications, Inc.

by Janna McCall Geller and Mallory Geller. For Harp (Folk/Celtic). method. Non-Series. All styles. Level: Beginning. Book. Size 8.5x11. 208 pages. Published by Mel Bay Publications, Inc.

Harp

SKU: FG.55011-912-3

Composed by Tauno Marttinen. Classical, contemporary. Score. Fennica Gehrman #55011-912-3. Published by Fennica Gehrman (FG.55011-912-3).

ISBN 9790550119123.

Luon nonjumala (God of Nature) is Tauno Marttinen’s adaption for harp of his piano suite Taara op. 34. The manuscript for harp was found in January 2024 by Rauno Marttinen, composer’s son.

Duration: c. 15’
Movements:
1. Virran ääniä | The Voices of the Stream
2. Luonnonjumalan lähde | The Spring of God of Nature
3. Metsässä tuulee |The Wind Blows through the Forest

Tauno Marttinen (1912–2008) studied in Viipuri and later in Helsinki at the Helsinki Conservatoire. His piano teachers were Ilmari Hannikainen and Selim Palmgren, but he soon became increasingly interested in composing. Marttinen was also the conductor of the Hämeenlinna City Orchestra in 1949−1958 and the founder and principal of the Hämeenlinna Music Institute.

Marttin en started his composing career in late Romantic vein. However, his first concerts in the 1940s met with criticism since the winds of Modernism had already landed in Finland. He then became interested in Dodecaphony and studied under Vladimir Vogel in Ascona but later abandoned strict dodecaphony and found his own, personal style incorporating elements from Neo-classicism and free-tonality with a hint of mysticism – he was called the Shaman of Hämeenlinna (his hometown).

Tauno Marttinen was an incredibly productive composer; he wrote around four hundred works with opus numbers as well as a wealth of other pieces. His oeuvre includes 10 symphonies, concertos for various solo instruments, operas as well as vocal, chamber and instrumental works. Many of Marttinen’s pieces have become popular standard repertoire, such as the piano piece Kimalluksia (Gleams).