Harp SKU: UT.HS-195 Composed by Gioachino Rossini. Edited by Floraleda Sa...(+)
Harp
SKU:
UT.HS-195
Composed by
Gioachino Rossini. Edited
by Floraleda Sacchi.
Arranged by Elias Parish
Alvars. Saddle stitching.
Classical. 16 pages. Ut
Orpheus #HS 195.
Published by Ut Orpheus
(UT.HS-195).
Harp SKU: HL.49005260 Nach der Musikalischen Rustkammer auf der Harfe,...(+)
Harp
SKU:
HL.49005260
Nach
der Musikalischen
Rustkammer auf der Harfe,
1719. Edited by Hans
Joachim Zingel. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 4 pages.
Schott Music #ED 4914.
Published by Schott Music
(HL.49005260).
Harp SKU: SU.29130160 For Harp. Composed by Christopher Fulkerson....(+)
Harp
SKU:
SU.29130160
For
Harp. Composed by
Christopher Fulkerson.
Harp, Solo Harp. Score.
Subito Music Corporation
#29130160. Published by
Subito Music Corporation
(SU.29130160).
Action Portrait
of the Captain of the
Ship of Souls, After
Dante, Purgatory, Canto
2Harp Duration: 11'30
Composed: 1986/2018
Published by: Christopher
Fulkerson.
Books and Journals; Harp SKU: UT.LB-3 Composed by Mirella Vita. Paperback...(+)
Books and Journals; Harp
SKU: UT.LB-3
Composed by Mirella Vita.
Paperback (Soft Cover).
Classical. Books and
Journals. Ut Orpheus #LB
3. Published by Ut
Orpheus (UT.LB-3).
ISBN 9788881094462.
6.5 x 9.5
inches.
«Sono
stata un?arpista attiva
per mezzo secolo. Come
tutti i miei colleghi, ho
dovuto affrontare le
difficoltà create dalla
leggenda che l?arpa non
abbia né musica, né
storia.
Fortunatamente, nel
corso della mia carriera,
ho potuto constatare che
questa diceria è
infondata e ho cercato di
mettere in risalto almeno
una piccola parte
dell?immenso repertorio
antico e moderno di
questo strumento
considerato un Paria
della musica. Il
lavoro è stato piano e
diretto per i libri che
ho scritto sulla musica
d?arpa italiana e
svizzera, perché basato
su precisi titoli e
frontespizi; la ricerca
sarebbe stata ugualmente
scorrevole per i libri
che non scriverò sulla
musica d?arpa francese,
tedesca, austriaca,
britannica, boema,
spagnola, portoghese e
scandinava. Per la
musica olandese il
cammino è un po?
diverso: i pittori, i
trattatisti e gli storici
sono i testimoni e le
guide che aiutano a
ritrovare gli usi e i
costumi musicali nei
quali l?arpa aveva una
parte importante. Il
concertista in cerca di
pezzi potrà utilizzare
così questo libro: dopo
i trattati (capitolo II),
i dipinti (capitolo III),
la storia e la cronaca
(capitoli IV-VII), autori
e musiche (capitoli VIII
e IX), biblioteche ed
editori (capitoli X e
XI), arriverà all?indice
secondo le formazioni
strumentali (capitolo
XII). Potrà
cominciare dal cercare,
in quest?ultimo capitolo,
gli Autori adatti al suo
gruppo e al suo
programma; ritroverà i
relativi dettagli nei
capitoli VIII e IX;
otterrà i pezzi seguendo
le indicazioni dei
capitoli X, XI e XII; e
buona caccia, buono
studio, buone
prove! Nel cercare di
stabilire che cosa sia
olandese o non-olandese
nella musica antica è
stata seguita l?abitudine
corrente di considerare
patrimonio comune dei
Paesi Bassi l?arte e la
storia anteriori alla
separazione delle "Sette
Province" nel secolo XVI;
e specificamente olandese
tutto ciò che accadde in
quei coraggiosi territori
da allora in
poi.»
Flute, Bassoon and Harp SKU: BT.ALHE31254 Composed by Andre Jolivet. Clas...(+)
Flute, Bassoon and Harp
SKU: BT.ALHE31254
Composed by Andre
Jolivet. Classical. Set
(Score & Parts). Heugel &
Cie #ALHE31254. Published
by Heugel & Cie
(BT.ALHE31254).
French.
Pastoreles De
Noël b
y André
Jolivet is a piece
for Flute, Bassoon and
the Harp lasting nearly
13 minutes. This piece is
really gentle and
restrained which
demonstrates the quality
ofJolivet’
s work but also reflects
that period of WWII when
France was under
occupation. These scores
are of medium level of
ability.
Pastore
les De
Noël f
eatures four
sections:L’é
toile (the Star), Les
Mages (the Wisemen), La
Vierge et l’Enfant
(the Virgin and the
Child) and Entrée
et Danse des Bergers (the
Shepherds’ dance).
Each of these parts
describes a part
oftheChristmas story,
starting with the Flute
and the Bassoon in a
duet, followed by the
entrance of the Harp to
settle the first part.
The second section is
quieter, expressing the
walk in the desert. The
Virgin and the Child
islike a lullaby and the
piece finishes on a
joyful dance to express
happiness and devotion.
André
Jolivet is a French
composer who was really
inspired by the
Antiquity, and had a
strong interest
foratonality. He also
wrote many chamber music
pieces, eleven concertos,
some orchestral and some
vocal music.
Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Am...(+)
Fantasia on the Rondo
from
the Piano Sonata in A
major
K. 331 by Wolfgang
Amadeus
Mozart, arranged for harp
by
Ekaterina Afanasieva
(2015).
Composed by Fazil Say.
Arranged by Ekaterina
Afanasieva. This edition:
Saddle stitching. Sheet
music. Der Finalsatz der
Sonate A-Dur KV 331 von
Wolfgang Amadeus Mozart,
das
Rondo Alla Turca, ist
eines
der bekanntesten
Klavierstucke uberhaupt.
An
diese Popularitat knupft
das
als effektvolle Zugabe
entstandene Stuck von
Faz?l
Say in der Bearbeitung
fur
Harf. Classical. Single
sheet. Composed 1993. Op.
5b.
8 pages. Duration
4'. Schott
Music #ED22797. Published
by
Schott Music
Harp SKU: RM.RUBIN7062 Composed by Pierre Adrien Charpy. Harpe et electro...(+)
Harp
SKU:
RM.RUBIN7062
Composed
by Pierre Adrien Charpy.
Harpe et electronique.
Instrumental music.
Editions Robert Martin
#RUBIN7062. Published by
Editions Robert Martin
(RM.RUBIN7062).
Harp SKU: UT.MAG-274 Composed by Philipp-Joseph Hinner. Edited by Frances...(+)
Harp
SKU:
UT.MAG-274
Composed
by Philipp-Joseph Hinner.
Edited by Francesca La
Carrubba Jessica
Pettenà . Saddle
stitching. Magadis.
Classical. Score and
Parts. Ut Orpheus #MAG
274. Published by Ut
Orpheus (UT.MAG-274).
ISBN 9790215326859. 9
x 12
inches.
Rediscoveri
ng, studying and
analyzing the musical art
of Philipp Joseph Hinner
means enhancing a piece
of the eighteenth-century
harp music mosaic.
Hinner's work intrigues
for its extraordinary
simplicity, for its
regularity and harmony;
the ordered balance of
the parts, symmetry and
sense of proportion are
essential elements for
the author, and give
character and unity to
his work. The harp
repertoire has long been
overshadowed by the
keyboard one, which
boasts extensive solo and
chamber literature, and
consolidated for over two
centuries. The
rediscovery of the
history of our
instrument, however, is
still recent and the
research work in the
field of harp music is
still long. Hinner,
with the apparent
simplicity of his opus
10, can thus regain his
role in the harp
repertoire of the
eighteenth century, as
well as covering a
considerable didactic
value today. The part of
the first harp
undoubtedly presents
characteristics of
greater rhythmic and
virtuosic complexity than
that of the second, which
consists of a continuous
accompaniment
interspersed with simple
thematic imitated
episodes. Furthermore in
the composition are
included arias such as
O ma tendre
Musette, a French
popular melody of the
18th century (previously
set to music by
Pierre-Alexandre
Monsigny), and <>, taken from
the opera-comique
L'erreur d'un moment
ou la Suite de Julie
by Nicolas Dezede, as
well as themes from
Gluck's Iphigenie en
Aulide, which had
been all used also by
Hinner's first harp
master, Francesco Petrini
(1744-1819). Hinner's
opus 10, originally
written in separate parts
for two harps, or harp
and fortepiano, is
presented here updated
and completed with its
score, for a thorough
perception of the
work.
Harp SKU: BA.BA11304-71 Composed by Camille Saint-Saens. Edited by Christ...(+)
Harp
SKU:
BA.BA11304-71
Composed by Camille
Saint-Saens. Edited by
Christina M. Stahl. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
12. 10 pages.
Baerenreiter Verlag
#BA11304_71. Published by
Baerenreiter Verlag
(BA.BA11304-71).
ISBN
9790006566211. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
1 Solo Harp - Grade 2 SKU: FL.FX074244 Composed by Pascal Proust. Origina...(+)
1 Solo Harp - Grade 2
SKU: FL.FX074244
Composed by Pascal
Proust. Original
Composition. Classical,
Educational. Solo Part.
FLEX Editions #FX074244.
Published by FLEX
Editions (FL.FX074244).
An examination
or audition piece for
very young harpists,
inspired by the calm of
the edges of ponds. -
Pascal PROUST ;
Instruments: 1 Solo Harp;
Difficuly Level: Grade 2;
Duration: 1 mn 10 s;
Musical Style: Classical,
Educational; Category:
Original Composition;
Composer: Pascal
PROUST.
Celtic Harp SKU: HL.14041121 Composed by Dominig Bouchaud. Music Sales Am...(+)
Celtic Harp
SKU:
HL.14041121
Composed
by Dominig Bouchaud.
Music Sales America.
Classical, Folk. Book and
CD. 44 pages. Editions
Musicales
Transatlantiques
#ETR002276. Published by
Editions Musicales
Transatlantiques
(HL.14041121).
9.0x12.0x0.183 inches.
French.
1.Condé
- Presque rien, des
Nuages?; 2.Andrès -
Danse sorcière;
3.Silvestrini - L'Eau qui
dort; 4.Bosseur -
Quarante quatre; 5.Hakim
- Jeu (for harp
solo).
Harp SKU: HF.FH-1063 Band 3: Einfuhrung in das Orchesterspiel (Orchest...(+)
Harp
SKU:
HF.FH-1063
Band 3:
Einfuhrung in das
Orchesterspiel
(Orchesterstudien).
Composed by Hans-Joachim
Zingel. Sheet music.
Friedrich Hofmeister
Musikverlag #FH 1063.
Published by Friedrich
Hofmeister Musikverlag
(HF.FH-1063).
ISBN
9790203410638. 8.3 x 11.7
inches.
Notenbeispi
ele aus: 1. Orfeo
(Monteverdi); 2. Kantate
(Zachow); 3. Julius
Caesar (Handel); 4.
Orpheus (Gluck); 5. Die
Geschopfe des Prometheus
(Beethoven); 6. Die
weisse Dame (Boieldieu);
7. Der Nordstern
(Meyerbeer); 8. Otello
(Rossini); 9. Don
Pasquale (Donizetti); 10.
Norma (Bellini); 11. Wenn
ich Konig war (Adam); 12.
Fausts Verdammnis
(Berlioz); 13. Symphonie
phantastique (Berlioz);
14. Aufforderung zum Tanz
(Berlioz); 15. Jota
aragonesa (Glinka); 16.
Athalia
(Mendelssohn-Bartholdy);
17. Die lustigen Weiber
von Windsor (Nicolai);
18. Das Paradies und die
Peri (Schumann); 19. Des
Sangers Fluch (Schumann);
20. Szenen aus Faus
(Schumann); 21. Orpheus
(Liszt); 22. Die Legende
von der heiligen
Elisabeth (Liszt); 23.
Des Preludes (Liszt); 24.
Dante-Symphonie (Liszt);
25. Mignon (Thomas); 26.
Martha (Flotow); 27.
Rienzi, der Letzte der
Tribunen (Wagner); 28.
Der fliegende Hollander
(Wagner); 29. Tannhauser
oder Der Sangerkrieg auf
Wartburg (Wagner); 30.
Lohengrin (Wagner); 31.
Tristan und Isolde
(Wagner); 32. Das
Rheingold (Wagner); 33.
Die Walkure (Wagner); 34.
Siegfried (Wagner); 35.
Gotterdammerung (Wagner);
36. Ein Maskenball
(Verdi); 37. Stabat mater
(Verdi); 38. Der
Troubadour (Verdi); 39.
Aida (Verdi); 40. Die
Macht des Schicksals
(Verdi); 41. Don Carlos
(Verdi); 42. Margarethe
(Gounod); 43.
Ballettmusik (Gounod);
44. Hoffmanns Erzahlungen
(Offenbach); 45.
Symphonie Nr. I (Franck);
46. Namouna (Lalo); 47.
Vysehrad (Smetana); 48.
Symphonie Nr. VIII
(Bruckner); 49. An der
schonen blauen Donau
(Strauss); 50.
Fruhlingsstimmen-Walzer
(Strauss); 51.
Kaiserwalzer (Strauss);
52. Gesange fur
Frauenchor (Brahms); 53.
Ein deutsches Requiem
(Brahms); 54. Nanie
(Brahms); 55. Furst Igor
(Borodin); 56.
Coppelia-Suite (Delibes);
57. L'Arlesienne-Suite I
(Bizet); 58. Carmen
(Bizet); 59.
L'Arlesienne-Suite II
(Bizet); 60. Die
Perlenfischer (Bizet);
61. Schwanensee
(Tschaikowski); 62.
Nussknacker-Suite
(Tschaikowski); 63.
Dornroschen
(Tschaikowski); 64.
Manfred-Symphonie
(Tschaikowski); 65. Eugen
Onegin (Tschaikowski);
66. Espana (Chabrier);
67. Boris Godunow
(Mussorgski /
Rimski-Korssakow); 68.
Sonnenwendnacht
(Rimski-Korssakow); 69.
Russische Ostern
(Rimski-Korssakow); 70.
Mlada (Rimski-Korssakow);
71. Scheherezade
(Rimski-Korssakow); 72.
Zar Saltan
(Rimski-Korssakow).
Harp SKU: HL.234540 Harp Solo. Composed by John Luther Adams. Musi...(+)
Harp
SKU:
HL.234540
Harp
Solo. Composed by
John Luther Adams. Music
Sales America. Classical.
Softcover. Composed 2017.
14 pages. Chester Music
#CH86295. Published by
Chester Music
(HL.234540).
9.0x12.0x0.09 inches.
English.
'This set
of miniatures is based on
traditional dance songs
of the Yupik Eskimo
people of Western Alaska.
In their original forms,
these melodies would be
sung in unison. The
first, third and fifth
songs would be
accompanied by frame
drums. The second and
fourth are game songs,
for jumping rope and
juggling pebbles. Aside
from the obvious
difference in
instrumentation, my
settings of these songs
differ from the Yup'ik
originals in other
respects. I have extended
and varied the melodies,
and added
countermelodies, ostinato
figurations,
introductions, interludes
and codas. The first four
melodies are drawn from
the collection Yup'ik
Eskimo songs, compiled by
Thomas F. Johnston, and
Tupou L. Pulu, and
published by the
University Of Alaska. The
fifth was 'loaned' to me
by Yup'ik singer and
dancer Chuna McIntyre,
who learned it in his
village of Eek, Alaska.
The poems preceding each
piece are rough
translations of the words
to the songs. These
verses are often cryptic
and enigmatic. Their
obscurity is increased
because some of the words
or their meanings have
been lost, over time.' -
John Luther Adams.
Harp SKU: FG.55011-912-3 Composed by Tauno Marttinen. Classical, contempo...(+)
Harp
SKU:
FG.55011-912-3
Composed by Tauno
Marttinen. Classical,
contemporary. Score.
Fennica Gehrman
#55011-912-3. Published
by Fennica Gehrman
(FG.55011-912-3).
ISBN
9790550119123.
Luon
nonjumala (God of Nature)
is Tauno Marttinen’s
adaption for harp of his
piano suite Taara op. 34.
The manuscript for harp
was found in January 2024
by Rauno Marttinen,
composer’s
son.
Duration: c.
15’ Movements: 1.
Virran ääniä | The
Voices of the
Stream 2.
Luonnonjumalan lähde |
The Spring of God of
Nature 3. Metsässä
tuulee |The Wind Blows
through the
Forest
Tauno
Marttinen (1912–2008)
studied in Viipuri and
later in Helsinki at the
Helsinki Conservatoire.
His piano teachers were
Ilmari Hannikainen and
Selim Palmgren, but he
soon became increasingly
interested in composing.
Marttinen was also the
conductor of the
Hämeenlinna City
Orchestra in 1949−1958
and the founder and
principal of the
Hämeenlinna Music
Institute.
Marttin
en started his composing
career in late Romantic
vein. However, his first
concerts in the 1940s met
with criticism since the
winds of Modernism had
already landed in
Finland. He then became
interested in Dodecaphony
and studied under
Vladimir Vogel in Ascona
but later abandoned
strict dodecaphony and
found his own, personal
style incorporating
elements from
Neo-classicism and
free-tonality with a hint
of mysticism – he was
called the Shaman of
Hämeenlinna (his
hometown).
Tauno
Marttinen was an
incredibly productive
composer; he wrote around
four hundred works with
opus numbers as well as a
wealth of other pieces.
His oeuvre includes 10
symphonies, concertos for
various solo instruments,
operas as well as vocal,
chamber and instrumental
works. Many of
Marttinen’s pieces have
become popular standard
repertoire, such as the
piano piece Kimalluksia
(Gleams).