Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Am...(+)
Fantasia on the Rondo
from
the Piano Sonata in A
major
K. 331 by Wolfgang
Amadeus
Mozart, arranged for harp
by
Ekaterina Afanasieva
(2015).
Composed by Fazil Say.
Arranged by Ekaterina
Afanasieva. This edition:
Saddle stitching. Sheet
music. Der Finalsatz der
Sonate A-Dur KV 331 von
Wolfgang Amadeus Mozart,
das
Rondo Alla Turca, ist
eines
der bekanntesten
Klavierstucke uberhaupt.
An
diese Popularitat knupft
das
als effektvolle Zugabe
entstandene Stuck von
Faz?l
Say in der Bearbeitung
fur
Harf. Classical. Single
sheet. Composed 1993. Op.
5b.
8 pages. Duration
4'. Schott
Music #ED22797. Published
by
Schott Music
Harp SKU: HL.234540 Harp Solo. Composed by John Luther Adams. Musi...(+)
Harp
SKU:
HL.234540
Harp
Solo. Composed by
John Luther Adams. Music
Sales America. Classical.
Softcover. Composed 2017.
14 pages. Chester Music
#CH86295. Published by
Chester Music
(HL.234540).
9.0x12.0x0.09 inches.
English.
'This set
of miniatures is based on
traditional dance songs
of the Yupik Eskimo
people of Western Alaska.
In their original forms,
these melodies would be
sung in unison. The
first, third and fifth
songs would be
accompanied by frame
drums. The second and
fourth are game songs,
for jumping rope and
juggling pebbles. Aside
from the obvious
difference in
instrumentation, my
settings of these songs
differ from the Yup'ik
originals in other
respects. I have extended
and varied the melodies,
and added
countermelodies, ostinato
figurations,
introductions, interludes
and codas. The first four
melodies are drawn from
the collection Yup'ik
Eskimo songs, compiled by
Thomas F. Johnston, and
Tupou L. Pulu, and
published by the
University Of Alaska. The
fifth was 'loaned' to me
by Yup'ik singer and
dancer Chuna McIntyre,
who learned it in his
village of Eek, Alaska.
The poems preceding each
piece are rough
translations of the words
to the songs. These
verses are often cryptic
and enigmatic. Their
obscurity is increased
because some of the words
or their meanings have
been lost, over time.' -
John Luther Adams.
Harp (folk/celtic) - Beginning-Intermediate SKU: MB.97853 Traditional ...(+)
Harp (folk/celtic) -
Beginning-Intermediate
SKU: MB.97853
Traditional and
Original Irish Airs.
Arranged by Dennis Doyle.
Harp: Folk and Pedal,
Saddle-stitched, Style,
Solos. Archive Edition.
Celtic / Irish. Book. 48
pages. Mel Bay
Publications, Inc #97853.
Published by Mel Bay
Publications, Inc
(MB.97853).
ISBN
9780786628469. UPC:
796279057912. 8.75 x
11.75 inches.
With
the exception of two
pieces, the arrangements
in this book of
traditional tunes are
adapted from the
collections of Francis
ONeill, Edward Bunting,
Donal OSullivan, Manus
OBaoill, and Sean Og
OBaoill. Performance
notes are included.
Standard notation.
(with Selected Arrangements for the Folk Harp). By Mary Umbarger. For Harp (Folk...(+)
(with Selected
Arrangements for the Folk
Harp). By Mary Umbarger.
For Harp (Folk/Celtic).
Solos. Acoustic Music.
Intermediate-Advanced.
Book. 88 pages. Published
by Mel Bay Publications,
Inc
Etudes 1-20 with an additional 20 Etude Variations that expand on the origina...(+)
Etudes 1-20 with an
additional 20 Etude
Variations that expand on
the original etudes.
Composed by Carl Swanson
/ Robert Nicolas-Charles
Bochsa. Edited by Carl
Swanson / Judith Ross.
Arranged by Judith Ross.
Book (spiral-bound). 94
pages. Carl Fischer
#H000073. Published by
Carl Fischer (CF.H73).
Harp SKU: UT.MAG-102 Composed by Robert Gallenberg. Edited by Grazia Mend...(+)
Harp
SKU:
UT.MAG-102
Composed
by Robert Gallenberg.
Edited by Grazia Mendaro.
Saddle stitching.
Magadis. Classical. Ut
Orpheus #MAG 102.
Published by Ut Orpheus
(UT.MAG-102).
Clarinet in A and harp SKU: HL.49044302 Composed by Stefan Heucke. This e...(+)
Clarinet in A and harp
SKU: HL.49044302
Composed by Stefan
Heucke. This edition:
Saddle stitching. Sheet
music. Ensemble.
Softcover. Composed 2012.
Op. 67. 40 pages.
Duration 15'. Schott
Music #KLB93. Published
by Schott Music
(HL.49044302).
ISBN
9790001197922.
9.0x12.0x0.136
inches.
Im Fruhjahr
2012 schrieb ich fur das
Duo Imaginaire ein knapp
viertelstundiges Werk fur
die ganz ungewohnliche,
aber umso reizvollere
Duobesetzung von
Klarinette und Harfe. Der
romantisch-ironische
Titel einer
melancholischen Serenade
gibt den semantischen
Inhalt des Stuckes recht
genau wieder. Musikalisch
formal handelt es sich um
ein grossformatiges
rondoartiges Gebilde, in
dem sich zahlreiche
melodische und virtuose
Episoden um ein
schwebend-synkopisches
Thema gruppieren, das
sich zwar verandert, aber
als roter Faden trotzdem
deutlich wiederzuerkennen
ist. Das Stuck besitzt
einen tonalen Rahmen, der
auf siebentonigen Skalen
basiert, die die
Gegebenheiten der Harfe
als diatonisches
Instrument nutzen, ohne
ein einziges Mal als
echte Dur- oder
Mollskalen in Erscheinung
zu treten. Der
serenadenhafte Charakter
des Stuckes wird
unterstrichen durch die
Charakterisierung der
Klarinette als lineares
Gesangsinstrument und die
Harfe als akkordisch
gefuhrtes Zupfinstrument.
Selbstverstandlich
verlassen beide
Instrumente immer wieder
den ihnen angestammten
Bereich (die Harfe
beginnt zu singen,
wahrend sich die
Klarinette in uppigen
Figurationen ergeht),
wodurch ein
kammermusikalisch dichtes
und klanglich reizvolles
Gewebe entsteht.- Stefan
Heucke.
By Roxana Goodwin. For Harp (Folk/Celtic). Method. Fun With. Folk. Level: Beginn...(+)
By Roxana Goodwin. For
Harp (Folk/Celtic).
Method. Fun With. Folk.
Level: Beginning. Book.
Size 8.75x11.75. 32
pages. Published by Mel
Bay Publications, Inc.
Harp SKU: UT.MAG-221 Composed by Martin-Pierre Dalvimare. Edited by Anna ...(+)
Harp
SKU:
UT.MAG-221
Composed
by Martin-Pierre
Dalvimare. Edited by Anna
Pasetti. Saddle
stitching. Magadis.
Classical. Ut Orpheus
#MAG 221. Published by Ut
Orpheus (UT.MAG-221).
ISBN 9790215318625. 9
x 12
inches.
Martin-Pier
re Dalvimare, born in
1770, in Dreux
(Eure-et-Loir), from a
distinguished family,
learnt music as an
entertainment art, and
was obliged to make it a
resource for his
existence, after the
troubles of the
Revolution in 1789. He
had acquired a remarkable
talent for the harp; when
he arrived in Paris he
made a very good
impression. Then, man of
the world, knowledgeable
in many fields, which is
rare for a musician, he
was welcome everywhere,
and very soon came in
friendly terms with some
of the most renowned
artists and men of
letters of his times. The
marriage certificate of
the poet Legouve (15
pluviose of the year XI,
or February 1803, 12th
municipality of Paris),
shows that Dalvimare was
one of his best men and
that at the time he was
thirty-two years old. He
became harpist of the
Opera in the year VIII
(1800), and was
definitively confirmed in
the month of fructidor of
the year IX. At the time
of the institution of the
emperor Napoleon's
private music, M.
Dalvimare was appointed
as his harpist. In
September 1807 he
obtained the title of
harp master of the
empress Josephine. A
lucky change of his
fortune allowed this
artist to renounce to
practise his talent for
living, he resigned from
all of his positions on
March, 12th, 1812, and he
retired in Dreux, where
he still was living in
1837. For a peculiar
weakness, he does not
like to speak about his
artist career, which had
been entirely honourable,
and he would like to
forget his success too.
His first composition was
a symphonie concertant
for harp and horn, which
he composed with Frederic
Duvernoy, and published
in the year VII (1798);
notwithstanding, he
counted as his first opus
a collection of romances
with accompaniment of
piano or harp, which he
later published with
Pleyel.
In 1809
Dalvimare composed, for
the theatre Feydeau, a
one-act opera-comique
called The Marriage for
Imprudence. The music was
weak; the work did not
succeed, and people used
to say that the greatest
imprudence had been the
one of the authors who
had it performed.
Nevertheless, the score
of this opera was
published in Paris by
erard. (Francois-Joseph
Fetis).