(Varsovie, 1807). By E. T. A. Hoffmann. Edited by Norbert Kaltz. Harpe et quatuor a cordes. For Harp. Facsimiles. Collection Dominantes. Grade 0. 54 pages

[Towards the Fountain in the Woods pour la Harpe]. Composed by Marcel Tournier (1879-1951). Leduc. Classical. Softcover. 10 pages. Alphonse Leduc #AL20002. Published by Alphonse Leduc

Harp

SKU: HL.48180013

Composed by Gabriel Pierne. Leduc. Classical. Softcover. 9 pages. Alphonse Leduc #AL10381. Published by Alphonse Leduc (HL.48180013).

UPC: 888680787660. 9.0x12.0x0.061 inches.

Gabriel Pierné (1863-1937) was a French composer, conductor and organist. Despite being predominantly remembered as a conductor, his Impromptu-Caprice remains a popular performance piece in the advanced harpists' repertoire. Pierné studied at the Paris Conservatoire before taking up the position of chief conductor for the concert series, Concerts Colonne in 1910. He remained in the post until 1933, and during this time, he notably conducted the world premiere of Igor Stravinsky's The Firebird. Pierné composed for a variety of instruments, Impromptu-Caprice being one of four solo works by the composer. This Pierné piece for harp contains many characteristics typical of the French style, such as significant tempo changes, flourishes of semiquavers and many alterations in dynamics. Impromptu-Caprice is a varied piece essential to the repertoire of aspiring harpists.

Celtic Harp

SKU: HL.14041121

Composed by Dominig Bouchaud. Music Sales America. Classical, Folk. Book and CD. 44 pages. Editions Musicales Transatlantiques #ETR002276. Published by Editions Musicales Transatlantiques (HL.14041121).

9.0x12.0x0.183 inches. French.

1.Condé - Presque rien, des Nuages?; 2.Andrès - Danse sorcière; 3.Silvestrini - L'Eau qui dort; 4.Bosseur - Quarante quatre; 5.Hakim - Jeu (for harp solo).

Celtic Harp

SKU: HL.14041251

Composed by Dominig Bouchaud. Music Sales America. Classical, Folk. CD. Hal Leonard #ETR2276/D. Published by Hal Leonard (HL.14041251).

CD only.

Composed by Dominig Bouchaud. For Celtic Harp. Music Sales America. 48 pages. Hal Leonard #ETR001761. Published by Hal Leonard

52 Scottish Songs for All Harps arranged by Sylvia Woods. For Harp, Folk Harp. Harp. 112 pages. Published by Hal Leonard

Nine Traditional Tunes from Ireland, Scotland and England Arranged for Lever Harp. Composed by Frances Thiele. Saddle-stitched, Featured Products, British, Scottish, Harp: Folk and Pedal, Solos, Celtic / Irish. Style. Book. 24 pages. Mel Bay Publications, Inc #30745. Published by Mel Bay Publications, Inc

Kompositionen fur Konzertharfe (mittelschwer). Composed by Monika Stadler. String music. Published by Doblinger Music Publishers (DB.35-00841).

Chamber Music harp

SKU: PR.114417670

For Harp. Composed by Carter Pann. Sws. Contemporary. Solo part. With Standard notation. Composed 2010. 8 pages. Duration 4:30. Theodore Presser Company #114-41767. Published by Theodore Presser Company (PR.114417670).

ISBN 9781491107973. UPC: 680160636228. 9x12 inches.

The inscription above Carter Pann's Emerald's on Artemis reads: A music box for Emerald Weber (born 18 June, 2010) on Morgan Black's harp Artemis. The title of this 2010 composition is a bit cryptic, but Artemis is the given name of harpist Morgan Black's instrument. The music is both out-and-out tender and exuberant, clearly celebrating the birth of Emerald, the first daughter of one of Pann's dear childhood friends. For advanced harpists.________________ _______________________Te xt on the scanned back cover:Composer/pianist Carter Pann (2016 Pulitzer Prize Finalist in Music) has written for and worked with musicians around the world, garnering performances by ensembles such as the London Symphony and City of Birmingham Symphony, the Tchaikovsky Symphony in Moscow, many radio symphonies around Europe, the Seattle Symphony, National Repertory Orchestra, the youth orchestras of New York and Chicago, and countless wind ensembles.He has written for Richard Stoltzman, the Antares Ensemble, the Capitol Saxophone Quartet, the West Coast Wind Quintet, the River Oaks Chamber Ensemble, and many concert pianists. His String Quartet No. 2 “Operas” was commissioned by the Takács Quartet. Pann has been awarded a Charles Ives Fellowship, a Masterprize seat in London, and many ASCAP awards over the years. His numerous CDs encompass solo, vocal, chamber, orchestral, and wind music, and have received two Grammy nominations. He currently teaches at the University of Colorado in Boulder.

Books and Journals; Harp

SKU: UT.LB-3

Composed by Mirella Vita. Paperback (Soft Cover). Classical. Books and Journals. Ut Orpheus #LB 3. Published by Ut Orpheus (UT.LB-3).

ISBN 9788881094462. 6.5 x 9.5 inches.

«Sono stata un?arpista attiva per mezzo secolo. Come tutti i miei colleghi, ho dovuto affrontare le difficoltà create dalla leggenda che l?arpa non abbia né musica, né storia.
Fortunatamente, nel corso della mia carriera, ho potuto constatare che questa diceria è infondata e ho cercato di mettere in risalto almeno una piccola parte dell?immenso repertorio antico e moderno di questo strumento considerato un Paria della musica.
Il lavoro è stato piano e diretto per i libri che ho scritto sulla musica d?arpa italiana e svizzera, perché basato su precisi titoli e frontespizi; la ricerca sarebbe stata ugualmente scorrevole per i libri che non scriverò sulla musica d?arpa francese, tedesca, austriaca, britannica, boema, spagnola, portoghese e scandinava.
Per la musica olandese il cammino è un po? diverso: i pittori, i trattatisti e gli storici sono i testimoni e le guide che aiutano a ritrovare gli usi e i costumi musicali nei quali l?arpa aveva una parte importante.
Il concertista in cerca di pezzi potrà utilizzare così questo libro: dopo i trattati (capitolo II), i dipinti (capitolo III), la storia e la cronaca (capitoli IV-VII), autori e musiche (capitoli VIII e IX), biblioteche ed editori (capitoli X e XI), arriverà all?indice secondo le formazioni strumentali (capitolo XII).
Potrà cominciare dal cercare, in quest?ultimo capitolo, gli Autori adatti al suo gruppo e al suo programma; ritroverà i relativi dettagli nei capitoli VIII e IX; otterrà i pezzi seguendo le indicazioni dei capitoli X, XI e XII; e buona caccia, buono studio, buone prove!
Nel cercare di stabilire che cosa sia olandese o non-olandese nella musica antica è stata seguita l?abitudine corrente di considerare patrimonio comune dei Paesi Bassi l?arte e la storia anteriori alla separazione delle "Sette Province" nel secolo XVI; e specificamente olandese tutto ciò che accadde in quei coraggiosi territori da allora in poi.»

Harp

SKU: UT.MAG-221

Composed by Martin-Pierre Dalvimare. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 221. Published by Ut Orpheus (UT.MAG-221).

ISBN 9790215318625. 9 x 12 inches.

Martin-Pier re Dalvimare, born in 1770, in Dreux (Eure-et-Loir), from a distinguished family, learnt music as an entertainment art, and was obliged to make it a resource for his existence, after the troubles of the Revolution in 1789. He had acquired a remarkable talent for the harp; when he arrived in Paris he made a very good impression. Then, man of the world, knowledgeable in many fields, which is rare for a musician, he was welcome everywhere, and very soon came in friendly terms with some of the most renowned artists and men of letters of his times. The marriage certificate of the poet Legouve (15 pluviose of the year XI, or February 1803, 12th municipality of Paris), shows that Dalvimare was one of his best men and that at the time he was thirty-two years old. He became harpist of the Opera in the year VIII (1800), and was definitively confirmed in the month of fructidor of the year IX. At the time of the institution of the emperor Napoleon's private music, M. Dalvimare was appointed as his harpist. In September 1807 he obtained the title of harp master of the empress Josephine. A lucky change of his fortune allowed this artist to renounce to practise his talent for living, he resigned from all of his positions on March, 12th, 1812, and he retired in Dreux, where he still was living in 1837. For a peculiar weakness, he does not like to speak about his artist career, which had been entirely honourable, and he would like to forget his success too. His first composition was a symphonie concertant for harp and horn, which he composed with Frederic Duvernoy, and published in the year VII (1798); notwithstanding, he counted as his first opus a collection of romances with accompaniment of piano or harp, which he later published with Pleyel.

In 1809 Dalvimare composed, for the theatre Feydeau, a one-act opera-comique called The Marriage for Imprudence. The music was weak; the work did not succeed, and people used to say that the greatest imprudence had been the one of the authors who had it performed. Nevertheless, the score of this opera was published in Paris by erard. (Francois-Joseph Fetis).

Harp Solo. By Auguste Chapuis. (Harp). Editions Durand. Book only. Size 10.75x13.5 inches. 5 pages. Published by Durand.

(Arranged for Harp). Composed by Alain Boublil and Claude-Michel Sch�´nberg. For Harp. Harp. Softcover. 4 pages. Published by Hal Leonard

(Cahier No. 5: Moyen). By Various. Arranged by Dominig Bouchaud. For Celtic Harp. Standard notation. Duration 12 minutes, 45 seconds. Published by Gerard Billaudot Editeur

Composed by Dominig Bouchaud. Leduc. Classical. Softcover. Alphonse Leduc #AL27364. Published by Alphonse Leduc

Harp

SKU: UT.MAG-274

Composed by Philipp-Joseph Hinner. Edited by Francesca La Carrubba Jessica Pettenà. Saddle stitching. Magadis. Classical. Score and Parts. Ut Orpheus #MAG 274. Published by Ut Orpheus (UT.MAG-274).

ISBN 9790215326859. 9 x 12 inches.

Rediscoveri ng, studying and analyzing the musical art of Philipp Joseph Hinner means enhancing a piece of the eighteenth-century harp music mosaic. Hinner's work intrigues for its extraordinary simplicity, for its regularity and harmony; the ordered balance of the parts, symmetry and sense of proportion are essential elements for the author, and give character and unity to his work. The harp repertoire has long been overshadowed by the keyboard one, which boasts extensive solo and chamber literature, and consolidated for over two centuries. The rediscovery of the history of our instrument, however, is still recent and the research work in the field of harp music is still long.
Hinner, with the apparent simplicity of his opus 10, can thus regain his role in the harp repertoire of the eighteenth century, as well as covering a considerable didactic value today. The part of the first harp undoubtedly presents characteristics of greater rhythmic and virtuosic complexity than that of the second, which consists of a continuous accompaniment interspersed with simple thematic imitated episodes. Furthermore in the composition are included arias such as O ma tendre Musette, a French popular melody of the 18th century (previously set to music by Pierre-Alexandre Monsigny), and <>, taken from the opera-comique L'erreur d'un moment ou la Suite de Julie by Nicolas Dezede, as well as themes from Gluck's Iphigenie en Aulide, which had been all used also by Hinner's first harp master, Francesco Petrini (1744-1819).
Hinner's opus 10, originally written in separate parts for two harps, or harp and fortepiano, is presented here updated and completed with its score, for a thorough perception of the work.

Harp

SKU: HL.227905

For Pedal or Troubadour Harp. Composed by Alberto Dominguez. Peermusic Classical. Classical. 4 pages. Peermusic Classical #60905-557. Published by Peermusic Classical (HL.227905).

UPC: 680160423903. 9x12 inches.

(Vol. 6). By Various. Arranged by Dominig Bouchaud. For Celtic Harp. Standard notation

Harp

SKU: HL.227510

For Pedal or Troubadour Harp. Composed by Alberto Dominguez. Peermusic Classical. Classical. 4 pages. Peermusic Classical #60509-557. Published by Peermusic Classical (HL.227510).

UPC: 680160421602. 9x12 inches.

Harp

SKU: HL.14043600

Harp. Composed by Simon Holt. Music Sales America. Classical, Contemporary. Softcover. 12 pages. Chester Music #CH82940. Published by Chester Music (HL.14043600).

9.0x12.0x0.058 inches.

Simon Holt 's the man in the wind and the west moon was composed for Solo Harp in 2013, having been commissioned by The Tanza Trust. The piece takes its title from a line in a Dylan Thomas poem named 'And death shall have no dominion'. The four sections of the work see shifting harmonies throughout, with the first section repeating but also changing ever so subtly. The unique thing about the piece is that each section is dynamically different, but is left open to interpretation by the player.  The man in the wind and the west moon  was   first performed on the 2nd of June 2014 at Milton Court Concert Hall in London by Alex Rider. The piece lasts around 7minutes, and the bottom C and D strings should be tuned to C# and D# respectively.