Viola, Electronics SKU: CA.1630200 For Viola and live electronics....(+)
Viola, Electronics
SKU: CA.1630200
For Viola and live
electronics. Composed
by Walter Feldmann. This
edition: Paperbound.
German title: Courbe 2
(1993/2001). Full score.
Composed 1993/rev. 2001.
34 pages. Duration 8
minutes. Carus Verlag #CV
16.302/00. Published by
Carus Verlag
(CA.1630200).
ISBN
9790007099695. Language:
all languages.
The
viola solo courbe 2 is
based on an excerpt from
the viola part in the
Trio for flute, viola and
harp << courbes >> -
sequences. In the densest
time curve of this piece
the viola plays the
leading role for a span
of almost three minutes.
This material is taken
from the Trio, presented
and divided into separate
parts. courbe 2 is three
times longer in duration
than the Trio excerpt
from which it is derived.
The musical text of the
individual fragments
remains as it is in the
original, but, pulsating,
demarcated in seconds.
Fissures emerge between
the fragments, windows
open: - to harmonic
fields, central sounds,
taken over from the
reverberations, from
which new tone material
is derived; the fields in
turn are distorted and
spacialised by the
electronics - to metrical
structures and pulses
freed from the individual
motives of the original
musical text, which forms
new variants in
interaction with these
fields. Thus in courbe 2
which, as already
indicated, is three times
longer in duration than
the original, three
musical levels are
interpenetrated, whereby
all three are derived
from one tone, which
plays an absolutely
central role in most of
my works. It is a
reference to the French
writer Anne-Marie Albiach
(and to her great text <<
H II >> lineaires), and
it remains as the only
tone at the end of the
piece, definitively,
determining everything, b
= 247 Hertz. Walter
Feldmann.
Composed by Star Edwards. Harp: Folk and Pedal,Style,Celtic / Irish,Classical...(+)
Composed by Star Edwards.
Harp: Folk and
Pedal,Style,Celtic /
Irish,Classical,Folk,Feat
ured
Products,Method. Young
Beginner. Book and Online
Audio. 80 pages.
Published by
Mel Bay Publications, Inc
Second Harp Accompaniments. Edited by Judi Gowe. Harp (Suzuki - Ensemble); Suzuk...(+)
Second Harp
Accompaniments. Edited by
Judi Gowe. Harp (Suzuki -
Ensemble); Suzuki. Suzuki
method (harp). Method.
Instructional book. 32
pages. Alfred Music
#00-0753. Published by
Alfred Music
Harp SKU: M7.DUX-959 Music For Harp. Edited by Evelyn Huber. Sheet...(+)
Harp
SKU:
M7.DUX-959
Music
For Harp. Edited by
Evelyn Huber. Sheet
music. 36 pages. Edition
Dux Verlag #DUX 959.
Published by Edition Dux
Verlag (M7.DUX-959).
ISBN
9783868493047.
Die
Harfe??sie kann so viel
mehr, als manche ihr
zutrauen! Mal ruhig,
sanft, ein anderes Mal
rhythmisch fordernd,
manchmal frech und dann
wieder meditativ.
»Five Pieces For Pedal
Harp« ist eine
Sammlung mit
Eigenkompositionen,
Jazzstandards und
Arrangements wunderbarer
Traditionals -
Improvisationen mit
eingeschlossen. Music for
Harp: die Reihe für
World Music, Jazz & more.
Level:
medium/advanced.
Chamber Music harp SKU: PR.110406720 Composed by Samuel Adler. Classical....(+)
Chamber Music harp
SKU: PR.110406720
Composed by Samuel Adler.
Classical. Softcover.
With Standard notation.
Duration 14 minutes.
Theodore Presser Company
#110-40672. Published by
Theodore Presser Company
(PR.110406720).
UPC:
680160001316.
I
have always been fond of
writing works for
specific people or
organizations. It has
been my good fortune
during most of my
creative career to be
asked to compose for many
extraordinary performers.
The Sonata for
Harpsichord Solo is such
a case in point: it was
written in 1982 for
Barbara Harbach, a superb
performer, close friend,
and collaborator on many
musical projects. The
Sonata was premiered on
March 2, 1984, in a
recital given by Dr.
Harbach at Nazareth
College in Rochester, New
York. During my formative
years as a composer, one
seldom heard of the
harpsichord as a modern
instrument, though while
I attended undergraduate
school at Boston
University, some of us
banded together to
construct a small
harpsichord from one of
the first do-it-yourself
kits which began to
appear in the late '40s.
It was also during this
time that I heard the
Sonatina for Violin and
Harpsichord by my teacher
Walter Piston and
consequently specified
that the accompanying
instrument for my second
violin sonata could
either be a piano or a
harpsichord. It was not
until recently, however,
that my interest in the
harpsichord as a solo
instrument for new music
was aroused. This was
because of the emergence
of so many young
virtuosi, such as Barbara
Harbach, who are
interested in the
performance of new music
besides the great
harpsichord music of the
Classical, Baroque, and
pre-Baroque eras. The
keyboard music of
Domenico Scarlatti has
always intrigued and
fascinated me. The
brevity, excitement, and
clarity of this sparkling
music is charming as well
as exhilarating. It is
this type of Baroque
sonata that inspired the
conception and form of my
harpsichord sonata. The
entire work is loosely
based on the musical
translation of Barabara
Harbach's name,
especially the conflict
of the B (B-flat) and H
(B-natural in German
notation). This secondo
rub or dissonance
especially pervades the
first movement, which is
in a modified sonata
form, pitting jagged and
tense melodic elements
against most lyrical and
smooth lines. This second
movement is a song-like
melody accompanied by
rolled chords which may
be played on the lute
stop of the instrument if
this sonata is performed
on a two-manual
harpsichord. The final
movement is an
ever-driving joyous
toccata which brings the
work to an exciting close
with a coda made up of
accelerating repeated
chords. --Samuel
Adler.
Harp SKU: UT.MAG-221 Composed by Martin-Pierre Dalvimare. Edited by Anna ...(+)
Harp
SKU:
UT.MAG-221
Composed
by Martin-Pierre
Dalvimare. Edited by Anna
Pasetti. Saddle
stitching. Magadis.
Classical. Ut Orpheus
#MAG 221. Published by Ut
Orpheus (UT.MAG-221).
ISBN 9790215318625. 9
x 12
inches.
Martin-Pier
re Dalvimare, born in
1770, in Dreux
(Eure-et-Loir), from a
distinguished family,
learnt music as an
entertainment art, and
was obliged to make it a
resource for his
existence, after the
troubles of the
Revolution in 1789. He
had acquired a remarkable
talent for the harp; when
he arrived in Paris he
made a very good
impression. Then, man of
the world, knowledgeable
in many fields, which is
rare for a musician, he
was welcome everywhere,
and very soon came in
friendly terms with some
of the most renowned
artists and men of
letters of his times. The
marriage certificate of
the poet Legouve (15
pluviose of the year XI,
or February 1803, 12th
municipality of Paris),
shows that Dalvimare was
one of his best men and
that at the time he was
thirty-two years old. He
became harpist of the
Opera in the year VIII
(1800), and was
definitively confirmed in
the month of fructidor of
the year IX. At the time
of the institution of the
emperor Napoleon's
private music, M.
Dalvimare was appointed
as his harpist. In
September 1807 he
obtained the title of
harp master of the
empress Josephine. A
lucky change of his
fortune allowed this
artist to renounce to
practise his talent for
living, he resigned from
all of his positions on
March, 12th, 1812, and he
retired in Dreux, where
he still was living in
1837. For a peculiar
weakness, he does not
like to speak about his
artist career, which had
been entirely honourable,
and he would like to
forget his success too.
His first composition was
a symphonie concertant
for harp and horn, which
he composed with Frederic
Duvernoy, and published
in the year VII (1798);
notwithstanding, he
counted as his first opus
a collection of romances
with accompaniment of
piano or harp, which he
later published with
Pleyel.
In 1809
Dalvimare composed, for
the theatre Feydeau, a
one-act opera-comique
called The Marriage for
Imprudence. The music was
weak; the work did not
succeed, and people used
to say that the greatest
imprudence had been the
one of the authors who
had it performed.
Nevertheless, the score
of this opera was
published in Paris by
erard. (Francois-Joseph
Fetis).
Harp Harp, Folk Harp - Difficulty: medium SKU: HL.720640 Composed by Turl...(+)
Harp Harp, Folk Harp -
Difficulty: medium
SKU: HL.720640
Composed by Turlough
O'carolan. Edited by
Sylvia Woods. Arranged by
S Woods. Harp.
Traditional Folk. Harp
solo book (spiral bound).
With standard notation
and introductory text.
112 pages. Published by
Hal Leonard (HL.720640).
ISBN 9780960299089.
UPC: 073999206401.
8.75x11
inches.
Arranged
for beginning and
advanced harpers, this
book contains 40 of the
best tunes by O'Carolan,
the most famous of the
Irish harpers and
composers who lived from
1670-1738. Each of the 40
tunes has two
arrangements: an easy
play version and a more
difficult version. Each
tune includes chord
indications that can be
used by harpers or other
instrumentalists.
Harp SKU: UT.MAG-274 Composed by Philipp-Joseph Hinner. Edited by Frances...(+)
Harp
SKU:
UT.MAG-274
Composed
by Philipp-Joseph Hinner.
Edited by Francesca La
Carrubba Jessica
Pettenà . Saddle
stitching. Magadis.
Classical. Score and
Parts. Ut Orpheus #MAG
274. Published by Ut
Orpheus (UT.MAG-274).
ISBN 9790215326859. 9
x 12
inches.
Rediscoveri
ng, studying and
analyzing the musical art
of Philipp Joseph Hinner
means enhancing a piece
of the eighteenth-century
harp music mosaic.
Hinner's work intrigues
for its extraordinary
simplicity, for its
regularity and harmony;
the ordered balance of
the parts, symmetry and
sense of proportion are
essential elements for
the author, and give
character and unity to
his work. The harp
repertoire has long been
overshadowed by the
keyboard one, which
boasts extensive solo and
chamber literature, and
consolidated for over two
centuries. The
rediscovery of the
history of our
instrument, however, is
still recent and the
research work in the
field of harp music is
still long. Hinner,
with the apparent
simplicity of his opus
10, can thus regain his
role in the harp
repertoire of the
eighteenth century, as
well as covering a
considerable didactic
value today. The part of
the first harp
undoubtedly presents
characteristics of
greater rhythmic and
virtuosic complexity than
that of the second, which
consists of a continuous
accompaniment
interspersed with simple
thematic imitated
episodes. Furthermore in
the composition are
included arias such as
O ma tendre
Musette, a French
popular melody of the
18th century (previously
set to music by
Pierre-Alexandre
Monsigny), and <>, taken from
the opera-comique
L'erreur d'un moment
ou la Suite de Julie
by Nicolas Dezede, as
well as themes from
Gluck's Iphigenie en
Aulide, which had
been all used also by
Hinner's first harp
master, Francesco Petrini
(1744-1819). Hinner's
opus 10, originally
written in separate parts
for two harps, or harp
and fortepiano, is
presented here updated
and completed with its
score, for a thorough
perception of the
work.
Harp SKU: HF.FH-1063 Band 3: Einfuhrung in das Orchesterspiel (Orchest...(+)
Harp
SKU:
HF.FH-1063
Band 3:
Einfuhrung in das
Orchesterspiel
(Orchesterstudien).
Composed by Hans-Joachim
Zingel. Sheet music.
Friedrich Hofmeister
Musikverlag #FH 1063.
Published by Friedrich
Hofmeister Musikverlag
(HF.FH-1063).
ISBN
9790203410638. 8.3 x 11.7
inches.
Notenbeispi
ele aus: 1. Orfeo
(Monteverdi); 2. Kantate
(Zachow); 3. Julius
Caesar (Handel); 4.
Orpheus (Gluck); 5. Die
Geschopfe des Prometheus
(Beethoven); 6. Die
weisse Dame (Boieldieu);
7. Der Nordstern
(Meyerbeer); 8. Otello
(Rossini); 9. Don
Pasquale (Donizetti); 10.
Norma (Bellini); 11. Wenn
ich Konig war (Adam); 12.
Fausts Verdammnis
(Berlioz); 13. Symphonie
phantastique (Berlioz);
14. Aufforderung zum Tanz
(Berlioz); 15. Jota
aragonesa (Glinka); 16.
Athalia
(Mendelssohn-Bartholdy);
17. Die lustigen Weiber
von Windsor (Nicolai);
18. Das Paradies und die
Peri (Schumann); 19. Des
Sangers Fluch (Schumann);
20. Szenen aus Faus
(Schumann); 21. Orpheus
(Liszt); 22. Die Legende
von der heiligen
Elisabeth (Liszt); 23.
Des Preludes (Liszt); 24.
Dante-Symphonie (Liszt);
25. Mignon (Thomas); 26.
Martha (Flotow); 27.
Rienzi, der Letzte der
Tribunen (Wagner); 28.
Der fliegende Hollander
(Wagner); 29. Tannhauser
oder Der Sangerkrieg auf
Wartburg (Wagner); 30.
Lohengrin (Wagner); 31.
Tristan und Isolde
(Wagner); 32. Das
Rheingold (Wagner); 33.
Die Walkure (Wagner); 34.
Siegfried (Wagner); 35.
Gotterdammerung (Wagner);
36. Ein Maskenball
(Verdi); 37. Stabat mater
(Verdi); 38. Der
Troubadour (Verdi); 39.
Aida (Verdi); 40. Die
Macht des Schicksals
(Verdi); 41. Don Carlos
(Verdi); 42. Margarethe
(Gounod); 43.
Ballettmusik (Gounod);
44. Hoffmanns Erzahlungen
(Offenbach); 45.
Symphonie Nr. I (Franck);
46. Namouna (Lalo); 47.
Vysehrad (Smetana); 48.
Symphonie Nr. VIII
(Bruckner); 49. An der
schonen blauen Donau
(Strauss); 50.
Fruhlingsstimmen-Walzer
(Strauss); 51.
Kaiserwalzer (Strauss);
52. Gesange fur
Frauenchor (Brahms); 53.
Ein deutsches Requiem
(Brahms); 54. Nanie
(Brahms); 55. Furst Igor
(Borodin); 56.
Coppelia-Suite (Delibes);
57. L'Arlesienne-Suite I
(Bizet); 58. Carmen
(Bizet); 59.
L'Arlesienne-Suite II
(Bizet); 60. Die
Perlenfischer (Bizet);
61. Schwanensee
(Tschaikowski); 62.
Nussknacker-Suite
(Tschaikowski); 63.
Dornroschen
(Tschaikowski); 64.
Manfred-Symphonie
(Tschaikowski); 65. Eugen
Onegin (Tschaikowski);
66. Espana (Chabrier);
67. Boris Godunow
(Mussorgski /
Rimski-Korssakow); 68.
Sonnenwendnacht
(Rimski-Korssakow); 69.
Russische Ostern
(Rimski-Korssakow); 70.
Mlada (Rimski-Korssakow);
71. Scheherezade
(Rimski-Korssakow); 72.
Zar Saltan
(Rimski-Korssakow).
Harp SKU: HL.50605490 Two Pieces for Harp. Composed by Gergely Vaj...(+)
Harp
SKU:
HL.50605490
Two
Pieces for Harp.
Composed by Gergely
Vajda. EMB. Classical.
Softcover. Editio Musica
Budapest #V15211.
Published by Editio
Musica Budapest
(HL.50605490).
ISBN
9781705190548. UPC:
196288126577.
Come
un meccanismo di
precisione (like a
precision machine) - as
Gyorgy Ligeti wrote above
one of his works. The two
harp pieces by Gergely
Vajda (*1973) also
approach the instrument
as a machine, moreover,
as a machine that can
produce several sounds
and noises and create a
specific polyphony from
them. The two movements,
composed in 2020 and
2022, are dedicated to
the Ars Nova Ensemble and
Collegium21,
respectively. Contents:
1. Idle Time 2. Minute
Machinery.
Harp SKU: HL.14007563 Harp Solo. Composed by Per Norgard. Music Sa...(+)
Harp
SKU:
HL.14007563
Harp
Solo. Composed by Per
Norgard. Music Sales
America. Classical. Book
[Softcover]. 6 pages.
Music Sales #KP01320.
Published by Music Sales
(HL.14007563).
ISBN
9788759867587. UPC:
888680753047.
10.5x14.0x0.033
inches.
Consolation
- Like A Roselike Flower
(Consolazione - Flos Ut
Rosa) for Harp solo by
Per Norgard (2002).
Written for and dedicated
to Tine Rehling.
Programme note by the
composer: The concept of
Mary has a depth that
transcends all religious
persuasions. All over the
earth symbols of the
gentle and maternal are
known. But the word
'Maria' is also
associated - in sound -
with the Latin word for
the sea, mare, and she
thus become the Star of
the Sea, Maris
Stella. In my 3rd
Symphony the Maria motif
is used in a hymn section
in the second, and last,
part of the work. The
choral song “Flos
ut rosa floruit”
was composed directly in
the context of the
symphony, and themelody
had a 'stamina' that
carried it over into many
later vocal and choral
compositions, for
instance the
“Concerto for Harp
No. 2 - through
thorns” (2003) and
the present Consolazione
for harp solo , both
works dedicated to Tine
Rehling. .
Harp SKU: HL.128724 Music from the Disney Motion Picture Arranged for ...(+)
Harp
SKU:
HL.128724
Music
from the Disney Motion
Picture Arranged for
Harp. Arranged by
Sylvia Woods. Harp.
Children, Disney, Movies.
Softcover. 4 pages.
Published by Hal Leonard
(HL.128724).
ISBN
9780936661605. UPC:
888680014209.
8.5x11.0x0.027 inches.
Arr. Sylvia
Woods.
Tangled is
Disney's popular animated
film from 2010, based on
the German fairy tale
Rapunzel. This book
includes two songs from
the movie, arranged for
lever or pedal harp by
Sylvia Woods: I See the
Light and Healing
Incantation. Both pieces
include lyrics,
fingerings, and lever or
pedal changes. I See the
Light is the love song
between Rapunzel and
Flynn, sung in the boat
during the lantern
ceremony. This 5-page
intermediate arrangement
is in the key of C with F
and G lever changes
throughout. The range is
31 strings, from the C 2
octaves below middle C up
to the E 2 octaves and 2
strings above middle C.
The one-page Healing
Incantation is the song
that Rapunzel sings when
her hair creates the
magic. It is in the key
of 1 sharp, with G and C
lever changes. It can be
played by advanced
beginners with experience
in making lever changes.
The range is 22 strings,
from the E almost 2
octaves below middle C,
up to the E 9 strings
above middle C. It can be
played on many 26-string
harps, if played an
octave higher than
written. Both pieces are
included in this sheet
music.
Harp SKU: HL.128725 Arranged for Harp. Composed by Alain Boublil, ...(+)
Harp
SKU:
HL.128725
Arranged
for Harp. Composed by
Alain Boublil,
Claude-Michel Schô,
and nberg. Harp.
Broadway, Movies,
Musicals. Softcover. 4
pages. Published by Hal
Leonard (HL.128725).
ISBN 9780936661636.
UPC: 888680012588.
8.5x11.0x0.038
inches.
Castle on a
Cloud is sung by the
child Cosette in Les
Miserables. It is a
hopeful song of her
imaginary world where
life is beautiful, and
she is not subjected to
the drudgery of her hard
existence. Sylvia Woods
has arranged this lilting
song for lever or pedal
harp. There are 7 lever
changes in the piece, so
it is for lower
intermediate to
intermediate level
players. Fingerings and
lyrics are included, as
well as lever and pedal
changes. Two, 2-page
versions are included:
one for lever harps tuned
to C, and the other for
lever harps tuned to
flats. Pedal harpists can
play either version. The
arrangement for lever
harps tuned to C is in
the key of D (2 sharps),
with A and C lever
changes needed. The
arrangement for lever
harps tuned to flats is
in the key of C, with B
and G lever changes
needed. Either version
may be played on most
small harps with about 26
strings if you play
everything an octave
higher than written.
There are special
instructions in the
introduction telling you
what you'll need to
change if you have a
small harp.
Harp SKU: FG.55011-912-3 Composed by Tauno Marttinen. Classical, contempo...(+)
Harp
SKU:
FG.55011-912-3
Composed by Tauno
Marttinen. Classical,
contemporary. Score.
Fennica Gehrman
#55011-912-3. Published
by Fennica Gehrman
(FG.55011-912-3).
ISBN
9790550119123.
Luon
nonjumala (God of Nature)
is Tauno Marttinen’s
adaption for harp of his
piano suite Taara op. 34.
The manuscript for harp
was found in January 2024
by Rauno Marttinen,
composer’s
son.
Duration: c.
15’ Movements: 1.
Virran ääniä | The
Voices of the
Stream 2.
Luonnonjumalan lähde |
The Spring of God of
Nature 3. Metsässä
tuulee |The Wind Blows
through the
Forest
Tauno
Marttinen (1912–2008)
studied in Viipuri and
later in Helsinki at the
Helsinki Conservatoire.
His piano teachers were
Ilmari Hannikainen and
Selim Palmgren, but he
soon became increasingly
interested in composing.
Marttinen was also the
conductor of the
Hämeenlinna City
Orchestra in 1949−1958
and the founder and
principal of the
Hämeenlinna Music
Institute.
Marttin
en started his composing
career in late Romantic
vein. However, his first
concerts in the 1940s met
with criticism since the
winds of Modernism had
already landed in
Finland. He then became
interested in Dodecaphony
and studied under
Vladimir Vogel in Ascona
but later abandoned
strict dodecaphony and
found his own, personal
style incorporating
elements from
Neo-classicism and
free-tonality with a hint
of mysticism – he was
called the Shaman of
Hämeenlinna (his
hometown).
Tauno
Marttinen was an
incredibly productive
composer; he wrote around
four hundred works with
opus numbers as well as a
wealth of other pieces.
His oeuvre includes 10
symphonies, concertos for
various solo instruments,
operas as well as vocal,
chamber and instrumental
works. Many of
Marttinen’s pieces have
become popular standard
repertoire, such as the
piano piece Kimalluksia
(Gleams).
Chamber Music harp SKU: PR.114417670 For Harp. Composed by Carter ...(+)
Chamber Music harp
SKU: PR.114417670
For Harp. Composed
by Carter Pann. Sws.
Contemporary. Solo part.
With Standard notation.
Composed 2010. 8 pages.
Duration 4:30. Theodore
Presser Company
#114-41767. Published by
Theodore Presser Company
(PR.114417670).
ISBN
9781491107973. UPC:
680160636228. 9x12
inches.
The
inscription above Carter
Pann's Emerald's on
Artemis reads: A music
box for Emerald Weber
(born 18 June, 2010) on
Morgan Black's harp
Artemis. The title of
this 2010 composition is
a bit cryptic, but
Artemis is the given name
of harpist Morgan Black's
instrument. The music is
both out-and-out tender
and exuberant, clearly
celebrating the birth of
Emerald, the first
daughter of one of Pann's
dear childhood friends.
For advanced
harpists.________________
_______________________Te
xt on the scanned back
cover:Composer/pianist
Carter Pann (2016
Pulitzer Prize Finalist
in Music) has written for
and worked with musicians
around the world,
garnering performances by
ensembles such as the
London Symphony and City
of Birmingham Symphony,
the Tchaikovsky Symphony
in Moscow, many radio
symphonies around Europe,
the Seattle Symphony,
National Repertory
Orchestra, the youth
orchestras of New York
and Chicago, and
countless wind
ensembles.He has written
for Richard Stoltzman,
the Antares Ensemble, the
Capitol Saxophone
Quartet, the West Coast
Wind Quintet, the River
Oaks Chamber Ensemble,
and many concert
pianists. His String
Quartet No. 2
“Operas†was
commissioned by the
Takács Quartet. Pann
has been awarded a
Charles Ives Fellowship,
a Masterprize seat in
London, and many ASCAP
awards over the years.
His numerous CDs
encompass solo, vocal,
chamber, orchestral, and
wind music, and have
received two Grammy
nominations. He currently
teaches at the University
of Colorado in
Boulder.
Harp SKU: HL.48185288 Composed by Serge Lancen. Leduc. Softcover. 4 pages...(+)
Harp
SKU:
HL.48185288
Composed
by Serge Lancen. Leduc.
Softcover. 4 pages.
Alphonse Leduc #AL28751.
Published by Alphonse
Leduc (HL.48185288).
UPC: 888680858773.
9.0x12.0x0.06
inches.
French
pianist and composer,
Serge Lancen (1922-2005)
studied at the Paris
Conservatoire where he
won first prize for
composition in 1949. His
professional career saw
him winning many prizes
for his compositions and
For Raphaele remains
popular in the Harp
repertoire. As
exemplified in For
Raphaele, Lancen's
compositional style
remained attached to the
French characteristics,
featuring luscious
melodies, balance and
clarity of tone. With a
typical performance
lasting about 2 and a
half minutes, Pour
Raphaele demonstrates the
versatility of the Harp,
addressing flourishes,
dotted rhythms,
syncopation and
variations in dynamics.
For all intermediate
harpists, Lancen's For
Raphaele is a delightful
addition to the
instrument's repertoire.
.