Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart, arranged for harp by Ekaterina Afanasieva (2015). Composed by Fazil Say. Arranged by Ekaterina Afanasieva. This edition: Saddle stitching. Sheet music. Der Finalsatz der Sonate A-Dur KV 331 von Wolfgang Amadeus Mozart, das Rondo Alla Turca, ist eines der bekanntesten Klavierstucke uberhaupt. An diese Popularitat knupft das als effektvolle Zugabe entstandene Stuck von Faz?l Say in der Bearbeitung fur Harf. Classical. Single sheet. Composed 1993. Op. 5b. 8 pages. Duration 4'. Schott Music #ED22797. Published by Schott Music

Harp Solo. By Sophia Giustani Dussek, Johann Ladislaus Dussek. Arranged by Nicanor Zabaleta. (Harp). Schott. Size 9.25x12 inches. 12 pages. Published by Schott.

(Etudes 1-20 with an additional 20 Etude Variations that expand on the original etudes). Composed by Nicolas-Charles Bochsa. Edited by Carl Swanson. For lever harp. Etude book (spiral-bound). 94 pages. Published by Carl Fischer

Harp

SKU: UT.HS-200

Composed by Elias Parish Alvars. Edited by Floraleda Sacchi. Saddle stitching. Classical. 16 pages. Ut Orpheus #HS 200. Published by Ut Orpheus (UT.HS-200).

ISBN 9790215320161. 9 x 12 inches.

Traum am Bache Op. 71; Gretchen’s Gebet vor dem Bilde der Mater Dolorosa

By Arnold Schoenberg. For high soprano, celeste, harmonium, and harp. This edition: SCORE. 20th Century. For high soprano, celesta, harmonium and harp. Score. Published by Belmont-Universal Edition.

Harp

SKU: HL.50561841

Harp Solo. Composed by Various. Edited by Marielle Nordmann. This edition: DF1480200. Editions Durand. Classical, Collection, Waltz. 16 pages. Editions Durand #DF1480200. Published by Editions Durand (HL.50561841).

UPC: 073999618419. 8.25x11.75x0.125 inches.

Arranged for harp by Marielle Nordmann. Contents: Beethoven - Valse No. 1 * Schubert - Six Waltzes * Chopin - Valse in A * Sibelius - Waltze.

By Benjamin Britten (1913-1976). For Harp. Harp; Masterworks; Part(s); Solo. Faber Edition. Form: Suite. 20th Century; Masterwork. Published by Faber Music

Harp (Harp)

SKU: HL.48181022

For Harp. Composed by Alphonse Hasselmans. Leduc. Classical. Softcover. 12 pages. Alphonse Leduc #AL20009. Published by Alphonse Leduc (HL.48181022).

UPC: 888680948832. 9.0x12.0x0.056 inches.

For harp solo.

Harp

SKU: HL.48181035

For Harp Solo. Composed by Marcel Grandjany. Leduc. Contemporary, Educational. Softcover. 8 pages. Alphonse Leduc #AL20039. Published by Alphonse Leduc (HL.48181035).

UPC: 888680787653. 9x12 inches.

French born harpist and composer, Marcel Grandjany (1891-1975) studied at the Paris Conservatoire before spending much of his working life in America. His Trois petites Pièces were composed in Grandjany's early career and are simple and enjoyable works, suitable for beginner harpists. Grandjany was a teacher of harp at the Julliard School for 37 years whilst also composing and transcribing many works for the instrument. Made up of three movements, Trois petites Pièces begins with a delicate Rêverie (daydream). The second piece, a Nocturne, contains variations in tempo, time signature and dynamics. The Barcarolle third movement is the most challenging of the three pieces, in 6/8 time signature and sixteenth-note flourishes. All these combined aspects of Trois petites Pièces by Grandjany make for a thrilling performance for beginner harpists.

Composed by Samuel-Rous Louis August. Leduc. Classical. Softcover. 20 pages. Alphonse Leduc #AL20038. Published by Alphonse Leduc

Harp

SKU: UT.MAG-220

Composed by Martin-Pierre Dalvimare. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 220. Published by Ut Orpheus (UT.MAG-220).

ISBN 9790215318403. 9 x 12 inches.

Required piece of the 18th International Harp Contest in Israel 2012.

Harp

SKU: HL.48182311

Composed by Marcel Grandjany. Leduc. Classical. Softcover. 12 pages. Alphonse Leduc #AL23442. Published by Alphonse Leduc (HL.48182311).

UPC: 888680787066. 9.25x12.25x0.055 inches.

Written by Marcel Grandjany on a tune of Haydn, Fantasy is a piece for Harp that includes 5 variations of the main theme. Ideally to be played on pedal Harp, it would fit the skills and abilities of advanced Harp players. The technical difficulties encountered are various as this piece involves some hand-crossings, arpeggios, natural harmonies, accidental alterations as well as some pedal changes. Marcel Grandjany is a French-born American who lived in the 20th century. He studied with Alphonse Hasselmans at the Paris Conservatoire from the age of 11 and got the First Prize at 13 years old. He composed numerous pieces for Harp, of all levels: '3 Very Easy Little Pieces, Op. 7', 'Divertissement, Op. 29', 'Variation on the Londonderry Air, Op. 20' and 'Two Duets for 2 harps, Op. 26' among many others..

Harp

SKU: UT.MAG-243

Composed by Cesare Galeotti. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. 20 pages. Ut Orpheus #MAG 243. Published by Ut Orpheus (UT.MAG-243).

ISBN 9790215320482. 9 x 12 inches.

Mandatory piece at IV International Harp Competition Suoni d’Arpa 2014, Villa Medici Giulini, Briosco (MB).

Clarinet in A and harp

SKU: HL.49044302

Composed by Stefan Heucke. This edition: Saddle stitching. Sheet music. Ensemble. Softcover. Composed 2012. Op. 67. 40 pages. Duration 15'. Schott Music #KLB93. Published by Schott Music (HL.49044302).

ISBN 9790001197922. 9.0x12.0x0.136 inches.

Im Fruhjahr 2012 schrieb ich fur das Duo Imaginaire ein knapp viertelstundiges Werk fur die ganz ungewohnliche, aber umso reizvollere Duobesetzung von Klarinette und Harfe. Der romantisch-ironische Titel einer melancholischen Serenade gibt den semantischen Inhalt des Stuckes recht genau wieder. Musikalisch formal handelt es sich um ein grossformatiges rondoartiges Gebilde, in dem sich zahlreiche melodische und virtuose Episoden um ein schwebend-synkopisches Thema gruppieren, das sich zwar verandert, aber als roter Faden trotzdem deutlich wiederzuerkennen ist. Das Stuck besitzt einen tonalen Rahmen, der auf siebentonigen Skalen basiert, die die Gegebenheiten der Harfe als diatonisches Instrument nutzen, ohne ein einziges Mal als echte Dur- oder Mollskalen in Erscheinung zu treten. Der serenadenhafte Charakter des Stuckes wird unterstrichen durch die Charakterisierung der Klarinette als lineares Gesangsinstrument und die Harfe als akkordisch gefuhrtes Zupfinstrument. Selbstverstandlich verlassen beide Instrumente immer wieder den ihnen angestammten Bereich (die Harfe beginnt zu singen, wahrend sich die Klarinette in uppigen Figurationen ergeht), wodurch ein kammermusikalisch dichtes und klanglich reizvolles Gewebe entsteht.- Stefan Heucke.

For Pedal and Lever Harpists. Berklee Guide. Instruction, Technique. Softcover Media Online. Duration 7200 seconds. Published by Berklee Press

For Harp. By Franz Joseph Haydn, Anton Rubenstein, Christoph Willibald von Gluck, Carlos Salzedo. Arranged by Carlos Salzedo. Text: Yolanda Kondonassis. For Harp. Solo part. 64 pages. Published by Carl Fischer.

Harp

SKU: UT.HS-212

Composed by Giovanni Caramiello. Edited by Letizia Belmondo and Sara Simari. Saddle stitching. Classical. 16 pages. Ut Orpheus #HS 212. Published by Ut Orpheus (UT.HS-212).

ISBN 9790215322974. 9 x 12 inches.

Mandatory piece at V International Harp Competition Suoni d’Arpa 2015, Saluzzo (CN).

Viola, Electronics

SKU: CA.1630200

For Viola and live electronics. Composed by Walter Feldmann. This edition: Paperbound. German title: Courbe 2 (1993/2001). Full score. Composed 1993/rev. 2001. 34 pages. Duration 8 minutes. Carus Verlag #CV 16.302/00. Published by Carus Verlag (CA.1630200).

ISBN 9790007099695. Language: all languages.

The viola solo courbe 2 is based on an excerpt from the viola part in the Trio for flute, viola and harp << courbes >> - sequences. In the densest time curve of this piece the viola plays the leading role for a span of almost three minutes. This material is taken from the Trio, presented and divided into separate parts. courbe 2 is three times longer in duration than the Trio excerpt from which it is derived. The musical text of the individual fragments remains as it is in the original, but, pulsating, demarcated in seconds. Fissures emerge between the fragments, windows open: - to harmonic fields, central sounds, taken over from the reverberations, from which new tone material is derived; the fields in turn are distorted and spacialised by the electronics - to metrical structures and pulses freed from the individual motives of the original musical text, which forms new variants in interaction with these fields. Thus in courbe 2 which, as already indicated, is three times longer in duration than the original, three musical levels are interpenetrated, whereby all three are derived from one tone, which plays an absolutely central role in most of my works. It is a reference to the French writer Anne-Marie Albiach (and to her great text << H II >> lineaires), and it remains as the only tone at the end of the piece, definitively, determining everything, b = 247 Hertz. Walter Feldmann.

Harp

SKU: UT.MAG-244

Composed by Cesare Galeotti. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. 20 pages. Ut Orpheus #MAG 244. Published by Ut Orpheus (UT.MAG-244).

ISBN 9790215320499. 9 x 12 inches.

by Janna McCall Geller and Mallory Geller. For Harp (Folk/Celtic). method. Non-Series. All styles. Level: Beginning. Book. Size 8.5x11. 208 pages. Published by Mel Bay Publications, Inc.

Harp

SKU: HL.50565267

Composed by Alphonse Hasselmans. MGB. Score Only. Composed 2001. Editions Durand #DF5019. Published by Editions Durand (HL.50565267).

Harp

SKU: HL.50565231

Composed by Alphonse Hasselmans. MGB. Score Only. Composed 2001. Editions Durand #DF3191. Published by Editions Durand (HL.50565231).

Pour La Harpe Celtic Et La Harpe Sans Pedales. By Alphonse Hasselmans. For harp. Opus 25. Published by Billaudot.