Harp SKU: UT.MAG-158 Vol. 1. Composed by Gioachino Rossini. Edited...(+)
Harp
SKU:
UT.MAG-158
Vol.
1. Composed by
Gioachino Rossini. Edited
by Anna Pasetti. Saddle
stitching. Magadis.
Classical. Score and
Parts. Ut Orpheus #MAG
158. Published by Ut
Orpheus (UT.MAG-158).
ISBN 9790215309791.
8.26 x 11.69 inches.
Transcribed by Robert
Nicolas Charles
Bochsa.
Piano
pianissimo senza parlar;
Ecco ridente in cielo;
Largo al factotum della
città; All’idea
di quel metallo
Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Am...(+)
Fantasia on the Rondo
from
the Piano Sonata in A
major
K. 331 by Wolfgang
Amadeus
Mozart, arranged for harp
by
Ekaterina Afanasieva
(2015).
Composed by Fazil Say.
Arranged by Ekaterina
Afanasieva. This edition:
Saddle stitching. Sheet
music. Der Finalsatz der
Sonate A-Dur KV 331 von
Wolfgang Amadeus Mozart,
das
Rondo Alla Turca, ist
eines
der bekanntesten
Klavierstucke uberhaupt.
An
diese Popularitat knupft
das
als effektvolle Zugabe
entstandene Stuck von
Faz?l
Say in der Bearbeitung
fur
Harf. Classical. Single
sheet. Composed 1993. Op.
5b.
8 pages. Duration
4'. Schott
Music #ED22797. Published
by
Schott Music
Orchestra SSA Choir, piano, percussion, harp SKU: CF.O5173 Composed by Pe...(+)
Orchestra SSA Choir,
piano, percussion, harp
SKU: CF.O5173
Composed by Peter Mennin.
The world premiere took
place on January 18, 1979
at Alice Tully Hall,
Lincoln Center. Choral.
Score. With Standard
notation. 63 pages.
Duration 25 minutes. Carl
Fischer Music #O5173.
Published by Carl Fischer
Music (CF.O5173).
ISBN
9780825867248. UPC:
798408067243. 9 X 12
inches. Text: Emily
Dickinson. Emily
Dickinson.
Harp - Grade 3 SKU: RM.SL10609 Composed by Jean Michel Defaye. Harpe. Ins...(+)
Harp - Grade 3
SKU:
RM.SL10609
Composed
by Jean Michel Defaye.
Harpe. Instrumental
music. Duration 5
minutes, 30 seconds.
Editions Robert Martin
#SL10609. Published by
Editions Robert Martin
(RM.SL10609).
Harp SKU: RM.SL10389 Composed by Martin-Pierre D'Alvimare. Arranged by Ca...(+)
Harp
SKU:
RM.SL10389
Composed
by Martin-Pierre
D'Alvimare. Arranged by
Catherine Michel. Harpe.
Instrumental music.
Editions Robert Martin
#SL10389. Published by
Editions Robert Martin
(RM.SL10389).
Harp SKU: HL.48180980 For Lever Harp and Piano. Composed by Henrie...(+)
Harp
SKU:
HL.48180980
For
Lever Harp and Piano.
Composed by Henriette
Renie. Leduc. Classical.
Softcover. 5 pages.
Alphonse Leduc #AL19923.
Published by Alphonse
Leduc (HL.48180980).
UPC: 888680878504.
9x12
inches.
Composed by
the famous harpist
Henriette Renié,
Pine trees of
Charlannes is an easy
small piece for lever
harp with piano or harp
accompaniment. This piece
for beginners is really
nice to play and to start
playing ensemble music.
The principal harp
sections feature some
really melodious sections
and some sections with
quavers going up. It
alternates these sections
with the accompaniment
played by the piano or a
second harp. Henriette
Renié was a
virtuoso French harpist
born in 1875. With
professors such as
Alphonse Hasselmans and
Théodore Dubois,
she received the First
Prize for the Harp in
1887. She wrote numerous
works for harp including
chamber music, and a
concerto.
Harp SKU: FG.55011-912-3 Composed by Tauno Marttinen. Classical, contempo...(+)
Harp
SKU:
FG.55011-912-3
Composed by Tauno
Marttinen. Classical,
contemporary. Score.
Fennica Gehrman
#55011-912-3. Published
by Fennica Gehrman
(FG.55011-912-3).
ISBN
9790550119123.
Luon
nonjumala (God of Nature)
is Tauno Marttinen’s
adaption for harp of his
piano suite Taara op. 34.
The manuscript for harp
was found in January 2024
by Rauno Marttinen,
composer’s
son.
Duration: c.
15’ Movements: 1.
Virran ääniä | The
Voices of the
Stream 2.
Luonnonjumalan lähde |
The Spring of God of
Nature 3. Metsässä
tuulee |The Wind Blows
through the
Forest
Tauno
Marttinen (1912–2008)
studied in Viipuri and
later in Helsinki at the
Helsinki Conservatoire.
His piano teachers were
Ilmari Hannikainen and
Selim Palmgren, but he
soon became increasingly
interested in composing.
Marttinen was also the
conductor of the
Hämeenlinna City
Orchestra in 1949−1958
and the founder and
principal of the
Hämeenlinna Music
Institute.
Marttin
en started his composing
career in late Romantic
vein. However, his first
concerts in the 1940s met
with criticism since the
winds of Modernism had
already landed in
Finland. He then became
interested in Dodecaphony
and studied under
Vladimir Vogel in Ascona
but later abandoned
strict dodecaphony and
found his own, personal
style incorporating
elements from
Neo-classicism and
free-tonality with a hint
of mysticism – he was
called the Shaman of
Hämeenlinna (his
hometown).
Tauno
Marttinen was an
incredibly productive
composer; he wrote around
four hundred works with
opus numbers as well as a
wealth of other pieces.
His oeuvre includes 10
symphonies, concertos for
various solo instruments,
operas as well as vocal,
chamber and instrumental
works. Many of
Marttinen’s pieces have
become popular standard
repertoire, such as the
piano piece Kimalluksia
(Gleams).
Composed by Jesus Guridi (1886-1961). Music Sales America. Exam Material. Book O...(+)
Composed by Jesus Guridi
(1886-1961). Music Sales
America. Exam Material.
Book Only. 8 pages. Union
Musical Ediciones
#MUSUME19549. Published
by Union Musical
Ediciones
Harp SKU: UT.MAG-221 Composed by Martin-Pierre Dalvimare. Edited by Anna ...(+)
Harp
SKU:
UT.MAG-221
Composed
by Martin-Pierre
Dalvimare. Edited by Anna
Pasetti. Saddle
stitching. Magadis.
Classical. Ut Orpheus
#MAG 221. Published by Ut
Orpheus (UT.MAG-221).
ISBN 9790215318625. 9
x 12
inches.
Martin-Pier
re Dalvimare, born in
1770, in Dreux
(Eure-et-Loir), from a
distinguished family,
learnt music as an
entertainment art, and
was obliged to make it a
resource for his
existence, after the
troubles of the
Revolution in 1789. He
had acquired a remarkable
talent for the harp; when
he arrived in Paris he
made a very good
impression. Then, man of
the world, knowledgeable
in many fields, which is
rare for a musician, he
was welcome everywhere,
and very soon came in
friendly terms with some
of the most renowned
artists and men of
letters of his times. The
marriage certificate of
the poet Legouve (15
pluviose of the year XI,
or February 1803, 12th
municipality of Paris),
shows that Dalvimare was
one of his best men and
that at the time he was
thirty-two years old. He
became harpist of the
Opera in the year VIII
(1800), and was
definitively confirmed in
the month of fructidor of
the year IX. At the time
of the institution of the
emperor Napoleon's
private music, M.
Dalvimare was appointed
as his harpist. In
September 1807 he
obtained the title of
harp master of the
empress Josephine. A
lucky change of his
fortune allowed this
artist to renounce to
practise his talent for
living, he resigned from
all of his positions on
March, 12th, 1812, and he
retired in Dreux, where
he still was living in
1837. For a peculiar
weakness, he does not
like to speak about his
artist career, which had
been entirely honourable,
and he would like to
forget his success too.
His first composition was
a symphonie concertant
for harp and horn, which
he composed with Frederic
Duvernoy, and published
in the year VII (1798);
notwithstanding, he
counted as his first opus
a collection of romances
with accompaniment of
piano or harp, which he
later published with
Pleyel.
In 1809
Dalvimare composed, for
the theatre Feydeau, a
one-act opera-comique
called The Marriage for
Imprudence. The music was
weak; the work did not
succeed, and people used
to say that the greatest
imprudence had been the
one of the authors who
had it performed.
Nevertheless, the score
of this opera was
published in Paris by
erard. (Francois-Joseph
Fetis).
Harp SKU: CF.H82 Five Children’s Pieces. Composed by Mauric...(+)
Harp
SKU: CF.H82
Five Children’s
Pieces. Composed by
Maurice Ravel.
Transcribed by Carl
Swanson. 32 pages. Carl
Fischer Music #H82.
Published by Carl Fischer
Music (CF.H82).
ISBN
9781491160183. UPC:
680160918782.
Mauri
ce Ravel's Mother Goose
is arguably one of the
most well-known and
well-loved of Ravel's
works. Whether one
encounters it first in
its original iteration
for piano, four hands, or
in the sweeping orchestra
transcription, Mother
Goose leaves an
impression that isn't
soon forgotten. The
pieces are short, simple,
and descriptive, but are
nonetheless ravishing,
and beautifully showcase
Ravel’s genius and
compositional skills. Now
for the first time, the
entire work has been
transcribed for solo harp
by harpist Carl Swanson.
Each of the original five
movements has been
carefully edited, making
the pieces playable on
solo harp, while keeping
the spirit that Ravel
intended. Here is a
valuable addition to the
harp repertoire by one of
the greatest composers of
the twentieth century,
Maurice Ravel.
Solo harp (Solo) - Moderately Difficult SKU: OU.9780193359628 Composed by...(+)
Solo harp (Solo) -
Moderately Difficult
SKU:
OU.9780193359628
Composed by Michael
Finnissy. 8 pages.
Duration 6'. Oxford
University Press
#9780193359628. Published
by Oxford University
Press (OU.9780193359628).
ISBN 9780193359628. 12
x 8 inches.
For
solo harp An arrangement
of Scenes 5 and 12 from a
projected stage-work on
the life of Tchaikovsky.
They are identical in
structure and draw on the
set of Russian folk songs
that Tchaikovsky arranged
for piano-duet, albeit
with a high level of
distortion and
adaptation.
Harp SKU: UT.MAG-159 Vol. 2. Composed by Gioachino Rossini. Edited...(+)
Harp
SKU:
UT.MAG-159
Vol.
2. Composed by
Gioachino Rossini. Edited
by Anna Pasetti. Saddle
stitching. Magadis.
Classical. Score and
Parts. Ut Orpheus #MAG
159. Published by Ut
Orpheus (UT.MAG-159).
ISBN 9790215309807.
8.26 x 11.69 inches.
Transcribed by Robert
Nicolas Charles
Bochsa.
Ah qual
colpo inaspettato; Una
voce poco fa; Buona sera;
Presto
sbrighiamoci
Harp SKU: UT.MAG-160 Vol. 3. Composed by Gioachino Rossini. Edited...(+)
Harp
SKU:
UT.MAG-160
Vol.
3. Composed by
Gioachino Rossini. Edited
by Anna Pasetti. Saddle
stitching. Magadis.
Classical. Score and
Parts. Ut Orpheus #MAG
160. Published by Ut
Orpheus (UT.MAG-160).
ISBN 9790215309814.
8.26 x 11.69 inches.
Transcribed by Robert
Nicolas Charles
Bochsa.
Tempesta
; Il vecchiotto cerca
moglie; Freddo ed
immobile come una statua;
Di sàfelice
innesto
Harp SKU: UT.MAG-265 Composed by Wilhelm Posse. Edited by Anna Pasetti. S...(+)
Harp
SKU:
UT.MAG-265
Composed
by Wilhelm Posse. Edited
by Anna Pasetti. Saddle
stitching. Magadis.
Classical. Ut Orpheus
#MAG 265. Published by Ut
Orpheus (UT.MAG-265).
ISBN 9790215326422. 9
x 12
inches.
Posseâ€â
„¢s compositions for harp
are rich and varied, and
range from the easy
pieces dedicated to his
students to the virtuoso
concert pieces; we must
also remember his
didactic works, in
particular the ‘Six
Small Studies’ and
the universally known
‘Eight Great
Concert
Studies’. It is
not easy to draw a
balance of his legacy in
the harp world. On one
hand his technical vision
of virtuosity combined
with a great stability of
the hand and rigor of the
fingerings certainly
contributed to the
development of the 20th
Century harp technique;
on the other hand, his
use of the pedals, often
driven by two together
with the same foot (a
very old French
technique), has gradually
become more and more
difficult on modern
harps. From the point of
view of his contribution
to the harp repertoire,
the constant run-up to
the piano has heavily
influenced his
compositional production,
making him often
completely miss the
idiomatic effects of 19th
Century harp music
(except for the use of
harmonic sounds), which
were so loved by his
friend Liszt in the
compositions of Parish
Alvars.
Harp SKU: UT.HS-201 Composed by Carl Maria von Weber. Edited by Floraleda...(+)
Harp
SKU:
UT.HS-201
Composed by
Carl Maria von Weber.
Edited by Floraleda
Sacchi. Arranged by Elias
Parish Alvars. Saddle
stitching. Classical.
Score and Parts. 24
pages. Ut Orpheus #HS
201. Published by Ut
Orpheus (UT.HS-201).