Harp SKU: HL.50561841 Harp Solo. Composed by Various. Edited by Ma...(+)
Harp
SKU:
HL.50561841
Harp
Solo. Composed by
Various. Edited by
Marielle Nordmann. This
edition: DF1480200.
Editions Durand.
Classical, Collection,
Waltz. 16 pages. Editions
Durand #DF1480200.
Published by Editions
Durand (HL.50561841).
UPC: 073999618419.
8.25x11.75x0.125
inches.
Arranged
for harp by Marielle
Nordmann. Contents:
Beethoven - Valse No. 1 *
Schubert - Six Waltzes *
Chopin - Valse in A *
Sibelius - Waltze.
Harp SKU: HL.48181018 Composed by Marcel Tournier. Leduc. Classical. Soft...(+)
Harp
SKU:
HL.48181018
Composed
by Marcel Tournier.
Leduc. Classical.
Softcover. 22 pages.
Alphonse Leduc #AL20003.
Published by Alphonse
Leduc (HL.48181018).
UPC: 888680907761.
9x12
inches.
Theme
and Variations by
Marcel Tournier is a
piece for advanced harp
players. Starting with a
main theme of arpeggiated
chords, the piece then
follows with a number of
variations, including
chords, arpeggios,
glissandos, and numerous
nuances and speed
variations. The piece
starts in Allegro
moderato, then evolving
to Allegretto, Allegretto
Scherzando, sometimes
more energetic or
quieter. This piece is
great to master speed,
flexibility and agility
as well as the different
types of nuances. Marcel
Tournier (1879-1951) was
a French harpist and
teacher. He studied with
Alphonse Hasselmans at
the Paris Conservatoire
and composed numerous
pieces for solo harp:
Russian Lullabies,
Six Christmas,
Four Preludes and
Three Images, Suite 1,
Op. 29, among many
others.
Oboe & harp SKU: OU.9780193588790 Composed by Howard Skempton. Mixed Ense...(+)
Oboe & harp
SKU:
OU.9780193588790
Composed by Howard
Skempton. Mixed Ensemble.
Set of parts. 16 pages.
Duration 6'. Oxford
University Press
#9780193588790. Published
by Oxford University
Press (OU.9780193588790).
ISBN 9780193588790. 12
x 8 inches.
For
oboe and harp The piece
is a suite of six
contrasting miniatures
built around fragments of
melodies which are
repeated, each time with
subtle variations.
Particularly striking is
the simple, folk-like
melody of the fifth
movement and the
dissonant, almost
grotesque march that
precedes it.
Harp SKU: UT.MAG-265 Composed by Wilhelm Posse. Edited by Anna Pasetti. S...(+)
Harp
SKU:
UT.MAG-265
Composed
by Wilhelm Posse. Edited
by Anna Pasetti. Saddle
stitching. Magadis.
Classical. Ut Orpheus
#MAG 265. Published by Ut
Orpheus (UT.MAG-265).
ISBN 9790215326422. 9
x 12
inches.
Posseâ€â
„¢s compositions for harp
are rich and varied, and
range from the easy
pieces dedicated to his
students to the virtuoso
concert pieces; we must
also remember his
didactic works, in
particular the ‘Six
Small Studies’ and
the universally known
‘Eight Great
Concert
Studies’. It is
not easy to draw a
balance of his legacy in
the harp world. On one
hand his technical vision
of virtuosity combined
with a great stability of
the hand and rigor of the
fingerings certainly
contributed to the
development of the 20th
Century harp technique;
on the other hand, his
use of the pedals, often
driven by two together
with the same foot (a
very old French
technique), has gradually
become more and more
difficult on modern
harps. From the point of
view of his contribution
to the harp repertoire,
the constant run-up to
the piano has heavily
influenced his
compositional production,
making him often
completely miss the
idiomatic effects of 19th
Century harp music
(except for the use of
harmonic sounds), which
were so loved by his
friend Liszt in the
compositions of Parish
Alvars.
Harp SKU: UT.MAG-266 Composed by Wilhelm Posse. Edited by Anna Pasetti. S...(+)
Harp
SKU:
UT.MAG-266
Composed
by Wilhelm Posse. Edited
by Anna Pasetti. Saddle
stitching. Magadis.
Classical. Ut Orpheus
#MAG 266. Published by Ut
Orpheus (UT.MAG-266).
ISBN 9790215326439. 9
x 12
inches.
Posseâ€â
„¢s compositions for harp
are rich and varied, and
range from the easy
pieces dedicated to his
students to the virtuoso
concert pieces; we must
also remember his
didactic works, in
particular the ‘Six
Small Studies’ and
the universally known
‘Eight Great
Concert
Studies’. It is
not easy to draw a
balance of his legacy in
the harp world. On one
hand his technical vision
of virtuosity combined
with a great stability of
the hand and rigor of the
fingerings certainly
contributed to the
development of the 20th
Century harp technique;
on the other hand, his
use of the pedals, often
driven by two together
with the same foot (a
very old French
technique), has gradually
become more and more
difficult on modern
harps. From the point of
view of his contribution
to the harp repertoire,
the constant run-up to
the piano has heavily
influenced his
compositional production,
making him often
completely miss the
idiomatic effects of 19th
Century harp music
(except for the use of
harmonic sounds), which
were so loved by his
friend Liszt in the
compositions of Parish
Alvars.