SKU: PR.110406720

UPC: 680160001316.

I have always been fond of writing works for specific people or organizations. It has been my good fortune during most of my creative career to be asked to compose for many extraordinary performers. The Sonata for Harpsichord Solo is such a case in point: it was written in 1982 for Barbara Harbach, a superb performer, close friend, and collaborator on many musical projects. The Sonata was premiered on March 2, 1984, in a recital given by Dr. Harbach at Nazareth College in Rochester, New York. During my formative years as a composer, one seldom heard of the harpsichord as a modern instrument, though while I attended undergraduate school at Boston University, some of us banded together to construct a small harpsichord from one of the first do-it-yourself kits which began to appear in the late '40s. It was also during this time that I heard the Sonatina for Violin and Harpsichord by my teacher Walter Piston and consequently specified that the accompanying instrument for my second violin sonata could either be a piano or a harpsichord. It was not until recently, however, that my interest in the harpsichord as a solo instrument for new music was aroused. This was because of the emergence of so many young virtuosi, such as Barbara Harbach, who are interested in the performance of new music besides the great harpsichord music of the Classical, Baroque, and pre-Baroque eras. The keyboard music of Domenico Scarlatti has always intrigued and fascinated me. The brevity, excitement, and clarity of this sparkling music is charming as well as exhilarating. It is this type of Baroque sonata that inspired the conception and form of my harpsichord sonata. The entire work is loosely based on the musical translation of Barabara Harbach's name, especially the conflict of the B (B-flat) and H (B-natural in German notation). This secondo rub or dissonance especially pervades the first movement, which is in a modified sonata form, pitting jagged and tense melodic elements against most lyrical and smooth lines. This second movement is a song-like melody accompanied by rolled chords which may be played on the lute stop of the instrument if this sonata is performed on a two-manual harpsichord. The final movement is an ever-driving joyous toccata which brings the work to an exciting close with a coda made up of accelerating repeated chords. --Samuel Adler.

SKU: HL.431600

ISBN 9781705163382. UPC: 196288064633. 9.0x12.0x0.234 inches.

Meticulousl y curated, Beautiful songs for Harp features 28 timeless melodies, thoughtfully arranged for harpists of all levels. Suitable for both pedal and lever harps, this new collection is perfect for harpists looking to enhance their current repertoire. Songs include: And I Love Her • Bless the Broken Road • Bring Him Home • Can't Help Falling in Love • For All We Know • God Only Knows • Hallelujah • I Will Always Love You • If Ever I Would Leave You • Mia and Sebastian's Theme • Morning Has Broken • On the Street Where You Live • The Rainbow Connection • The Sound of Silence • You've Got a Friend • and more.

SKU: HL.48187550

UPC: 888680850388. 9.0x12.5x0.112 inches.

“Chri stmas Pastoral by André Jolivet is a piece for Flute, Bassoon and the Harp lasting nearly 13 minutes. This piece is really gentle and restrained which demonstrates the quality of Jolivet?s work but also reflects that period of WWII when France was under occupation. These scores are of medium level of ability. Christmas Pastoral features four sections: L?étoile (the Star), Les Mages (the Wisemen), La Vierge et l?Enfant (the Virgin and the Child) and Entrée et Danse des Bergers (the Shepherds? dance). Each of these parts describes a part of the Christmas story, starting with the Flute and the Bassoon in a duet, followed by the entrance of the Harp to settle the first part. The second section is quieter, expressing the walk in the desert. The Virgin and the Child is like a lullaby and the piece finishes on a joyful dance to express happiness and devotion. André Jolivet is a French composer who was really inspired by the Antiquity, and had a strong interest for atonality. He also wrote many chamber music pieces, eleven concertos, some orchestral and some vocal music.”.

SKU: HL.48187774

UPC: 888680872960. 9.25x12.25x0.03 inches.

Albert Périlhou: Chanson de Guillot Martin (Harp solo).

SKU: MB.97226M

ISBN 9780786695225. 8.75 x 11.75 inches.

Kim Robertson is one of Americas premier Celtic harp soloists. Her technique and range of expression are extraordinary as illustrated in this book containing the selections from her highly acclaimed CD Treasures of the Celtic Harp. The book contains all of the selections from Kim Robertsons Treasures of the Celtic Harp video except Sailors Hornpipe. Includes access to the online performance video.

SKU: LM.27774

ISBN 9790230977746.

Sous le tilleul - Faon vient de naitre - Jeux de papillons - La chanson de Papi Hibou - La Danse du cygne - A la lisiere - La Ballade du petit labrador - Hymne a l'imperatrice Marmotte - A la rencontre de l'ecureuil - Soleil couchant.

SKU: HL.48184010

UPC: 888680852795. 0.042 inches.

Annie Challan: Danse de l'Eventail et du Parapluie (Harp solo).

SKU: HL.48186694

UPC: 888680886059. 9.0x12.0x0.104 inches.

Bernard Andres: Contes vagues (Harp solo).

SKU: HL.48186711

UPC: 888680886400. 9.0x12.0x0.061 inches.

Bernard Andrès: Tanka (Harp solo).

SKU: HL.48186697

UPC: 888680886103. 9.0x12.0x0.072 inches.

Bernard Andrès: Elégie pour la Mort d'un Berger (Harp solo).

SKU: HL.48186686

UPC: 888680885915. 9.0x12.0x0.075 inches.

Bernard Andres: Acalephes (Harp solo).

SKU: HL.48182082

UPC: 888680847784. 10.5x13.5x0.055 inches.

Eugene Goossens: Two Ballades (Harp Solo).

SKU: HL.48186689

UPC: 888680885960. 9.0x12.0x0.113 inches.

Bernard Andres: Anamorphoses (Harp solo).