(Suites I - II). By Johann Sebastian Bach (1685-1750). Edited by Anne Ricquebour...(+)
(Suites I - II). By
Johann Sebastian Bach
(1685-1750). Edited by
Anne Ricquebourg.
Arranged by Sabine
Chefson. For Harp. This
edition: Original for
Cello. Collection Anne
Ricquebourg.
Intermediate. BWV
1007-1008
By Benjamin Britten (1913-1976). For Harp. Harp; Masterworks; Part(s); Solo. Fab...(+)
By Benjamin Britten
(1913-1976). For Harp.
Harp; Masterworks;
Part(s); Solo. Faber
Edition. Form: Suite.
20th Century; Masterwork.
Published by Faber Music
Harp SKU: FG.55011-912-3 Composed by Tauno Marttinen. Classical, contempo...(+)
Harp
SKU:
FG.55011-912-3
Composed by Tauno
Marttinen. Classical,
contemporary. Score.
Fennica Gehrman
#55011-912-3. Published
by Fennica Gehrman
(FG.55011-912-3).
ISBN
9790550119123.
Luon
nonjumala (God of Nature)
is Tauno Marttinen’s
adaption for harp of his
piano suite Taara op. 34.
The manuscript for harp
was found in January 2024
by Rauno Marttinen,
composer’s
son.
Duration: c.
15’ Movements: 1.
Virran ääniä | The
Voices of the
Stream 2.
Luonnonjumalan lähde |
The Spring of God of
Nature 3. Metsässä
tuulee |The Wind Blows
through the
Forest
Tauno
Marttinen (1912–2008)
studied in Viipuri and
later in Helsinki at the
Helsinki Conservatoire.
His piano teachers were
Ilmari Hannikainen and
Selim Palmgren, but he
soon became increasingly
interested in composing.
Marttinen was also the
conductor of the
Hämeenlinna City
Orchestra in 1949−1958
and the founder and
principal of the
Hämeenlinna Music
Institute.
Marttin
en started his composing
career in late Romantic
vein. However, his first
concerts in the 1940s met
with criticism since the
winds of Modernism had
already landed in
Finland. He then became
interested in Dodecaphony
and studied under
Vladimir Vogel in Ascona
but later abandoned
strict dodecaphony and
found his own, personal
style incorporating
elements from
Neo-classicism and
free-tonality with a hint
of mysticism – he was
called the Shaman of
Hämeenlinna (his
hometown).
Tauno
Marttinen was an
incredibly productive
composer; he wrote around
four hundred works with
opus numbers as well as a
wealth of other pieces.
His oeuvre includes 10
symphonies, concertos for
various solo instruments,
operas as well as vocal,
chamber and instrumental
works. Many of
Marttinen’s pieces have
become popular standard
repertoire, such as the
piano piece Kimalluksia
(Gleams).
Harp SKU: HL.227708 Harp Solo. Composed by R. Turner. Peermusic Cl...(+)
Harp
SKU:
HL.227708
Harp
Solo. Composed by R.
Turner. Peermusic
Classical. Classical,
Suite. 16 pages.
Peermusic Classical
#60707-557. Published by
Peermusic Classical
(HL.227708).
Harp SKU: HL.228357 Harp Solo. Composed by Rudolf Maros. Peermusic...(+)
Harp
SKU:
HL.228357
Harp
Solo. Composed by
Rudolf Maros. Peermusic
Classical. Classical,
Suite. Peermusic
Classical #61356-557.
Published by Peermusic
Classical (HL.228357).
Harp SKU: HL.48181018 Composed by Marcel Tournier. Leduc. Classical. Soft...(+)
Harp
SKU:
HL.48181018
Composed
by Marcel Tournier.
Leduc. Classical.
Softcover. 22 pages.
Alphonse Leduc #AL20003.
Published by Alphonse
Leduc (HL.48181018).
UPC: 888680907761.
9x12
inches.
Theme
and Variations by
Marcel Tournier is a
piece for advanced harp
players. Starting with a
main theme of arpeggiated
chords, the piece then
follows with a number of
variations, including
chords, arpeggios,
glissandos, and numerous
nuances and speed
variations. The piece
starts in Allegro
moderato, then evolving
to Allegretto, Allegretto
Scherzando, sometimes
more energetic or
quieter. This piece is
great to master speed,
flexibility and agility
as well as the different
types of nuances. Marcel
Tournier (1879-1951) was
a French harpist and
teacher. He studied with
Alphonse Hasselmans at
the Paris Conservatoire
and composed numerous
pieces for solo harp:
Russian Lullabies,
Six Christmas,
Four Preludes and
Three Images, Suite 1,
Op. 29, among many
others.
Harp SKU: HF.FH-1063 Band 3: Einfuhrung in das Orchesterspiel (Orchest...(+)
Harp
SKU:
HF.FH-1063
Band 3:
Einfuhrung in das
Orchesterspiel
(Orchesterstudien).
Composed by Hans-Joachim
Zingel. Sheet music.
Friedrich Hofmeister
Musikverlag #FH 1063.
Published by Friedrich
Hofmeister Musikverlag
(HF.FH-1063).
ISBN
9790203410638. 8.3 x 11.7
inches.
Notenbeispi
ele aus: 1. Orfeo
(Monteverdi); 2. Kantate
(Zachow); 3. Julius
Caesar (Handel); 4.
Orpheus (Gluck); 5. Die
Geschopfe des Prometheus
(Beethoven); 6. Die
weisse Dame (Boieldieu);
7. Der Nordstern
(Meyerbeer); 8. Otello
(Rossini); 9. Don
Pasquale (Donizetti); 10.
Norma (Bellini); 11. Wenn
ich Konig war (Adam); 12.
Fausts Verdammnis
(Berlioz); 13. Symphonie
phantastique (Berlioz);
14. Aufforderung zum Tanz
(Berlioz); 15. Jota
aragonesa (Glinka); 16.
Athalia
(Mendelssohn-Bartholdy);
17. Die lustigen Weiber
von Windsor (Nicolai);
18. Das Paradies und die
Peri (Schumann); 19. Des
Sangers Fluch (Schumann);
20. Szenen aus Faus
(Schumann); 21. Orpheus
(Liszt); 22. Die Legende
von der heiligen
Elisabeth (Liszt); 23.
Des Preludes (Liszt); 24.
Dante-Symphonie (Liszt);
25. Mignon (Thomas); 26.
Martha (Flotow); 27.
Rienzi, der Letzte der
Tribunen (Wagner); 28.
Der fliegende Hollander
(Wagner); 29. Tannhauser
oder Der Sangerkrieg auf
Wartburg (Wagner); 30.
Lohengrin (Wagner); 31.
Tristan und Isolde
(Wagner); 32. Das
Rheingold (Wagner); 33.
Die Walkure (Wagner); 34.
Siegfried (Wagner); 35.
Gotterdammerung (Wagner);
36. Ein Maskenball
(Verdi); 37. Stabat mater
(Verdi); 38. Der
Troubadour (Verdi); 39.
Aida (Verdi); 40. Die
Macht des Schicksals
(Verdi); 41. Don Carlos
(Verdi); 42. Margarethe
(Gounod); 43.
Ballettmusik (Gounod);
44. Hoffmanns Erzahlungen
(Offenbach); 45.
Symphonie Nr. I (Franck);
46. Namouna (Lalo); 47.
Vysehrad (Smetana); 48.
Symphonie Nr. VIII
(Bruckner); 49. An der
schonen blauen Donau
(Strauss); 50.
Fruhlingsstimmen-Walzer
(Strauss); 51.
Kaiserwalzer (Strauss);
52. Gesange fur
Frauenchor (Brahms); 53.
Ein deutsches Requiem
(Brahms); 54. Nanie
(Brahms); 55. Furst Igor
(Borodin); 56.
Coppelia-Suite (Delibes);
57. L'Arlesienne-Suite I
(Bizet); 58. Carmen
(Bizet); 59.
L'Arlesienne-Suite II
(Bizet); 60. Die
Perlenfischer (Bizet);
61. Schwanensee
(Tschaikowski); 62.
Nussknacker-Suite
(Tschaikowski); 63.
Dornroschen
(Tschaikowski); 64.
Manfred-Symphonie
(Tschaikowski); 65. Eugen
Onegin (Tschaikowski);
66. Espana (Chabrier);
67. Boris Godunow
(Mussorgski /
Rimski-Korssakow); 68.
Sonnenwendnacht
(Rimski-Korssakow); 69.
Russische Ostern
(Rimski-Korssakow); 70.
Mlada (Rimski-Korssakow);
71. Scheherezade
(Rimski-Korssakow); 72.
Zar Saltan
(Rimski-Korssakow).
Books and Journals; Harp SKU: UT.LB-4 Composed by Mirella Vita. Paperback...(+)
Books and Journals; Harp
SKU: UT.LB-4
Composed by Mirella Vita.
Paperback (Soft Cover).
Classical. Books and
Journals. Ut Orpheus #LB
4. Published by Ut
Orpheus (UT.LB-4).
ISBN 9788881094479.
6.5 x 9.5
inches.
â??During
my career spanning half a
century, like all my
fellow harpists I
constantly had to grapple
with the commonly held
view that the harp has
neither music nor history
of its
own. Fortunately, over
the years I have been
able to give the lie to
this myth and have tried
to bring to light some of
the vast repertoire, both
early and modern,
expressly composed for
this instrument which has
been treated somewhat as
an outsider in the
musical world. The
research work for my
books on Italian and
Swiss harp music was
plain sailing because
source materials were
specific titles and title
pages. Were I to write
books on French, German,
Austrian, British,
Bohemian, Spanish,
Portuguese or
Scandinavian harp music,
the work involved would
be equally smooth and
straightforward. Howev
er, where Dutch music is
concerned, the approach
is rather different,
because here it is the
painters,
treatise-writers and
historians who provide
the evidence and guidance
necessary to discover the
musical customs and
traditions where the harp
played a significant
part. Performers
looking for pieces of
music may use this book
as follows: chapter II
deals with treatises,
chapter III with
paintings, chapter IV
with history and research
accounts. Chapters V and
VI are concerned with
confusions in
terminology. Chapter VII
describes recent
developments and chapters
VIII and IX cover
composers and pieces of
music. Libraries and
publishers are listed
with their addresses in
chapters X and XI, and
finally chapter XII
consists of the index
based on the various
groups of
performers. In this
last chapter harpists
will find the composers
most suited to their
programme, and can then
turn to chapters VIII and
IX for details. The
actual pieces can be
obtained by consulting
chapters X and XI. I wish
you every success in your
search, in your
rehearsals and in your
concerts ! In order to
define what is Dutch or
non-Dutch in early music,
I have followed the
current approach, i.e.
all art and history prior
to the separation of the
â??Seven ProvinÂces
in the 16th century is
the common heritage of
the Low Countries,
whereas everything
pertaining to those
courageous lands from
then onwards is
specifically Dutch..
Oboe & harp SKU: OU.9780193588790 Composed by Howard Skempton. Mixed Ense...(+)
Oboe & harp
SKU:
OU.9780193588790
Composed by Howard
Skempton. Mixed Ensemble.
Set of parts. 16 pages.
Duration 6'. Oxford
University Press
#9780193588790. Published
by Oxford University
Press (OU.9780193588790).
ISBN 9780193588790. 12
x 8 inches.
For
oboe and harp The piece
is a suite of six
contrasting miniatures
built around fragments of
melodies which are
repeated, each time with
subtle variations.
Particularly striking is
the simple, folk-like
melody of the fifth
movement and the
dissonant, almost
grotesque march that
precedes it.
