Etudes 1-20 with an additional 20 Etude Variations that expand on the origina...(+)
Etudes 1-20 with an
additional 20 Etude
Variations that expand on
the original etudes.
Composed by Carl Swanson
/ Robert Nicolas-Charles
Bochsa. Edited by Carl
Swanson / Judith Ross.
Arranged by Judith Ross.
Book (spiral-bound). 94
pages. Carl Fischer
#H000073. Published by
Carl Fischer (CF.H73).
(Etudes 1-20 with an additional 20 Etude Variations that expand on the original ...(+)
(Etudes 1-20 with an
additional 20 Etude
Variations that expand on
the original etudes).
Composed by
Nicolas-Charles Bochsa.
Edited by Carl Swanson.
For lever harp. Etude
book (spiral-bound). 94
pages. Published by Carl
Fischer
Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Am...(+)
Fantasia on the Rondo
from
the Piano Sonata in A
major
K. 331 by Wolfgang
Amadeus
Mozart, arranged for harp
by
Ekaterina Afanasieva
(2015).
Composed by Fazil Say.
Arranged by Ekaterina
Afanasieva. This edition:
Saddle stitching. Sheet
music. Der Finalsatz der
Sonate A-Dur KV 331 von
Wolfgang Amadeus Mozart,
das
Rondo Alla Turca, ist
eines
der bekanntesten
Klavierstucke uberhaupt.
An
diese Popularitat knupft
das
als effektvolle Zugabe
entstandene Stuck von
Faz?l
Say in der Bearbeitung
fur
Harf. Classical. Single
sheet. Composed 1993. Op.
5b.
8 pages. Duration
4'. Schott
Music #ED22797. Published
by
Schott Music
Composed by Monika Mandelartz. For Folk Harp and Pedal Harp. Saddle-stitched. ...(+)
Composed by Monika
Mandelartz. For Folk Harp
and
Pedal Harp.
Saddle-stitched.
Intermediate-Advanced.
Book.
28 pages. Published by
Mel
Bay Publications, Inc
(with Selected Arrangements for the Folk Harp). By Mary Umbarger. For Harp (Folk...(+)
(with Selected
Arrangements for the Folk
Harp). By Mary Umbarger.
For Harp (Folk/Celtic).
Solos. Acoustic Music.
Intermediate-Advanced.
Book. 88 pages. Published
by Mel Bay Publications,
Inc
Chamber Music harp SKU: PR.110406720 Composed by Samuel Adler. Classical....(+)
Chamber Music harp
SKU: PR.110406720
Composed by Samuel Adler.
Classical. Softcover.
With Standard notation.
Duration 14 minutes.
Theodore Presser Company
#110-40672. Published by
Theodore Presser Company
(PR.110406720).
UPC:
680160001316.
I
have always been fond of
writing works for
specific people or
organizations. It has
been my good fortune
during most of my
creative career to be
asked to compose for many
extraordinary performers.
The Sonata for
Harpsichord Solo is such
a case in point: it was
written in 1982 for
Barbara Harbach, a superb
performer, close friend,
and collaborator on many
musical projects. The
Sonata was premiered on
March 2, 1984, in a
recital given by Dr.
Harbach at Nazareth
College in Rochester, New
York. During my formative
years as a composer, one
seldom heard of the
harpsichord as a modern
instrument, though while
I attended undergraduate
school at Boston
University, some of us
banded together to
construct a small
harpsichord from one of
the first do-it-yourself
kits which began to
appear in the late '40s.
It was also during this
time that I heard the
Sonatina for Violin and
Harpsichord by my teacher
Walter Piston and
consequently specified
that the accompanying
instrument for my second
violin sonata could
either be a piano or a
harpsichord. It was not
until recently, however,
that my interest in the
harpsichord as a solo
instrument for new music
was aroused. This was
because of the emergence
of so many young
virtuosi, such as Barbara
Harbach, who are
interested in the
performance of new music
besides the great
harpsichord music of the
Classical, Baroque, and
pre-Baroque eras. The
keyboard music of
Domenico Scarlatti has
always intrigued and
fascinated me. The
brevity, excitement, and
clarity of this sparkling
music is charming as well
as exhilarating. It is
this type of Baroque
sonata that inspired the
conception and form of my
harpsichord sonata. The
entire work is loosely
based on the musical
translation of Barabara
Harbach's name,
especially the conflict
of the B (B-flat) and H
(B-natural in German
notation). This secondo
rub or dissonance
especially pervades the
first movement, which is
in a modified sonata
form, pitting jagged and
tense melodic elements
against most lyrical and
smooth lines. This second
movement is a song-like
melody accompanied by
rolled chords which may
be played on the lute
stop of the instrument if
this sonata is performed
on a two-manual
harpsichord. The final
movement is an
ever-driving joyous
toccata which brings the
work to an exciting close
with a coda made up of
accelerating repeated
chords. --Samuel
Adler.
Harp (Harp) SKU: HL.50511754 Solo. Composed by Laszlo Tihanyi. Con...(+)
Harp (Harp)
SKU:
HL.50511754
Solo. Composed by
Laszlo Tihanyi.
Contemporary Music. EMB.
Contemporary Hungarian
Works. Book Only. Editio
Musica Budapest #Z14358.
Published by Editio
Musica Budapest
(HL.50511754).
ISBN
9790080143582. B/4 quer
inches. Hungarian,
English. Laszlo
Tihanyi.
Greek
mythology seems
spontaneously to have
offered the figure of
linos as the central
character in a work for
solo harp. (Linos was a
poet, believed to be the
brother of Orpheus, and
according to Greek
tradition no greater
musician ever appeared
among mankind.) The
musical material,
conforming to the
characteristics of the
harp, consits of two
interesting seven-degree
note rows incorporating
all the possible pedal
combinations, their
mirror inversions and the
five-degree noterows that
fit between them. The
nine-section composition
is made up of scenes from
the imagined life of
Linos, an imagined
'Linos's hymn', and
laments played in his
honour.
Harp SKU: UT.MAG-274 Composed by Philipp-Joseph Hinner. Edited by Frances...(+)
Harp
SKU:
UT.MAG-274
Composed
by Philipp-Joseph Hinner.
Edited by Francesca La
Carrubba Jessica
Pettenà . Saddle
stitching. Magadis.
Classical. Score and
Parts. Ut Orpheus #MAG
274. Published by Ut
Orpheus (UT.MAG-274).
ISBN 9790215326859. 9
x 12
inches.
Rediscoveri
ng, studying and
analyzing the musical art
of Philipp Joseph Hinner
means enhancing a piece
of the eighteenth-century
harp music mosaic.
Hinner's work intrigues
for its extraordinary
simplicity, for its
regularity and harmony;
the ordered balance of
the parts, symmetry and
sense of proportion are
essential elements for
the author, and give
character and unity to
his work. The harp
repertoire has long been
overshadowed by the
keyboard one, which
boasts extensive solo and
chamber literature, and
consolidated for over two
centuries. The
rediscovery of the
history of our
instrument, however, is
still recent and the
research work in the
field of harp music is
still long. Hinner,
with the apparent
simplicity of his opus
10, can thus regain his
role in the harp
repertoire of the
eighteenth century, as
well as covering a
considerable didactic
value today. The part of
the first harp
undoubtedly presents
characteristics of
greater rhythmic and
virtuosic complexity than
that of the second, which
consists of a continuous
accompaniment
interspersed with simple
thematic imitated
episodes. Furthermore in
the composition are
included arias such as
O ma tendre
Musette, a French
popular melody of the
18th century (previously
set to music by
Pierre-Alexandre
Monsigny), and <>, taken from
the opera-comique
L'erreur d'un moment
ou la Suite de Julie
by Nicolas Dezede, as
well as themes from
Gluck's Iphigenie en
Aulide, which had
been all used also by
Hinner's first harp
master, Francesco Petrini
(1744-1819). Hinner's
opus 10, originally
written in separate parts
for two harps, or harp
and fortepiano, is
presented here updated
and completed with its
score, for a thorough
perception of the
work.
Harp Harp, Folk Harp - Difficulty: medium SKU: HL.720640 Composed by Turl...(+)
Harp Harp, Folk Harp -
Difficulty: medium
SKU: HL.720640
Composed by Turlough
O'carolan. Edited by
Sylvia Woods. Arranged by
S Woods. Harp.
Traditional Folk. Harp
solo book (spiral bound).
With standard notation
and introductory text.
112 pages. Published by
Hal Leonard (HL.720640).
ISBN 9780960299089.
UPC: 073999206401.
8.75x11
inches.
Arranged
for beginning and
advanced harpers, this
book contains 40 of the
best tunes by O'Carolan,
the most famous of the
Irish harpers and
composers who lived from
1670-1738. Each of the 40
tunes has two
arrangements: an easy
play version and a more
difficult version. Each
tune includes chord
indications that can be
used by harpers or other
instrumentalists.
(Harp Part). By Angela Dastrup. By Dr. Shinichi Suzuki. For Harp. Book; CD; Harp...(+)
(Harp Part). By Angela
Dastrup. By Dr. Shinichi
Suzuki. For Harp. Book;
CD; Harp (Suzuki);
Method/Instruction;
Suzuki. Suzuki Harp
School. 36 pages.
Published by Alfred Music
(Harp Part). Composed by Dr. Shinichi Suzuki. For Harp. Book; Harp (Suzuki); Met...(+)
(Harp Part). Composed by
Dr. Shinichi Suzuki. For
Harp. Book; Harp
(Suzuki);
Method/Instruction;
Suzuki. Suzuki Harp
School. 36 pages.
Published by Alfred Music
Harp SKU: UT.MAG-221 Composed by Martin-Pierre Dalvimare. Edited by Anna ...(+)
Harp
SKU:
UT.MAG-221
Composed
by Martin-Pierre
Dalvimare. Edited by Anna
Pasetti. Saddle
stitching. Magadis.
Classical. Ut Orpheus
#MAG 221. Published by Ut
Orpheus (UT.MAG-221).
ISBN 9790215318625. 9
x 12
inches.
Martin-Pier
re Dalvimare, born in
1770, in Dreux
(Eure-et-Loir), from a
distinguished family,
learnt music as an
entertainment art, and
was obliged to make it a
resource for his
existence, after the
troubles of the
Revolution in 1789. He
had acquired a remarkable
talent for the harp; when
he arrived in Paris he
made a very good
impression. Then, man of
the world, knowledgeable
in many fields, which is
rare for a musician, he
was welcome everywhere,
and very soon came in
friendly terms with some
of the most renowned
artists and men of
letters of his times. The
marriage certificate of
the poet Legouve (15
pluviose of the year XI,
or February 1803, 12th
municipality of Paris),
shows that Dalvimare was
one of his best men and
that at the time he was
thirty-two years old. He
became harpist of the
Opera in the year VIII
(1800), and was
definitively confirmed in
the month of fructidor of
the year IX. At the time
of the institution of the
emperor Napoleon's
private music, M.
Dalvimare was appointed
as his harpist. In
September 1807 he
obtained the title of
harp master of the
empress Josephine. A
lucky change of his
fortune allowed this
artist to renounce to
practise his talent for
living, he resigned from
all of his positions on
March, 12th, 1812, and he
retired in Dreux, where
he still was living in
1837. For a peculiar
weakness, he does not
like to speak about his
artist career, which had
been entirely honourable,
and he would like to
forget his success too.
His first composition was
a symphonie concertant
for harp and horn, which
he composed with Frederic
Duvernoy, and published
in the year VII (1798);
notwithstanding, he
counted as his first opus
a collection of romances
with accompaniment of
piano or harp, which he
later published with
Pleyel.
In 1809
Dalvimare composed, for
the theatre Feydeau, a
one-act opera-comique
called The Marriage for
Imprudence. The music was
weak; the work did not
succeed, and people used
to say that the greatest
imprudence had been the
one of the authors who
had it performed.
Nevertheless, the score
of this opera was
published in Paris by
erard. (Francois-Joseph
Fetis).
Composed by Chuck Bird and Susan Peters. Squareback saddle stitch. Book and onli...(+)
Composed by Chuck Bird
and Susan Peters.
Squareback saddle stitch.
Book and online audio.
120 pages. Published by
Mel Bay Publications, Inc
(MB.95500M).
Harp SKU: CF.H82 Five Children’s Pieces. Composed by Mauric...(+)
Harp
SKU: CF.H82
Five Children’s
Pieces. Composed by
Maurice Ravel.
Transcribed by Carl
Swanson. 32 pages. Carl
Fischer Music #H82.
Published by Carl Fischer
Music (CF.H82).
ISBN
9781491160183. UPC:
680160918782.
Mauri
ce Ravel's Mother Goose
is arguably one of the
most well-known and
well-loved of Ravel's
works. Whether one
encounters it first in
its original iteration
for piano, four hands, or
in the sweeping orchestra
transcription, Mother
Goose leaves an
impression that isn't
soon forgotten. The
pieces are short, simple,
and descriptive, but are
nonetheless ravishing,
and beautifully showcase
Ravel’s genius and
compositional skills. Now
for the first time, the
entire work has been
transcribed for solo harp
by harpist Carl Swanson.
Each of the original five
movements has been
carefully edited, making
the pieces playable on
solo harp, while keeping
the spirit that Ravel
intended. Here is a
valuable addition to the
harp repertoire by one of
the greatest composers of
the twentieth century,
Maurice Ravel.
Harp SKU: CF.H77 Harp part only. Composed by Maurice Ravel. Edited...(+)
Harp
SKU: CF.H77
Harp part only.
Composed by Maurice
Ravel. Edited by Carl
Swanson. For Harp with
Accompaniment of String
Quartet. Flute, and
Clarinet. Part. With
Standard notation. 24
pages. Carl Fischer Music
#H77. Published by Carl
Fischer Music (CF.H77).
ISBN 9781491153840.
UPC: 680160911349. 9 x 12
inches.
This
critical edition of
Ravel's Introduction and
Allegro has been
carefully prepared by
Carl Swanson. The preface
includes historical and
performance information
on the piece, including a
comparison of the
separate parts of all
seven instruments to the
full score with a list of
corrections for each
instrument. It has been
published the way that it
is actually played,
making it clear to read
and consistent with
Ravel's music and musical
intent.