Librairie musicale avec livraison
Orchestre d'harmonie (1288) Chorale SATB (712) Piano seul (679) Fanfare (532) Piano, Voix et Guitare (501) Ensemble de cuivres (238) Quatuor à cordes: 2 violons, … (199) Piano, Voix (185) Soli, choeur mixte et accompag… (183) Guitare (150) Orchestre (145) Guitare notes et tablatures (119) Chorale 3 parties (116) Orgue (97) Violon (96) Orchestre à Cordes (90) Flûte traversière (80) Clarinette (79) Piano Facile (71) Trompette (70) Ensemble Jazz (67) Chorale 2 parties (65) Quintette de Cuivres: 2 trompe… (55) Violon et Piano (55) Flûte traversière et Piano (54) Batterie (50) Chorale Unison (48) Ukulele (43) Violoncelle, Piano (40) Saxophone Alto (40) Instruments en Do (39) CD Chorale (37) Chorale TTBB (36) Trombone (36) Big band (35) Ligne De Mélodie, Paroles et … (34) Accordéon (34) Voix haute, Piano (34) Chorale (34) Clavier (32) Violoncelle (32) Alto seul (31) Instruments en Sib (30) Saxophone (29) Fake Book (28) Voix Soprano, Piano (28) Paroles et Accords (26) Saxophone Tenor (26) Clarinette et Piano (26) Voix seule (26) Cloches (25) Clavecin (24) Basse electrique (24) 1 Piano, 4 mains (23) Voix moyenne, Piano (22) Voix basse, Piano (21) Chorale SSAA (20) Quatuor de Cuivres (19) Trombone et Piano (18) Quatuor de Clarinettes: 4 clar… (18) Quatuor de Saxophones: 4 saxop… (18) Hautbois, Piano (duo) (17) Trompette, Piano (17) Voix Soprano (17) Saxophone Alto et Piano (17) Voix Mezzo-Soprano, Piano (16) Cor (16) Hautbois (16) Voix d'Enfants (16) Basson (15) Quatuor de Flûtes : 4 flûtes… (15) Orchestre d'harmonie, Chorale-… (14) Cor et Piano (14) Trio à Cordes: violon, alto, … (13) Piano Quatuor: piano, violon, … (12) Piano Trio: piano, violon, vio… (12) Ensemble de Percussions (12) Chorale SSATB (12) Paroles Seulement (12) Formation musicale - Solfège (12) Mandoline (11) Piano grosses notes (11) Tuba (11) Quatuor de Flûtes à bec (10) Instruments en Mib (10) Tous Les Instruments (9) Banjo (9) Eveil Musical (9) Théorie de la musique (9) Contre Basse (9) Voix Tenor, Piano (9) Saxophone Tenor et Piano (9) Alto, Piano (9) Euphonium, Piano (duo) (8) Instrumentation Flexible (8) Instruments Sib, Mib, Do et Ba… (8) Chorale SSAATTBB (8) Flûte à Bec (8) Harmonica (8) Basson, Piano (duo) (8) Caisse Claire (7) Violon (partie séparée) (7) Euphonium (7) Vibraphone et Marimba (6) Voix, Guitare (6) Dulcimer (6) Percussion (6) 2 Pianos, 4 mains (6) Chant, Piano facile (6) Voix Baryton, Piano (6) Saxhorn ou Euphonium (5) Ligne De Mélodie, (Paroles) e… (5) Ukulele Baryton (5) Voix haute (5) Violoncelle, Orchestre (5) Ensemble de Clarinettes (5) 2 Flûtes traversières (duo) (5) Marimba (5) 4 Percussions (4) Voix Mezzo-Soprano (4) Orchestre, Violon (4) Flûte et Guitare (4) Hautbois, Quatuor à cordes (4) Flûte à bec Soprano (4) Violon, Guitare (duo) (4) Biographie (4) Orgue, Piano (duo) (4) Piano Quintette: piano, 2 viol… (4) Basson, Cordes (4) Flûte, Hautbois, Violon, Viol… (4) Ensemble de saxophones (4) Voix Soprano, Orchestre (4) Clarinette Basse (4) Voix basse (4) Ensemble d'Accordéons (4) 2 Clarinettes (duo) (4) Tuba et Piano (4) Bass Clef Instruments (4) Quatuor de cuivres: 4 trombone… (4) Flûte à bec Soprano, Piano (4) Chorale SSATBB (4) Harpe (4) Contrebasse, Piano (duo) (3) Trio de Flûtes: 3 flûtes (3) Violon, Cor et Piano (3) Orchestre Symphonique (3) Xylophone ou Marimba ou Vibrap… (3) Ocarina (3) Autoharp (3) Chorale SATBB (3) Quatuor de cuivres: 4 trompett… (3) Hautbois et Orchestre (3) Ensemble de Trombones (3) Accompagnement Piano (3) Opéra (3) Harpe, Flûte (duo) (3) Voix duo (3) 2 Violons (duo) (3) Vibraphone (2) Voix Alto, Piano (2) Chorale SAATTBB A Cappella (2) 2 Flûtes traversières, Piano… (2) Clarinette, Basson, Piano (tri… (2) Alto et orchestre (2) Orchestre à Cordes, Percussio… (2) 2 Trompettes (duo) (2) Trompette et Guitare (2) Timbales (2) Aucune valeur (2) Quintette à cordes: 2 violons… (2) CD only (2) Cornemuse (2) 3 Clarinettes, Piano (2) Hautbois, Orgue (2) Ensemble à vent (2) Voix Tenor (2) 4 Guitares (Quatuor) (2) Orchestre de chambre (2) Violoncelle , Guitare (duo) (2) Trompette, Orchestre (2) Chorale SSAB, Piano (2) Tuba ou Euphonium ou Saxhorn (2) Clarinette, Alto et Piano (tri… (2) Trombone ou Euphonium (2) Piano, Guitare (duo) (2) Flûte traversière, Orgue (du… (2) Voix duo, Piano (2) Violon, Basse continue (2) Clarinette Basse, Piano (2) Ensemble de Violons (2) 2 Accordéons (2) Voix (2) Chorale SSATTB (2) DVD concert (2) Chorale Soprano seul, SATB, Cl… (1) Harmonium (1) Piano, Guitare, Basse (1) Saxhorn et Piano (1) Cor anglais, Piano (1) 2 Violoncelles (duo) (1) Flûte à bec Alto (1) 2 Flûte à bec (duo) (1) Papeterie (1) Piccolo (1) Trombone basse (1) Flûte irlandaise (1) 3 Trombones (trio) (1) Ensemble de Violoncelles (1) Conga (1) 3 Caisses Claires (trio) (1) Luth (1) Flûte à Bec, Piano (1) Voix Baryton (1) Ensemble de Flûtes (1) Piano, Basse, Batterie (trio) (1) Karaoke CD (1) 3 Flûtes à bec (trio) (1) Quintette de Clarinettes: 5 cl… (1) 2 Trombones (duo) (1) Guitare Pedal Steel (1) Voix (avec Boîtes d'Accords) (1) Violoncelle, Contrebasse (duo)… (1) Chorale SSAATB A Cappella (1) Chorale SSAATB (1) Chorale, Orgue (1) Harpe, Orchestre (1) 3 Contrebasses (1) Voix et Big Band (1) Chorale, Piano (1) 2 Marimbas (1) Instruments Sib, Mib et Do (1) Ensemble De Flûte à bec (1) Harpe et Piano (1) Quatuor de cuivres: 4 cors (1) Violoncelle (partie séparée)… (1) Quintette de Saxophone: 5 saxo… (1) 2 Flûtes, Basse continue (1) 2 Guitares (duo) (1)
Depuis le 1er juillet 2021, Sheet Music Plus n'expédie plus d'articles physiques en zone Européenne!
1
Marcel Tournier: Intermediate Pieces for Solo Harp, Volume II Harpe Carl Fischer
Chamber Music harp SKU: CF.H84 Composed by Marcel Tournier. Edited by Car...(+)
Chamber Music harp
SKU: CF.H84
Composed by Marcel
Tournier. Edited by Carl
Swanson. Collection -
Score. Carl Fischer Music
#H84. Published by Carl
Fischer Music (CF.H84).
ISBN 9781491165539.
UPC:
680160924530.
Marce
l Tournier
(1879–1951) was
one of the most important
harpist/composers in the
history of the harp. Over
his long career, he added
a significant catalogue
of very beautiful works
to the harp repertoire.
Many of his solo works,
almost one hundred, have
been consistently in
print since they were
first published. But in
recent years harpist Carl
Swanson has discovered a
treasure trove of pieces
by Tournier heretofore
unknown and unpublished.
These include the
Déchiffrages in this
edition, as well as songs
set for voice, harp, and
string quartet, and
ensemble arrangements of
some of his most beloved
works.All of the works
that Carl Swanson found
were in manuscript only.
With the help of the
great harpist Catherine
Michel, he has put these
pieces into playable
form, and they are being
published for the very
first time. He and
Catherine often had to
re-notate passages to
show clearly how they
could be played, adding
fingerings and musical
nuances, tempos, pedals,
and pedal
diagrams.Tournier wrote
these pieces when he was
in his 20s, and before he
became the
impressionistic composer
those familiar with his
work know so well. They
are written in the late
nineteenth-century
romantic style that was
being taught at that time
at the Paris
Conservatory. They are
beautiful short,
intermediate level pieces
by a first rate composer,
and add much needed
repertoire to that level
of playing. Marcel
Tournier
(1879–1951) was
one of the most important
harpist/composers in the
history of the harp. He
graduated from the Paris
Conservatory with a first
prize in harp in 1899. He
also studied composition
there and won a second
prize in the prestigious
Prix de Rome competition,
as well as a first prize
in the Rossini
competition, another
major composition
competition of the day.
From 1912 to 1948 he
taught the harp class at
the Paris Conservatory.
But composition, and
almost entirely,
composition for the harp,
was the main focus of his
life. His published
works, including many
works for solo harp, a
few for harp and other
instruments, and several
songs, number around one
hundred pieces.In 2019,
while researching
Tournier for my edition
MARCEL TOURNIER: 10
Pieces for Solo Harp, I
discovered that there was
a significant list of
pieces by this composer
that had never been
published and were not
included on any inventory
of his music. Principal
on this list were his
déchiffrages
(pronounced
day-she-frahge, like the
second syllable in the
word garage).The word
déchiffrage means
sight-reading exercise,
and that was their
original purpose.
Tournier numbered and
dated these pieces, with
dates ranging from 1900
to 1910, indicating that
they were in all
likelihood written for
Alphonse
Hasselmans’ class
at the Paris
Conservatory. Tournier
was probably told how
long to make each one,
and how difficult. They
range in length from two
to four pages, with only
one in the whole series
extending to five, and
from thirty to fifty-five
measures, with only one
extending to eight-five.
The level of difficulty
for the whole series is
intermediate, with some
at the easier end, and
others at the middle or
upper end.We don’t
know if they were
intended to test students
trying to enter the harp
class, or if they were
used to test students in
the class as they played
their exams. The fact
that they were never
published means that
students had to not only
sight read them, but
sight read them in
manuscript form!I worked
from digital images of
the original manuscripts,
which are in the private
music library of a
harpist in France. She
had twenty-seven of these
pieces, and this edition
is the second in a series
of three that will
publish, for the first
time, all of the ones
that I have found thus
far. The manuscripts
themselves consist of
little more than notes on
the page: no pedals
written in, no
fingerings, few if any
musical nuances and tempo
markings, and no clear
indication as to which
hand plays which notes.
These would have been
difficult to sight read
indeed! My collaborator
Catherine Michel and I
added musical nuances,
fingerings, pedals and
pedal diagrams, and tempo
indications to put them
into their current
condition.At the time
these were written,
Tournier would have been
in his twenties, having
just graduated from the
harp class himself
(1899), and might still
have been in the
composition class. These
are the earliest known
pieces that he wrote, and
they were written at the
very beginning of a
cultural revolution and
upheaval in Paris that
was to completely and
profoundly alter musical
composition. Tournier
himself would eventually
be caught up in this new
way of composing. But not
yet.All of the
déchiffrages are
written in the late
romantic style that was
being taught at that time
at the Paris
Conservatory. Each one is
built on a clear musical
idea, and the variety
over the whole series
makes them wonderful to
listen to as well as to
learn. They are also
great technical lessons
for intermediate level
players.The obvious
question is: Why
didn’t Tournier
publish these pieces, and
why didn’t he list
them on his own inventory
of his music? Actually,
four of them were
published, with small
changes, as his
collection Four Preludes,
Op. 16. These came from
the ones that will be in
volume three of this
series from Carl Fischer.
His first large piece,
Theme and Variations, was
published in 1908, and
his two best known and
frequently played pieces,
Féerie and Au Matin,
followed in 1912 and 1913
respectively. We can only
speculate because there
is so much still unknown
about Tournier and about
these unpublished pieces.
He may have looked at
them, fresh out of school
as he was, as simply a
way to make some quick
money. The first several
pieces that he did
publish are much longer
than any of the
déchiffrages. So it
could be that, because of
their shorter length, as
well as the earlier
musical style that he was
moving away from, he
chose not to publish any
more of them. We may
never know the full
story. But all these
years later, more than a
century after they were
composed, we can listen
to them for their own
merits, and not measured
against whatever else was
going on at the time. The
numbers on these pieces
are the ones that
Tournier assigned to
them, and the gaps
between some of the
numbers suggest that
there are perhaps thirty
or more of these pieces
still to be found, if
they still exist. They
will, in all likelihood,
be found, as these were,
in private collections of
harp music, not in
institutional libraries.
We can only hope that
more of them will be
located in years to
come.—Carl
SwansonGlossary of French
Musical TermsTournier was
very precise about how he
wanted his pieces played,
and carefully
communicated this with
many musical indications.
He used standard Italian
words, but also used
French words and phrases,
and occasionally mixed
both together. It is
extremely important to
observe and understand
everything that he put on
the page.Here is a list
of the French words and
phrases found in the
pieces in this edition,
with their
translation.bien
chanté well sung,
melodiousdécidé
firm, resolutediminu peu
à peu becoming softer
little by littleen
diminuant becoming
softeren riten. slowing
downen se perdant dying
awayGaiement gayly,
lightlygracieusement
gracefully,
elegantlyLéger light,
quickLent slowmarquez le
chant emphasize the
melodyModéré at a
moderate tempopeu Ã
peu animé more lively,
little by littleplus lent
slowerRetenu held
backsans lenteur without
slownesssans retinir
without slowing downsec
drily, abruptlysoutenu
sustained, heldtrès
arpegé very
arpeggiatedTrès
Modéré Very
moderate tempoTrès peu
retenu slightly held
backTrès soutenu very
sustainedun peu retenu
slightly held back.
$19.99 - Voir plus => Acheter Délais: 1 to 2 weeks
Dutch Harp Music Harpe Ut Orpheus
Books and Journals; Harp SKU: UT.LB-4 Composed by Mirella Vita. Paperback...(+)
Books and Journals; Harp
SKU: UT.LB-4
Composed by Mirella Vita.
Paperback (Soft Cover).
Classical. Books and
Journals. Ut Orpheus #LB
4. Published by Ut
Orpheus (UT.LB-4).
ISBN 9788881094479.
6.5 x 9.5
inches.
â??During
my career spanning half a
century, like all my
fellow harpists I
constantly had to grapple
with the commonly held
view that the harp has
neither music nor history
of its
own. Fortunately, over
the years I have been
able to give the lie to
this myth and have tried
to bring to light some of
the vast repertoire, both
early and modern,
expressly composed for
this instrument which has
been treated somewhat as
an outsider in the
musical world. The
research work for my
books on Italian and
Swiss harp music was
plain sailing because
source materials were
specific titles and title
pages. Were I to write
books on French, German,
Austrian, British,
Bohemian, Spanish,
Portuguese or
Scandinavian harp music,
the work involved would
be equally smooth and
straightforward. Howev
er, where Dutch music is
concerned, the approach
is rather different,
because here it is the
painters,
treatise-writers and
historians who provide
the evidence and guidance
necessary to discover the
musical customs and
traditions where the harp
played a significant
part. Performers
looking for pieces of
music may use this book
as follows: chapter II
deals with treatises,
chapter III with
paintings, chapter IV
with history and research
accounts. Chapters V and
VI are concerned with
confusions in
terminology. Chapter VII
describes recent
developments and chapters
VIII and IX cover
composers and pieces of
music. Libraries and
publishers are listed
with their addresses in
chapters X and XI, and
finally chapter XII
consists of the index
based on the various
groups of
performers. In this
last chapter harpists
will find the composers
most suited to their
programme, and can then
turn to chapters VIII and
IX for details. The
actual pieces can be
obtained by consulting
chapters X and XI. I wish
you every success in your
search, in your
rehearsals and in your
concerts ! In order to
define what is Dutch or
non-Dutch in early music,
I have followed the
current approach, i.e.
all art and history prior
to the separation of the
â??Seven ProvinÂces
in the 16th century is
the common heritage of
the Low Countries,
whereas everything
pertaining to those
courageous lands from
then onwards is
specifically Dutch..
$27.95 - Voir plus => Acheter Délais: 3 to 4 weeks
Alla Turca Jazz Op. 5B Harpe Schott
Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Am...(+)
Fantasia on the Rondo
from
the Piano Sonata in A
major
K. 331 by Wolfgang
Amadeus
Mozart, arranged for harp
by
Ekaterina Afanasieva
(2015).
Composed by Fazil Say.
Arranged by Ekaterina
Afanasieva. This edition:
Saddle stitching. Sheet
music. Der Finalsatz der
Sonate A-Dur KV 331 von
Wolfgang Amadeus Mozart,
das
Rondo Alla Turca, ist
eines
der bekanntesten
Klavierstucke uberhaupt.
An
diese Popularitat knupft
das
als effektvolle Zugabe
entstandene Stuck von
Faz?l
Say in der Bearbeitung
fur
Harf. Classical. Single
sheet. Composed 1993. Op.
5b.
8 pages. Duration
4'. Schott
Music #ED22797. Published
by
Schott Music
$9.99 - Voir plus => Acheter
50 Christmas Carols for All Harps (Harp) Harpe [Partition] Hal Leonard
Harp Solo. Performed by Sylvia Woods. By Various. Arranged by Sylvia Woods. Har...(+)
Harp Solo. Performed by
Sylvia Woods. By Various.
Arranged by Sylvia Woods.
Harp. Size 8.5x11 inches.
96 pages. Published by
Hal Leonard.
(7) $22.99 - Voir plus => Acheter Délais: 24 hours - In Stock
1