Harp (Harp) SKU: HL.48181033 Composed by Alphonse Hasselmans. Leduc. Clas...(+)
Harp (Harp)
SKU:
HL.48181033
Composed
by Alphonse Hasselmans.
Leduc. Classical,
Romantic. Softcover. 25
pages. Alphonse Leduc
#AL20037. Published by
Alphonse Leduc
(HL.48181033).
UPC:
888680868758.
9.0x12.0x0.198
inches.
Written by
Francois Joseph Naderman
(1781-1835), Sonatinas
Progressive, Op. 92
consists of a series of
seven small sonatas. The
level of difficulty
alternates between
intermediate and advanced
as these can be played at
different speeds but
necessitates some strong
technique as well as some
pedal changes. These
Sonatinas Progressive,
Op. 92 are still
considered as some of the
most famous pieces of the
harp repertoire today.
Francois Joseph Naderman
was a classical harpist,
composer and teacher at
the Paris Conservatoire.
His vocation was
developed by growing up
as the son of a Luthier
harp maker. He also wrote
Sonatas for harp, harp
and cello, studies and
other pieces.
Composed by Jesus Guridi (1886-1961). Music Sales America. Exam Material. Book O...(+)
Composed by Jesus Guridi
(1886-1961). Music Sales
America. Exam Material.
Book Only. 8 pages. Union
Musical Ediciones
#MUSUME19549. Published
by Union Musical
Ediciones
Harp SKU: UT.MAG-276 Composed by Ludwig van Beethoven. Edited by Anna Pas...(+)
Harp
SKU:
UT.MAG-276
Composed
by Ludwig van Beethoven.
Edited by Anna Pasetti.
Saddle stitching.
Magadis. Classical. Ut
Orpheus #MAG 276.
Published by Ut Orpheus
(UT.MAG-276).
ISBN
9790215326880. 9 x 12
inches.
Johannes
Snoer is not one of the
most remembered harpists
today, but his didactic
work was really important
and can still be useful
today. For didactic
purposes, he also
published collections of
simple pieces by great
composers transcribed for
harp. Among his
transcriptions there is
the Adagio from Sonata n.
5 in C minor, op. 10 no.
1, by Ludwig van
Beethoven, subject of
this edition. The
original musical text has
been left unchanged, only
the ornamentation has
been written in full and
the harp fingerings and
indications relating to
the movement of the
pedals have been added.
The work brings the
dedication to Mr. H.
Rutters, probably a
relative of his wife
Antoinette.
Harp SKU: UT.MAG-274 Composed by Philipp-Joseph Hinner. Edited by Frances...(+)
Harp
SKU:
UT.MAG-274
Composed
by Philipp-Joseph Hinner.
Edited by Francesca La
Carrubba Jessica
Pettenà . Saddle
stitching. Magadis.
Classical. Score and
Parts. Ut Orpheus #MAG
274. Published by Ut
Orpheus (UT.MAG-274).
ISBN 9790215326859. 9
x 12
inches.
Rediscoveri
ng, studying and
analyzing the musical art
of Philipp Joseph Hinner
means enhancing a piece
of the eighteenth-century
harp music mosaic.
Hinner's work intrigues
for its extraordinary
simplicity, for its
regularity and harmony;
the ordered balance of
the parts, symmetry and
sense of proportion are
essential elements for
the author, and give
character and unity to
his work. The harp
repertoire has long been
overshadowed by the
keyboard one, which
boasts extensive solo and
chamber literature, and
consolidated for over two
centuries. The
rediscovery of the
history of our
instrument, however, is
still recent and the
research work in the
field of harp music is
still long. Hinner,
with the apparent
simplicity of his opus
10, can thus regain his
role in the harp
repertoire of the
eighteenth century, as
well as covering a
considerable didactic
value today. The part of
the first harp
undoubtedly presents
characteristics of
greater rhythmic and
virtuosic complexity than
that of the second, which
consists of a continuous
accompaniment
interspersed with simple
thematic imitated
episodes. Furthermore in
the composition are
included arias such as
O ma tendre
Musette, a French
popular melody of the
18th century (previously
set to music by
Pierre-Alexandre
Monsigny), and <>, taken from
the opera-comique
L'erreur d'un moment
ou la Suite de Julie
by Nicolas Dezede, as
well as themes from
Gluck's Iphigenie en
Aulide, which had
been all used also by
Hinner's first harp
master, Francesco Petrini
(1744-1819). Hinner's
opus 10, originally
written in separate parts
for two harps, or harp
and fortepiano, is
presented here updated
and completed with its
score, for a thorough
perception of the
work.
