Composed by Eric Schmidt. Leduc. Softcover. 16 pages. Alphonse Leduc #AL21326. Published by Alphonse Leduc

Harp (Harp)

SKU: HL.48181028

For Harp. Composed by R. Nicholas-Charles Bochsa. Leduc. Classical. Softcover. Alphonse Leduc #AL20026. Published by Alphonse Leduc (HL.48181028).

Composed by Bochsa, Twenty-Five Studies, Op. 6a is a set of part of the Favourite Studies from the same author for intermediate and advanced harp players. Reviewed by Alphonse Hasselmans, each studies has a different difficulty level and can be played separately. This set of studies will help the harpist to gain in flexibility and speed, and would ideally be played on pedal harps. In the same series, Bochsa also composed a set of Forty Easy Studies, Op. 318, a set of Twenty Studies in two books and one called Fifty Studies, Op.34. All these sets have been reviewed by Alphonse Hasselmans, professor at the Paris Conservatoire, who also indicated the best finger positions to use.

Harp

SKU: UT.MAG-265

Composed by Wilhelm Posse. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 265. Published by Ut Orpheus (UT.MAG-265).

ISBN 9790215326422. 9 x 12 inches.

Posseâ€⠄¢s compositions for harp are rich and varied, and range from the easy pieces dedicated to his students to the virtuoso concert pieces; we must also remember his didactic works, in particular the ‘Six Small Studies’ and the universally known ‘Eight Great Concert Studies’.
It is not easy to draw a balance of his legacy in the harp world. On one hand his technical vision of virtuosity combined with a great stability of the hand and rigor of the fingerings certainly contributed to the development of the 20th Century harp technique; on the other hand, his use of the pedals, often driven by two together with the same foot (a very old French technique), has gradually become more and more difficult on modern harps. From the point of view of his contribution to the harp repertoire, the constant run-up to the piano has heavily influenced his compositional production, making him often completely miss the idiomatic effects of 19th Century harp music (except for the use of harmonic sounds), which were so loved by his friend Liszt in the compositions of Parish Alvars.

Harp

SKU: UT.MAG-266

Composed by Wilhelm Posse. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 266. Published by Ut Orpheus (UT.MAG-266).

ISBN 9790215326439. 9 x 12 inches.

Posseâ€⠄¢s compositions for harp are rich and varied, and range from the easy pieces dedicated to his students to the virtuoso concert pieces; we must also remember his didactic works, in particular the ‘Six Small Studies’ and the universally known ‘Eight Great Concert Studies’.
It is not easy to draw a balance of his legacy in the harp world. On one hand his technical vision of virtuosity combined with a great stability of the hand and rigor of the fingerings certainly contributed to the development of the 20th Century harp technique; on the other hand, his use of the pedals, often driven by two together with the same foot (a very old French technique), has gradually become more and more difficult on modern harps. From the point of view of his contribution to the harp repertoire, the constant run-up to the piano has heavily influenced his compositional production, making him often completely miss the idiomatic effects of 19th Century harp music (except for the use of harmonic sounds), which were so loved by his friend Liszt in the compositions of Parish Alvars.