Selected from Bach Sonatas and Partitas for Unaccompanied Violin. By Johann Seba...(+)
Selected from Bach
Sonatas and Partitas for
Unaccompanied Violin. By
Johann Sebastian Bach.
For Harp Solo.
Bach-Grandjany.
Classical. Soft Cover. 63
pages. Published by Carl
Fischer.
Flute, violin, viola, cello and harp SKU: HL.49005885 Score. Compo...(+)
Flute, violin, viola,
cello and harp
SKU:
HL.49005885
Score. Composed by
Jean Franç and aix.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Score.
Composed 1934. 24 pages.
Duration 12'. Schott
Music #ED5889. Published
by Schott Music
(HL.49005885).
ISBN
9790001063623. UPC:
073999598667.
9.0x12.0x0.148
inches.
Chamber Music Contrabass,
Horn 1, Horn 2, Viola,
Violin 1, Violin 2,
Violoncello, baritone
voice Harp
SKU:
PR.411411250
For
Baritone, 2 Horns, Harp,
and Strings. Composed
by Lowell Liebermann.
Saddle. World Premiere:
Dennis Raley, bass;
Warwick Festival Chamber
Orchestra; Lowell
Liebermann, conductor;
Warwick Music Festival,
Warwick, NY.
Contemporary. Full score.
With Standard notation.
Composed 1983. Opus 11.
32 pages. Duration 10
minutes. Theodore Presser
Company #411-41125.
Published by Theodore
Presser Company
(PR.411411250).
UPC:
680160590636. 9 x 12
inches. Text: Stephen
Crane. Stephen Crane.
Poems by Stephen
Crane.
Chamber Music harp SKU: PR.110406720 Composed by Samuel Adler. Classical....(+)
Chamber Music harp
SKU: PR.110406720
Composed by Samuel Adler.
Classical. Softcover.
With Standard notation.
Duration 14 minutes.
Theodore Presser Company
#110-40672. Published by
Theodore Presser Company
(PR.110406720).
UPC:
680160001316.
I
have always been fond of
writing works for
specific people or
organizations. It has
been my good fortune
during most of my
creative career to be
asked to compose for many
extraordinary performers.
The Sonata for
Harpsichord Solo is such
a case in point: it was
written in 1982 for
Barbara Harbach, a superb
performer, close friend,
and collaborator on many
musical projects. The
Sonata was premiered on
March 2, 1984, in a
recital given by Dr.
Harbach at Nazareth
College in Rochester, New
York. During my formative
years as a composer, one
seldom heard of the
harpsichord as a modern
instrument, though while
I attended undergraduate
school at Boston
University, some of us
banded together to
construct a small
harpsichord from one of
the first do-it-yourself
kits which began to
appear in the late '40s.
It was also during this
time that I heard the
Sonatina for Violin and
Harpsichord by my teacher
Walter Piston and
consequently specified
that the accompanying
instrument for my second
violin sonata could
either be a piano or a
harpsichord. It was not
until recently, however,
that my interest in the
harpsichord as a solo
instrument for new music
was aroused. This was
because of the emergence
of so many young
virtuosi, such as Barbara
Harbach, who are
interested in the
performance of new music
besides the great
harpsichord music of the
Classical, Baroque, and
pre-Baroque eras. The
keyboard music of
Domenico Scarlatti has
always intrigued and
fascinated me. The
brevity, excitement, and
clarity of this sparkling
music is charming as well
as exhilarating. It is
this type of Baroque
sonata that inspired the
conception and form of my
harpsichord sonata. The
entire work is loosely
based on the musical
translation of Barabara
Harbach's name,
especially the conflict
of the B (B-flat) and H
(B-natural in German
notation). This secondo
rub or dissonance
especially pervades the
first movement, which is
in a modified sonata
form, pitting jagged and
tense melodic elements
against most lyrical and
smooth lines. This second
movement is a song-like
melody accompanied by
rolled chords which may
be played on the lute
stop of the instrument if
this sonata is performed
on a two-manual
harpsichord. The final
movement is an
ever-driving joyous
toccata which brings the
work to an exciting close
with a coda made up of
accelerating repeated
chords. --Samuel
Adler.
Harp SKU: HL.49006821 Harp; Violin ad. lib.. Composed by Giovanni ...(+)
Harp
SKU:
HL.49006821
Harp;
Violin ad. lib..
Composed by Giovanni
Paisiello. Edition
Schott. Classical. 28
pages. Schott Music
#3D6943. Published by
Schott Music
(HL.49006821).
Soprano voice, flute, violin, bass clarinet, horn and harp SKU: HL.49006464(+)
Soprano voice, flute,
violin, bass clarinet,
horn and harp
SKU:
HL.49006464
Kantate nach Worten
des spaten Holderlin.
Composed by Wolfgang
Fortner. Sheet music.
Edition Schott.
Classical. Score and
Parts. Composed 1951.
Duration 14'. Schott
Music #ED 6594. Published
by Schott Music
(HL.49006464).
Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Am...(+)
Fantasia on the Rondo
from
the Piano Sonata in A
major
K. 331 by Wolfgang
Amadeus
Mozart, arranged for harp
by
Ekaterina Afanasieva
(2015).
Composed by Fazil Say.
Arranged by Ekaterina
Afanasieva. This edition:
Saddle stitching. Sheet
music. Der Finalsatz der
Sonate A-Dur KV 331 von
Wolfgang Amadeus Mozart,
das
Rondo Alla Turca, ist
eines
der bekanntesten
Klavierstucke uberhaupt.
An
diese Popularitat knupft
das
als effektvolle Zugabe
entstandene Stuck von
Faz?l
Say in der Bearbeitung
fur
Harf. Classical. Single
sheet. Composed 1993. Op.
5b.
8 pages. Duration
4'. Schott
Music #ED22797. Published
by
Schott Music
Harp Solo. By Sophia Giustani Dussek, Johann Ladislaus Dussek. Arranged by Nican...(+)
Harp Solo. By Sophia
Giustani Dussek, Johann
Ladislaus Dussek.
Arranged by Nicanor
Zabaleta. (Harp).
Schott. Size 9.25x12
inches. 12 pages.
Published by Schott.
Soprano voice, flute, violin, bass clarinet, horn and harp SKU: HL.49006465(+)
Soprano voice, flute,
violin, bass clarinet,
horn and harp
SKU:
HL.49006465
Kantate nach Worten
des spaten Holderlin.
Composed by Wolfgang
Fortner. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Piano
reduction. Composed 1951.
16 pages. Duration 14'.
Schott Music #ED 6595.
Published by Schott Music
(HL.49006465).