Arranged by Sylvia Woods. Harp. Size 8.5x11 inches. 173 pages. Published by Hal Leonard.

Composed by Star Edwards. Harp: Folk and Pedal,Style,Celtic / Irish,Classical,Folk,Feat ured Products,Method. Young Beginner. Book and Online Audio. 80 pages. Published by Mel Bay Publications, Inc

For Harp. Composed by Lynne Plowman. Instrumental. Concert, Recital. Softcover. Composed 2018. Cadenza Music #CAZLPMER01. Published by Cadenza Music

By Turlough O Carolan ; Donal O'sullivan. For Harp. Irish, Folk, Celtic. 380 pages. Published by Ossian Publications.

by Janna McCall Geller and Mallory Geller. For Harp (Folk/Celtic). method. Non-Series. All styles. Level: Beginning. Book. Size 8.5x11. 208 pages. Published by Mel Bay Publications, Inc.

Chamber Music harp

SKU: PR.110406720

Composed by Samuel Adler. Classical. Softcover. With Standard notation. Duration 14 minutes. Theodore Presser Company #110-40672. Published by Theodore Presser Company (PR.110406720).

UPC: 680160001316.

I have always been fond of writing works for specific people or organizations. It has been my good fortune during most of my creative career to be asked to compose for many extraordinary performers. The Sonata for Harpsichord Solo is such a case in point: it was written in 1982 for Barbara Harbach, a superb performer, close friend, and collaborator on many musical projects. The Sonata was premiered on March 2, 1984, in a recital given by Dr. Harbach at Nazareth College in Rochester, New York. During my formative years as a composer, one seldom heard of the harpsichord as a modern instrument, though while I attended undergraduate school at Boston University, some of us banded together to construct a small harpsichord from one of the first do-it-yourself kits which began to appear in the late '40s. It was also during this time that I heard the Sonatina for Violin and Harpsichord by my teacher Walter Piston and consequently specified that the accompanying instrument for my second violin sonata could either be a piano or a harpsichord. It was not until recently, however, that my interest in the harpsichord as a solo instrument for new music was aroused. This was because of the emergence of so many young virtuosi, such as Barbara Harbach, who are interested in the performance of new music besides the great harpsichord music of the Classical, Baroque, and pre-Baroque eras. The keyboard music of Domenico Scarlatti has always intrigued and fascinated me. The brevity, excitement, and clarity of this sparkling music is charming as well as exhilarating. It is this type of Baroque sonata that inspired the conception and form of my harpsichord sonata. The entire work is loosely based on the musical translation of Barabara Harbach's name, especially the conflict of the B (B-flat) and H (B-natural in German notation). This secondo rub or dissonance especially pervades the first movement, which is in a modified sonata form, pitting jagged and tense melodic elements against most lyrical and smooth lines. This second movement is a song-like melody accompanied by rolled chords which may be played on the lute stop of the instrument if this sonata is performed on a two-manual harpsichord. The final movement is an ever-driving joyous toccata which brings the work to an exciting close with a coda made up of accelerating repeated chords. --Samuel Adler.

By Yolanda Kondonassis. harp. Published by Carl Fischer. A collection of over thirty harp solos, this new book features Kondonassis' most popular transcriptions and compositions, including those found on her many critically acclaimed recordings. Highlights of the collection include Liquid Shadows, an original composition by Kondonassis, a comprehensive assortment of works by Claude Debussy, her arrangements of Puccini's Quando men vo from La Boheme, and the Chinese folksong, Small River Flowing. This volume offers the reader: " A wide variety of selections from Bach, Handel, Telemann, Scarlatti, and Vivaldi, to Chopin, Mendelssohn, Sibelius, Puccini, Satie, Faure, Debussy, and Respighi " Complete editorial markings " Extensive performer's notes With a reputation as one of the preeminent harpists and transcribers, Kondonnasis shares the wealth of her artistic gifts in this volume that is essential to every harpist's library.

Twenty-Three Classic, Traditional, and Ethnic Wedding Arrangements. Composed by Beth A. Kolle and Laurie Riley. Squareback saddle stitch. Book and online audio. Published by Mel Bay Publications, Inc (MB.98748M).

Harp

SKU: FG.55011-885-0

Composed by Lotta Wennäkoski. Classical, contemporary. Part. Fennica Gehrman #55011-885-0. Published by Fennica Gehrman (FG.55011-885-0).

Whizzing, growling and rattling – you can produce all kinds of sounds with the harp, not just the fairy-tale shimmer and glissandos that you first think of. Lotta Wennäkoski composed Sigla for harp and orchestra (2021-2022) in close collaboration with the harpist Sivan Magen, to whom the concerto is dedicated. The title of the concerto, Sigla, has different meanings in different languages. In Italian, it means a jingle; in Icelandic, it means sailing; and in Tagalog, spoken in the Philippines, it means vivaciousness or enthusiasm. Wennäkoski has not specifically referenced these in the movements of the concerto as such, but she does allow that the various meanings of the word may be identified with the music according to the listener’s perception.

The recording of the work (Ondine ODE1420-2) was premiered with the Gramophone award as the the best release in the contemporary category in October 2023.

This product is the solo part.

The orchestral material is available for hire from the publisher.

Duratio n: 19'
Instrumentation:Harp solo – equipped with paint brush, tuning key and a plastic hair clip
2 Flutes (2nd doubling piccolo)
2 Oboes
2 Clarinets in Bb
2 Bassoons
2 Horns in F
2 Trumpets in C – trumpets and trombone doubling an egg slicer
Bass trombone attached to a piece of wood or a flat cardboard box
Percussion (2 players)
Percussion I: crotales, vibraphone, 5 gongs (a#, bn, c’, e’, f’), bass drum, cymbal, guiro, bell tree, shell chimes, whip, lion’s roar and different beaters including a bow, superball stck and wire brushes
Percussion II: tam-tam, cymbal, snare drum, 2 cowbells, 2 temple blocks (med/lg), triangle (small/med), vibraslap and different beaters including a bow, wire brushes and superball stick
Piano – equipped with a plectrum, wire brushes and 2 soft percussion beaters
Strings.

Harp

SKU: HL.50605490

Two Pieces for Harp. Composed by Gergely Vajda. EMB. Classical. Softcover. Editio Musica Budapest #V15211. Published by Editio Musica Budapest (HL.50605490).

ISBN 9781705190548. UPC: 196288126577.

Come un meccanismo di precisione (like a precision machine) - as Gyorgy Ligeti wrote above one of his works. The two harp pieces by Gergely Vajda (*1973) also approach the instrument as a machine, moreover, as a machine that can produce several sounds and noises and create a specific polyphony from them. The two movements, composed in 2020 and 2022, are dedicated to the Ars Nova Ensemble and Collegium21, respectively. Contents: 1. Idle Time 2. Minute Machinery.

Harp Solo. Composed by Yoshihisa Taira (1937-), Yoshihisa Ta�¯ra, and Yoshihisa Ta. Editions Durand. 10 pages. Editions Durand #RR0098800. Published by Editions Durand (HL.50560722).

Arranged for Harp. Composed by Sting. Arranged by Sylvia Woods. Harp. Softcover. 8 pages. Published by Hal Leonard

by Leslie McMichael and Laurie Riley. For folk/celtic harp. Celtic/Irish. Level: Intermediate. Book. Solos. Size 8.75x11.75. 76 pages. Published by Mel Bay Pub., Inc.

By Johann Sebastian Bach; May Hogan Cambern; Michael Praetorius. Arranged by Anonymous; May Hogan Cambern. For Harp. Classical. Soft Cover. 20 pages. Published by Carl Fischer.

Composed by Bonnie Goodrich. For Harp. Harp. Softcover. 16 pages. Published by Hal Leonard

For Harp. By Franz Joseph Haydn, Anton Rubenstein, Christoph Willibald von Gluck, Carlos Salzedo. Arranged by Carlos Salzedo. Text: Yolanda Kondonassis. For Harp. Solo part. 64 pages. Published by Carl Fischer.

(Reading, Improvisation, and Arranging for Pedal and Lever Harpists). For Harp. Berklee Guide. Softcover Audio Online. Published by Berklee Press

by Sue Richards. For folk/celtic harp. Scottish, Celtic. Level: Beginning-Intermediate. Book. Solos. Size 8.75x11.75. 48 pages. Published by Mel Bay Pub., Inc.

Composed by Bonnie Goodrich. For Harp. Harp. Softcover. 36 pages. Published by Hal Leonard

Composed by Various. Harp. Broadway, Pop, Folk, Standards. Softcover. Published by Hal Leonard