Composed by Bonnie Goodrich. For Harp. Harp. Softcover. 16 pages. Published by Hal Leonard

Composed by Bonnie Goodrich. For Harp. Harp. Softcover. 36 pages. Published by Hal Leonard

Composed by Star Edwards. Harp: Folk and Pedal,Style,Celtic / Irish,Classical,Folk,Feat ured Products,Method. Young Beginner. Book and Online Audio. 80 pages. Published by Mel Bay Publications, Inc

(For Solo Harp). By Gary Schocker. For Harp. Contemporary. Solo part. Standard notation. 8 pages. Duration 6 minutes. Published by Theodore Presser Company

By Oscar Hammerstein II, Richard Rodgers. Harp. Size 8.5x11 inches. 48 pages. Published by Hal Leonard.

Harp (Harp) - difficult

SKU: HL.49019232

For Harpe solo. Composed by Thierry Pecou. This edition: Saddle stitching. Sheet music. String Solo. Softcover. Composed 2011. 16 pages. Duration 8'. Schott Music #ED21269. Published by Schott Music (HL.49019232).

ISBN 9790001179911. UPC: 884088907624. 9.0x12.0x0.075 inches.

Although the composer Thierry Pecou mostly does without experimental playing techniques, an exemplary modern harp sound emerges from among soft whispering sounds and massive chord clusters. Tone colours associatively modelled on the sparkling green of jade crystallize.Pecou composed 'Harpe de jade' for the international harp competition of the Cite des Arts in Paris. The work is dedicated to the internationally renowned harpist Isabelle Moretti. 'Harpe de jade' is the first work of the young French composer published by Schott Music.

Chamber Music harp

SKU: PR.110406720

Composed by Samuel Adler. Classical. Softcover. With Standard notation. Duration 14 minutes. Theodore Presser Company #110-40672. Published by Theodore Presser Company (PR.110406720).

UPC: 680160001316.

I have always been fond of writing works for specific people or organizations. It has been my good fortune during most of my creative career to be asked to compose for many extraordinary performers. The Sonata for Harpsichord Solo is such a case in point: it was written in 1982 for Barbara Harbach, a superb performer, close friend, and collaborator on many musical projects. The Sonata was premiered on March 2, 1984, in a recital given by Dr. Harbach at Nazareth College in Rochester, New York. During my formative years as a composer, one seldom heard of the harpsichord as a modern instrument, though while I attended undergraduate school at Boston University, some of us banded together to construct a small harpsichord from one of the first do-it-yourself kits which began to appear in the late '40s. It was also during this time that I heard the Sonatina for Violin and Harpsichord by my teacher Walter Piston and consequently specified that the accompanying instrument for my second violin sonata could either be a piano or a harpsichord. It was not until recently, however, that my interest in the harpsichord as a solo instrument for new music was aroused. This was because of the emergence of so many young virtuosi, such as Barbara Harbach, who are interested in the performance of new music besides the great harpsichord music of the Classical, Baroque, and pre-Baroque eras. The keyboard music of Domenico Scarlatti has always intrigued and fascinated me. The brevity, excitement, and clarity of this sparkling music is charming as well as exhilarating. It is this type of Baroque sonata that inspired the conception and form of my harpsichord sonata. The entire work is loosely based on the musical translation of Barabara Harbach's name, especially the conflict of the B (B-flat) and H (B-natural in German notation). This secondo rub or dissonance especially pervades the first movement, which is in a modified sonata form, pitting jagged and tense melodic elements against most lyrical and smooth lines. This second movement is a song-like melody accompanied by rolled chords which may be played on the lute stop of the instrument if this sonata is performed on a two-manual harpsichord. The final movement is an ever-driving joyous toccata which brings the work to an exciting close with a coda made up of accelerating repeated chords. --Samuel Adler.

Harp

SKU: ST.H495

Composed by Sarah Rodgers. String music. Set for the Trinity examinations, Grade 3. Score. Stainer & Bell Ltd. #H495. Published by Stainer & Bell Ltd. (ST.H495).

ISBN 9790220224942.

Set for the Trinity examinations, Grade 3, Skylark is an atmospheric musical impression for pedal or non-pedal harp of the view from the composer's home, overlooking the farmland and broad aerial vistas of Norfolk. Contrasting textures of open arpeggios and accompanied melody convey the various stages of the bird's flight, and its singing from on high, rising to the climax of its song on a musical 'thermal' of sustained, arpeggiated chords before a descent to rest in pastureland. Contemplative, even quietly ecstatic in mood, Skylark will prove an effective element in balanced programme-building, whether as required by the Trinity syllabus, or as engaging repertoire for young players.

1 Solo Harp - Grade 2

SKU: FL.FX074292

Composed by Pascal Proust. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions #FX074292. Published by FLEX Editions (FL.FX074292).

A little melodic and dreamy piece... for young harpists from 2 years of practice - Pascal PROUST ; Instruments: 1 Solo Harp; Difficuly Level: Grade 2; Duration: 2 mn 30 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST.

1 Solo Harp - Grade 2

SKU: FL.FX074244

Composed by Pascal Proust. Original Composition. Classical, Educational. Solo Part. FLEX Editions #FX074244. Published by FLEX Editions (FL.FX074244).

An examination or audition piece for very young harpists, inspired by the calm of the edges of ponds. - Pascal PROUST ; Instruments: 1 Solo Harp; Difficuly Level: Grade 2; Duration: 1 mn 10 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST.