Harp SKU: M7.DUX-959 Music For Harp. Edited by Evelyn Huber. Sheet...(+)
Harp
SKU:
M7.DUX-959
Music
For Harp. Edited by
Evelyn Huber. Sheet
music. 36 pages. Edition
Dux Verlag #DUX 959.
Published by Edition Dux
Verlag (M7.DUX-959).
ISBN
9783868493047.
Die
Harfe??sie kann so viel
mehr, als manche ihr
zutrauen! Mal ruhig,
sanft, ein anderes Mal
rhythmisch fordernd,
manchmal frech und dann
wieder meditativ.
»Five Pieces For Pedal
Harp« ist eine
Sammlung mit
Eigenkompositionen,
Jazzstandards und
Arrangements wunderbarer
Traditionals -
Improvisationen mit
eingeschlossen. Music for
Harp: die Reihe für
World Music, Jazz & more.
Level:
medium/advanced.
Harp SKU: M7.DUX-960 Music For Harp Vol. 3. Composed by Evelyn Hub...(+)
Harp
SKU:
M7.DUX-960
Music
For Harp Vol. 3.
Composed by Evelyn Huber.
Sheet music. 36 pages.
Edition Dux Verlag #DUX
960. Published by Edition
Dux Verlag (M7.DUX-960).
ISBN
9783868493054.
Die
Harfe??sie kann so viel
mehr, als manche ihr
zutrauen! Mal ruhig,
sanft, ein anderes Mal
rhythmisch fordernd,
manchmal frech und dann
wieder meditativ.
»Five Pieces For Pedal
Harp« ist eine
Sammlung mit
Eigenkompositionen,
Jazzstandards und
Arrangements wunderbarer
Traditionals -
Improvisationen mit
eingeschlossen. Music for
Harp: die Reihe für
World Music, Jazz & more.
Level: advanced.
Harp (Harp) SKU: HL.50511754 Solo. Composed by Laszlo Tihanyi. Con...(+)
Harp (Harp)
SKU:
HL.50511754
Solo. Composed by
Laszlo Tihanyi.
Contemporary Music. EMB.
Contemporary Hungarian
Works. Book Only. Editio
Musica Budapest #Z14358.
Published by Editio
Musica Budapest
(HL.50511754).
ISBN
9790080143582. B/4 quer
inches. Hungarian,
English. Laszlo
Tihanyi.
Greek
mythology seems
spontaneously to have
offered the figure of
linos as the central
character in a work for
solo harp. (Linos was a
poet, believed to be the
brother of Orpheus, and
according to Greek
tradition no greater
musician ever appeared
among mankind.) The
musical material,
conforming to the
characteristics of the
harp, consits of two
interesting seven-degree
note rows incorporating
all the possible pedal
combinations, their
mirror inversions and the
five-degree noterows that
fit between them. The
nine-section composition
is made up of scenes from
the imagined life of
Linos, an imagined
'Linos's hymn', and
laments played in his
honour.
Harp Solo. By Sophia Giustani Dussek, Johann Ladislaus Dussek. Arranged by Nican...(+)
Harp Solo. By Sophia
Giustani Dussek, Johann
Ladislaus Dussek.
Arranged by Nicanor
Zabaleta. (Harp).
Schott. Size 9.25x12
inches. 12 pages.
Published by Schott.
Books and Journals; Harp SKU: UT.LB-3 Composed by Mirella Vita. Paperback...(+)
Books and Journals; Harp
SKU: UT.LB-3
Composed by Mirella Vita.
Paperback (Soft Cover).
Classical. Books and
Journals. Ut Orpheus #LB
3. Published by Ut
Orpheus (UT.LB-3).
ISBN 9788881094462.
6.5 x 9.5
inches.
«Sono
stata un?arpista attiva
per mezzo secolo. Come
tutti i miei colleghi, ho
dovuto affrontare le
difficoltà create dalla
leggenda che l?arpa non
abbia né musica, né
storia.
Fortunatamente, nel
corso della mia carriera,
ho potuto constatare che
questa diceria è
infondata e ho cercato di
mettere in risalto almeno
una piccola parte
dell?immenso repertorio
antico e moderno di
questo strumento
considerato un Paria
della musica. Il
lavoro è stato piano e
diretto per i libri che
ho scritto sulla musica
d?arpa italiana e
svizzera, perché basato
su precisi titoli e
frontespizi; la ricerca
sarebbe stata ugualmente
scorrevole per i libri
che non scriverò sulla
musica d?arpa francese,
tedesca, austriaca,
britannica, boema,
spagnola, portoghese e
scandinava. Per la
musica olandese il
cammino è un po?
diverso: i pittori, i
trattatisti e gli storici
sono i testimoni e le
guide che aiutano a
ritrovare gli usi e i
costumi musicali nei
quali l?arpa aveva una
parte importante. Il
concertista in cerca di
pezzi potrà utilizzare
così questo libro: dopo
i trattati (capitolo II),
i dipinti (capitolo III),
la storia e la cronaca
(capitoli IV-VII), autori
e musiche (capitoli VIII
e IX), biblioteche ed
editori (capitoli X e
XI), arriverà all?indice
secondo le formazioni
strumentali (capitolo
XII). Potrà
cominciare dal cercare,
in quest?ultimo capitolo,
gli Autori adatti al suo
gruppo e al suo
programma; ritroverà i
relativi dettagli nei
capitoli VIII e IX;
otterrà i pezzi seguendo
le indicazioni dei
capitoli X, XI e XII; e
buona caccia, buono
studio, buone
prove! Nel cercare di
stabilire che cosa sia
olandese o non-olandese
nella musica antica è
stata seguita l?abitudine
corrente di considerare
patrimonio comune dei
Paesi Bassi l?arte e la
storia anteriori alla
separazione delle "Sette
Province" nel secolo XVI;
e specificamente olandese
tutto ciò che accadde in
quei coraggiosi territori
da allora in
poi.»
(Harp) SKU: HL.50562438 Harp. Composed by Stan Golestan. Editions ...(+)
(Harp)
SKU:
HL.50562438
Harp. Composed by
Stan Golestan. Editions
Durand. Classical. Book
only. 10 pages. Editions
Durand #DF1362600.
Published by Editions
Durand (HL.50562438).
Harp SKU: LM.24631 Composed by Monique Gabus. Classical. Score. Editions ...(+)
Harp
SKU: LM.24631
Composed by Monique
Gabus. Classical. Score.
Editions Henry Lemoine
#24631. Published by
Editions Henry Lemoine
(LM.24631).
ISBN
9790230946315.
Dans
les montagnes - La petite
biche - Crepuscule sur le
lagon - Melodie -
Ritournelle bretonne - Le
jardin des tourterelles -
Au bord du fleuve -
Flutes indiennes - Les
jardins flottants de
Xochimilco - La deesse
des fleurs.
Harp SKU: HF.FH-7040 Richard Wagner. Edited by Gerlach. Arranged b...(+)
Harp
SKU:
HF.FH-7040
Richard
Wagner. Edited by
Gerlach. Arranged by
Gerlach. Sheet music.
Friedrich Hofmeister
Musikverlag #FH 7040.
Published by Friedrich
Hofmeister Musikverlag
(HF.FH-7040).
ISBN
9790203470403. 8.3 x 11.7
inches.
1. Tristan
und Isolde; 2. Die
Meistersinger von
Nurnberg.
Harp SKU: UT.MAG-221 Composed by Martin-Pierre Dalvimare. Edited by Anna ...(+)
Harp
SKU:
UT.MAG-221
Composed
by Martin-Pierre
Dalvimare. Edited by Anna
Pasetti. Saddle
stitching. Magadis.
Classical. Ut Orpheus
#MAG 221. Published by Ut
Orpheus (UT.MAG-221).
ISBN 9790215318625. 9
x 12
inches.
Martin-Pier
re Dalvimare, born in
1770, in Dreux
(Eure-et-Loir), from a
distinguished family,
learnt music as an
entertainment art, and
was obliged to make it a
resource for his
existence, after the
troubles of the
Revolution in 1789. He
had acquired a remarkable
talent for the harp; when
he arrived in Paris he
made a very good
impression. Then, man of
the world, knowledgeable
in many fields, which is
rare for a musician, he
was welcome everywhere,
and very soon came in
friendly terms with some
of the most renowned
artists and men of
letters of his times. The
marriage certificate of
the poet Legouve (15
pluviose of the year XI,
or February 1803, 12th
municipality of Paris),
shows that Dalvimare was
one of his best men and
that at the time he was
thirty-two years old. He
became harpist of the
Opera in the year VIII
(1800), and was
definitively confirmed in
the month of fructidor of
the year IX. At the time
of the institution of the
emperor Napoleon's
private music, M.
Dalvimare was appointed
as his harpist. In
September 1807 he
obtained the title of
harp master of the
empress Josephine. A
lucky change of his
fortune allowed this
artist to renounce to
practise his talent for
living, he resigned from
all of his positions on
March, 12th, 1812, and he
retired in Dreux, where
he still was living in
1837. For a peculiar
weakness, he does not
like to speak about his
artist career, which had
been entirely honourable,
and he would like to
forget his success too.
His first composition was
a symphonie concertant
for harp and horn, which
he composed with Frederic
Duvernoy, and published
in the year VII (1798);
notwithstanding, he
counted as his first opus
a collection of romances
with accompaniment of
piano or harp, which he
later published with
Pleyel.
In 1809
Dalvimare composed, for
the theatre Feydeau, a
one-act opera-comique
called The Marriage for
Imprudence. The music was
weak; the work did not
succeed, and people used
to say that the greatest
imprudence had been the
one of the authors who
had it performed.
Nevertheless, the score
of this opera was
published in Paris by
erard. (Francois-Joseph
Fetis).
Harp SKU: UT.HS-284 Composed by Pellegrino Santucci. Edited by Giuseppe M...(+)
Harp
SKU:
UT.HS-284
Composed by
Pellegrino Santucci.
Edited by Giuseppe
Monari. Saddle stitching.
Classical. Ut Orpheus #HS
284. Published by Ut
Orpheus (UT.HS-284).
ISBN 9790215326460. 9
x 12
inches.
Melodia
for Solo Harp/ Alleluja
Modo II - Wachet auf for
Harp and
Organ
This
publication gathers
together in these three
pieces the only
compositions by Santucci
devoted to the harp, both
as a solo instrument and
in dialogue with the
organ, his favourite
instrument. The little
Melodia per arpa,
a simple piece having an
apparently didactic
purpose, does not show
the date of composition
but, judging by the
handwriting of the
manuscript, it probably
dates back to the period
between 1980 and 1990. No
other information has
reached us as to why the
piece was
composed. The two
pieces Alleluja Modo
II and Wachet
auf, both dated 20
March 1993, composed for
the unusual duo of harp
and organ, are dedicated
to Anna Maria Restani,
first harp in the
orchestra of the Teatro
Comunale of Bologna from
1965 to 2002, and to her
son Wladimir Matesic,
organist and now teacher
at the Conservatoire in
Trieste. Gregorian chant
is the protagonist of the
first piece, evoking a
Gothic and rarefied
atmosphere. The second is
instead a blatant tribute
to Johann Sebastian Bach
(right from the first
bars the reference to
Prelude no. 1 of the
Well-Tempered
Clavier is clear),
through one of his most
famous chorales
(Wachet auf, ruft uns
die stimme), also
used by Santucci for
numerous other
compositions, including
Il corteo dei Magi
[for trumpet, organ,
orchestra and choir,
1986, ms.], still
performed in the
Christmas concerts in
Bologna. (Giuseppe
Monari).
