Soprano voice, cello and harp SKU: HL.49013522 2 Melodies. Compose...(+)
Soprano voice, cello and
harp
SKU:
HL.49013522
2
Melodies. Composed by
Enrich Wolfgang Korngold.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Set of parts.
Op. 131/1. 18 pages.
Schott Music #BSS 33935.
Published by Schott Music
(HL.49013522).
ISBN
9790001173797.
9.0x12.0x0.08 inches.
French -
Greek.
Harp SKU: HL.48186700 For Celtic Harp (or Harp Without Pedal). Com...(+)
Harp
SKU:
HL.48186700
For
Celtic Harp (or Harp
Without Pedal).
Composed by Bernard
Andres. Leduc. Classical.
Softcover. 8 pages.
Hamelle & Cie #HA009616.
Published by Hamelle &
Cie (HL.48186700).
UPC: 888680788650.
9.0x12.0x0.05
inches.
La
Gimblette by Bernard
Andrès (born 1941) for
Celtic harp or harp.
Harp SKU: HL.49005260 Nach der Musikalischen Rustkammer auf der Harfe,...(+)
Harp
SKU:
HL.49005260
Nach
der Musikalischen
Rustkammer auf der Harfe,
1719. Edited by Hans
Joachim Zingel. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 4 pages.
Schott Music #ED 4914.
Published by Schott Music
(HL.49005260).
Harp SKU: HL.48182311 Composed by Marcel Grandjany. Leduc. Classical. Sof...(+)
Harp
SKU:
HL.48182311
Composed
by Marcel Grandjany.
Leduc. Classical.
Softcover. 12 pages.
Alphonse Leduc #AL23442.
Published by Alphonse
Leduc (HL.48182311).
UPC: 888680787066.
9.25x12.25x0.055
inches.
Written by
Marcel Grandjany on a
tune of Haydn, Fantasy is
a piece for Harp that
includes 5 variations of
the main theme. Ideally
to be played on pedal
Harp, it would fit the
skills and abilities of
advanced Harp players.
The technical
difficulties encountered
are various as this piece
involves some
hand-crossings,
arpeggios, natural
harmonies, accidental
alterations as well as
some pedal changes.
Marcel Grandjany is a
French-born American who
lived in the 20th
century. He studied with
Alphonse Hasselmans at
the Paris Conservatoire
from the age of 11 and
got the First Prize at 13
years old. He composed
numerous pieces for Harp,
of all levels: '3 Very
Easy Little Pieces, Op.
7', 'Divertissement, Op.
29', 'Variation on the
Londonderry Air, Op. 20'
and 'Two Duets for 2
harps, Op. 26' among many
others..
Harp SKU: HL.50606509 Two Pieces for Harp. Composed by Gergely Vaj...(+)
Harp
SKU:
HL.50606509
Two
Pieces for Harp.
Composed by Gergely
Vajda. EMB. Classical,
Contemporary. Softcover.
12 pages. Editio Musica
Budapest #Z15211.
Published by Editio
Musica Budapest
(HL.50606509).
ISBN
9781705190722. UPC:
196288126850.
The
two harp pieces by
Gergely VAJDA (*1973)
approach the instrument
as a machine, moreover,
as a machine that can
produce several sounds
and noises and create a
specific polyphony from
them. The two movements,
composed in 2020 and
2022, are dedicated to
the Ars Nova Ensemble and
Collegium21,
respectively. Contents:
1. Idle Time 2. Minute
Machinery.
Harp SKU: HL.234540 Harp Solo. Composed by John Luther Adams. Musi...(+)
Harp
SKU:
HL.234540
Harp
Solo. Composed by
John Luther Adams. Music
Sales America. Classical.
Softcover. Composed 2017.
14 pages. Chester Music
#CH86295. Published by
Chester Music
(HL.234540).
9.0x12.0x0.09 inches.
English.
'This set
of miniatures is based on
traditional dance songs
of the Yupik Eskimo
people of Western Alaska.
In their original forms,
these melodies would be
sung in unison. The
first, third and fifth
songs would be
accompanied by frame
drums. The second and
fourth are game songs,
for jumping rope and
juggling pebbles. Aside
from the obvious
difference in
instrumentation, my
settings of these songs
differ from the Yup'ik
originals in other
respects. I have extended
and varied the melodies,
and added
countermelodies, ostinato
figurations,
introductions, interludes
and codas. The first four
melodies are drawn from
the collection Yup'ik
Eskimo songs, compiled by
Thomas F. Johnston, and
Tupou L. Pulu, and
published by the
University Of Alaska. The
fifth was 'loaned' to me
by Yup'ik singer and
dancer Chuna McIntyre,
who learned it in his
village of Eek, Alaska.
The poems preceding each
piece are rough
translations of the words
to the songs. These
verses are often cryptic
and enigmatic. Their
obscurity is increased
because some of the words
or their meanings have
been lost, over time.' -
John Luther Adams.
Harp SKU: UT.MAG-102 Composed by Robert Gallenberg. Edited by Grazia Mend...(+)
Harp
SKU:
UT.MAG-102
Composed
by Robert Gallenberg.
Edited by Grazia Mendaro.
Saddle stitching.
Magadis. Classical. Ut
Orpheus #MAG 102.
Published by Ut Orpheus
(UT.MAG-102).
Harp - Grade 4 SKU: HL.14043604 Harp Solo. Composed by Bent S&osla...(+)
Harp - Grade 4
SKU:
HL.14043604
Harp
Solo. Composed by
Bent Sø and rensen.
Music Sales America.
Classical, Contemporary.
Softcover. Composed 2015.
10 pages. Edition Wilhelm
Hansen #WH32167.
Published by Edition
Wilhelm Hansen
(HL.14043604).
ISBN
9788759831823. 8.25x11.75
inches.
English.
Dolorosame
nte for Harp solo was
composed by Bent Sorensen
and premiered by Tine
Rehling at 'The 12th
World Harp Congress' in
Sydney in July 2014.
For Harp. By Antonio de Cabezon, Enrique Granados, Domenico Zipoli, Edward MacDo...(+)
For Harp. By Antonio de
Cabezon, Enrique
Granados, Domenico
Zipoli, Edward MacDowell.
Arranged by Mary Hogan
Cambern. For Harp I, Harp
II. Classical.
Performance score. 39
pages. Published by Carl
Fischer.
Books and Journals; Harp SKU: UT.LB-3 Composed by Mirella Vita. Paperback...(+)
Books and Journals; Harp
SKU: UT.LB-3
Composed by Mirella Vita.
Paperback (Soft Cover).
Classical. Books and
Journals. Ut Orpheus #LB
3. Published by Ut
Orpheus (UT.LB-3).
ISBN 9788881094462.
6.5 x 9.5
inches.
«Sono
stata un?arpista attiva
per mezzo secolo. Come
tutti i miei colleghi, ho
dovuto affrontare le
difficoltà create dalla
leggenda che l?arpa non
abbia né musica, né
storia.
Fortunatamente, nel
corso della mia carriera,
ho potuto constatare che
questa diceria è
infondata e ho cercato di
mettere in risalto almeno
una piccola parte
dell?immenso repertorio
antico e moderno di
questo strumento
considerato un Paria
della musica. Il
lavoro è stato piano e
diretto per i libri che
ho scritto sulla musica
d?arpa italiana e
svizzera, perché basato
su precisi titoli e
frontespizi; la ricerca
sarebbe stata ugualmente
scorrevole per i libri
che non scriverò sulla
musica d?arpa francese,
tedesca, austriaca,
britannica, boema,
spagnola, portoghese e
scandinava. Per la
musica olandese il
cammino è un po?
diverso: i pittori, i
trattatisti e gli storici
sono i testimoni e le
guide che aiutano a
ritrovare gli usi e i
costumi musicali nei
quali l?arpa aveva una
parte importante. Il
concertista in cerca di
pezzi potrà utilizzare
così questo libro: dopo
i trattati (capitolo II),
i dipinti (capitolo III),
la storia e la cronaca
(capitoli IV-VII), autori
e musiche (capitoli VIII
e IX), biblioteche ed
editori (capitoli X e
XI), arriverà all?indice
secondo le formazioni
strumentali (capitolo
XII). Potrà
cominciare dal cercare,
in quest?ultimo capitolo,
gli Autori adatti al suo
gruppo e al suo
programma; ritroverà i
relativi dettagli nei
capitoli VIII e IX;
otterrà i pezzi seguendo
le indicazioni dei
capitoli X, XI e XII; e
buona caccia, buono
studio, buone
prove! Nel cercare di
stabilire che cosa sia
olandese o non-olandese
nella musica antica è
stata seguita l?abitudine
corrente di considerare
patrimonio comune dei
Paesi Bassi l?arte e la
storia anteriori alla
separazione delle "Sette
Province" nel secolo XVI;
e specificamente olandese
tutto ciò che accadde in
quei coraggiosi territori
da allora in
poi.»
