Composed by Darlene Walton. Folk and Pedal, Method, Solos. Book and Digital Video. 28 pages. Published by Mel Bay Publications, Inc

by Janna McCall Geller and Mallory Geller. For Harp (Folk/Celtic). method. Non-Series. All styles. Level: Beginning. Book. Size 8.5x11. 208 pages. Published by Mel Bay Publications, Inc.

Harp Solo. Performed by Sylvia Woods. By Various. Arranged by Sylvia Woods. Harp. Size 8.5x11 inches. 96 pages. Published by Hal Leonard.

Arranged for Harp Spiral Bound. Arranged by Sylvia Woods. Harp. Pop, Oldies. Softcover. 122 pages. Published by Hal Leonard

By Andrew Lloyd Webber. Harp. Size 8.5x11 inches. 36 pages. Published by Hal Leonard.

(Arranged for Harp). By John Legend. Arranged by Sylvia Woods. For Harp. Harp. Softcover. Published by Hal Leonard

by Kim Robertson. For folk/celtic harp. All styles. Level: Multiple Levels. Book. Solos. Size 8.75x11.75. 88 pages. Published by Mel Bay Pub., Inc.

by Leslie McMichael and Laurie Riley. For folk/celtic harp. Celtic/Irish. Level: Intermediate. Book. Solos. Size 8.75x11.75. 76 pages. Published by Mel Bay Pub., Inc.

((Josh Groban) Arranged for the Harp). By Josh Groban. Arranged by Sylvia Woods. For Harp, Folk Harp. Harp. Softcover. 8 pages. Published by Hal Leonard

Folk Harp; Harp

SKU: HL.131541

Arranged for Harp. By A. Great Big World. Arranged by Sylvia Woods. Harp. Pop. Softcover. 4 pages. Published by Hal Leonard (HL.131541).

ISBN 9780936661667. UPC: 888680025564. 8.5x11.0x0.031 inches.

Say Something is an original song by the American duo A Great Big World. The lyrics are about letting go when a relationship ends. It became an international hit when Christina Aguilera joined A Great Big World on a re-recorded version in 2013. Sylvia Woods has made a 4-page advanced beginner to intermediate arrangement, playable on either lever or pedal harp. This music features a pedal point (also called a pedal note or pedal tone), which is a sustained or continually repeated note that is held constant while harmonies change in other parts. A pedal point is usually found in the bass, but here it is in the middle register. Virtually every measure includes a middle C note on the downbeat. Sometimes it is played with the right hand, and at other times with the left. But it is almost always there. This pedal point harmony is what originally drew me into this beautiful piece of music the first time I heard it on the radio. The music is in the key of C, and no sharping levers are required, as there are no lever changes. Fingerings, lyrics and chord symbols are included. The harp range required is 24 strings from a low C up to an E. It can be played on 24-string to 26-string harps with a C as the lowest string if you play both hands an octave higher than written.

By Sunita Staneslow. For Harp (Folk/Celtic). Solos. French. Level: Intermediate. Book. 32 pages. Published by Mel Bay Publications, Inc.

(10 Selections for Lever and Pedal Harp). By Billy Joel. Arranged by Emily Brecker. For Lever and Pedal Harp. Softcover. 88 pages. Published by Hal Leonard

Harp

SKU: BT.XYZ1392

Composed by Rosetty. Jazz. Book with CD. 44 pages. XYZ #XYZ1392. Published by XYZ (BT.XYZ1392).

International.

E ight pieces for the beginning Jazz player. Suitable for Irish and Concert Harp. Includes accompaniment CD an performance parts.

Music from Historical Collections. Composed by Star Edwards. Saddle- stitched. Book. 64 pages. Published by Mel Bay Publications, Inc

For Folk Harp. Instructional. Softcover with CD. 48 pages. Published by Hal Leonard

Harp

SKU: ST.H495

Composed by Sarah Rodgers. String music. Set for the Trinity examinations, Grade 3. Score. Stainer & Bell Ltd. #H495. Published by Stainer & Bell Ltd. (ST.H495).

ISBN 9790220224942.

Set for the Trinity examinations, Grade 3, Skylark is an atmospheric musical impression for pedal or non-pedal harp of the view from the composer's home, overlooking the farmland and broad aerial vistas of Norfolk. Contrasting textures of open arpeggios and accompanied melody convey the various stages of the bird's flight, and its singing from on high, rising to the climax of its song on a musical 'thermal' of sustained, arpeggiated chords before a descent to rest in pastureland. Contemplative, even quietly ecstatic in mood, Skylark will prove an effective element in balanced programme-building, whether as required by the Trinity syllabus, or as engaging repertoire for young players.