This book is the second volume of arrangements for the Celtic harp by MonikaMandelartz. The material encompasses diverse songs and tunes from the British Isles, commonly described as 'Celtic Music'. This type of music is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance). Author Monika Mandelartz, a specialist in historical performance practice, followsPlayford's tradition by arranging parts of the collection for Celtic harp. Thereby, Mandelartz points out that her arrangements constitute a 'snapshot in time'. Her workemphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars, Scot Cap (Edinburgh Castle), Upon a Summer's Day, Parson's Farewell, Welcome Home Old Rowland, Dissembling Love (The Lost Heart), An Italian Rant, Porter's Lament, Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace), Jenny Pluck Pears, Remember Me My Deir, Enfield Common, The Sword Dance, and Drive the Cold Winter Away. This book is the second volume of arrangements for the Celtic Harp by Monika Mandelartz. The material encompasses diverse songs and tunes from the British Isles, commonly described as 'Celtic Music'. This type ofmusic is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance). Author Monika Mandelartz, a specialist in historical performance practice, follows Playford's tradition by arranging parts of the collection for Celtic Harp. Thereby, Mandelartz points out that her arrangementsconstitute a 'snapshot in time'. Her work emphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars, ScotCap(Edinburgh Castle), Upon a Summer's Day, Parson's Farewell, Welcome Home Old Rowland, Dissembling Love (The Lost Heart), An Italian Rant, Porter's Lament, Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace), JennyPluckPears, Remember Me My Deir, Enfield Common, The Sword Dance and Drive the Cold Winter Away./ Recueil / Harpe

Par CALTHORPE NANCY. An illustrated guide to harp playing for the beginning by Nancy Calthorpe. For the folk or non-pedal harp. Learn traditional tunes such as Baptist Johnston - Blow the Wind Southerly - and more. Walton Mfg. and UK product #WM1075. / Niveau : Débutant / Celtic/Irish - Methods / Méthode / Harpe Folk ou Celtique

Par USHER ALEX. A collection of 25 traditional melodies written in standard music notation as well as autoharp tablature. Accompaniment chords are indicated. The melody-playing techniques used are explained here in detail. A professional performance audio which provides more than an hour of listening pleasure to all of the tunes, including 'Wild Mountain Thyme,' 'My Luv is Like a Red,' 'Red Rose,' 'White Cockade,' 'Corn Rigs,' 'Auld Lang Syne' and more. Includes access to online audio. / Niveau : Intermédiaire à Avancé / Musique traditionnelle anglaise, irlandaise, écoss / Tablatures / Harpe

Par POSTIC ANNE. Musiques traditionnelles arrangées pour la harpe celtique Dans ce recueil, Anne Postic nous montre qu'aucun rythme, aucun thème, aucun enchaînement ne pose problème à la harpe celtique. On y trouve quelques danses irlandaises endiablées qu'on n'avait entendues jusqu'ici qu'à la flûte ou au violon. Ses basses, au lieu de scander la musique sur les temps forts, comme on l'entend si souvent dans les musiques traditionnelles, se promènent sous la mélodie, lui donnant un « swing » inventif et malicieux qui donne à sa musique sa couleur si particulière. Passant de la Bretagne à l'Écosse ou à l'Irlande, tout en nous faisant découvrir quelques mélodies encore inconnues, Anne réinvente la harpe celtique, swinguant entre tradition et modernité, nous invitant à danser au son de son instrument, imaginant chaque fois un accompagnement plus subtil : jamais la harpe n'a été plus vivante ! / Date parution : 2010-11-01/ Répertoire / Harpe

Par PETERSON MEG. La musique Gospel est ancré dans la tradition populaire de l'Amérique. C'est la musique de l'âme et et apparaît partout où les gens se réunissent pour exprimer leur joie spirituelle. Instruments folk tels que la guitare, banjo, mandoline, ukulélé et autoharpe prêtent à ce genre de chant de groupe. Ils peuvent fournir des accompagnements simples ou transporter la mélodie dans un petit groupe d'un renouveau complet. Les mélanges de harpe à bien avec l'esprit et les harmoniques de ces hymnes. La première section de cet ouvrage est contre pour pianoter simple. La seconde section est organisée pour la mélodie, jouer, avec les numéros de la chaîne indiquée. Une collection populaire qui comprend 69 chansons ! / Niveau : Débutant à Intermédiaire / Sacred - Songbooks / Recueil / Harpe

This is a collection of 24 harp tunes arranged by Alison Kinnaird MBE. The music has been arranged in a style which is not an antiquarian attempt to recreate it as it might have sounded 200 years ago, but which reflects the living and evolving tradition of Scottish music.This collection, the first of its kind, will be of interest to players who are already familiar with their native idiom, to the classically trained musician who wishes to learn about it, and to the general reader for whom the extensive historical notes may throw light on a little known and very beautiful facet of Scottish history. / Harpe

Par SUZUKI SHINICHI. Shinichi Suzuki did extensive research to develop his series of harp repertoire books. The pieces are presented in our new Suzuki Harp School CD series. / Pédagogie / Accessoire / Harpe