Oboe and piano SKU: ST.C461 Composed by Various. Wind & brass music. Clif...(+)
Oboe and piano
SKU:
ST.C461
Composed by
Various. Wind & brass
music. Clifton Edition
#C461. Published by
Clifton Edition
(ST.C461).
ISBN
9790570814619.
This edition replaces the
old Nova Edition NM394
and the subsequent but
also now defunct EMA142.
Both previous editions
are now out of print.
This is a freshly edited,
updated and greatly
improved
edition.
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Gioacchino
Rossini: Variations for
Oboe and Piano Rossini
was still a student at
the Liceo Filarmonico in
Bologna when he wrote
these Variations at the
age of 18. Originally
thought to have been
written for Clarinet in C
and Orchestra, recent
scholarship, culminating
in Heinz Holliger’s
brilliant recording
(Philips 9500 564), has
provided many good
reasons why the oboe is
clearly the solo
instrument. Not only does
it ‘look like’ oboe
music but the writing
(within the oboe’s
exact range at that time)
ignores more than an
octave of the
clarinet’s potential
range. Also, it is most
unusual to find the solo
wind instrument
duplicated in the
accompanying orchestral
parts, thus providing
unnecessary competition
in
timbre.
White Light Hautbois, Piano (duo) - Intermédiaire Anglo Music
Oboe and Piano - intermediate SKU: BT.AMP-343-401 For Oboe and Piano(+)
Oboe and Piano -
intermediate
SKU:
BT.AMP-343-401
For
Oboe and Piano.
Composed by Philip
Sparke. Anglo
Instrumental series. Book
Only. Composed 2012. 16
pages. Anglo Music Press
#AMP 343-401. Published
by Anglo Music Press
(BT.AMP-343-401).
ISBN
9789043138628. 9x12
inches.
English-German-French-Dut
ch.
White
Light was
commissioned by Fumiko
Teramoto, oboist with the
Musashino Grand Concert
Band from Tokyo, Japan.
The request was for a
moderately slow piece, of
intermediate difficulty,
which included White in
the title, as this is her
lucky colour. Composer
Philip Sparke decided to
use this suggestion to
write a piece that was
bright and light in terms
of harmony and colour,
with much use of simple
major and minor chords
and an emphasis on pure
and transparent timbres.
He was also keen to
capture the essence and
history of the oboe as a
solo instrument - the
piece is pastoral in
character and often
almost baroque in style.
Also available for oboe
and concert band
(AMP317-010/140).
Wit is de
gelukskleur van het
opdrachtgevende orkest
van dit uitdagende
solowerk voor hobo en
piano. Philip Sparke
schreef daarom een
opgewekte compositie. Het
zwaartepunt ligt op de
heldere klanken van het
hoge hout en de
harmonie,klankkleur en
instrumentatie is helder
en doorzichtig.Ook
verkrijgbaar voor hobo en
harmonieorkest (AMP
317-010/140).
WeiÃ
ƒÅ¸ ist die
Glücksfarbe des
auftraggebenden
Blasorchesters und daher
im Titel dieses Solowerks
für Oboe und
Klavier. Passend dazu
schuf Philip Sparke ein
Stück, das sowohl
heiter als auch hell in
seiner Harmonik, seinen
Farben und seiner
Orchestrierung ist, viele
einfache Dur- und
Mollakkorde enthält
und den Schwerpunkt auf
die klaren Klänge der
hohen Holzbläser im
Orchester legt. Ebenfalls
erhältlich für Oboe
und Blasorchester (AMP
317-010/140).
In
questo lavoro per oboe
solista e pianoforte,
Philip Sparke crea un
pezzo che è allo
stesso tempo allegro e
luminoso nella sua
armonia e nei colori, e
che nell'orchestrazione
contiene molti semplici
accordi maggiori e
minori. Disponibile anche
per oboe e banda (AMP
317-010/140).
Oboe, Piano - Grade 2 SKU: FL.FX071923 Composed by Alain Lopez. Classical...(+)
Oboe, Piano - Grade 2
SKU: FL.FX071923
Composed by Alain Lopez.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX071923.
Published by FLEX
Editions (FL.FX071923).
The wind
carries away the yellow
leaves fallen on the
pavement, the cafes put
tables and chairs in... I
evoke here a fall tour
that is difficult to do
quietly in Paris. How to
take your time in this
city with so many streets
to cross (musical phrases
of 3 measures), cars or
buses to avoid (musical
phrases starts on the
second time). While the
chestnut vendors are on
subway entrances, how not
to hurry like others
(theme B) to 'catch' the
subway...
Al Valles Hautbois, Piano (duo) Editorial de Musica Boileau
Oboe and piano SKU: BO.B.3647 Composed by Jordi Cervello. Published by Ed...(+)
Oboe and piano
SKU:
BO.B.3647
Composed by
Jordi Cervello. Published
by Editorial de Musica
Boileau (BO.B.3647).
Al Valles, for
oboe and piano, is a work
that has two distinct
characteristics-it is a
concert work but was
composed as a work for a
final examination piece.
The work is dedicated to
Vicent Montalt, who
performed it for his
final examination at the
Mozarteum in Saltzburg,
2012.
Al Valles
begins with a
Paganini-like cadenza for
the oboe which introduces
the main feature of the
work- the alternation of
legato with spiccato
which is at times rapid
and at other times lento.
The cadenza is followed
by an Allegro which
begins with decisiveness
by the piano. The two
instruments establish a
game of brief and very
specific rhythmic figures
with rapid chromatic
descents, which in the
piano are in octaves. A
tranquil and mysterious
passage ends with a
sudden fortissimo. The
oboe plays another
cadenza, reminiscent of
the first one, which is
followed by a return of
the Allegro. However,
this time the music stops
on a trill on F # in the
high register of the
oboe. The work concludes
with a rapid coda which
begins brilliantly in the
piano with chromatic
descending octaves.
SKU: HL.48186455 Composed by Eugene Bozza. Leduc. Post-1900. Softcover. 5...(+)
SKU: HL.48186455
Composed by Eugene Bozza.
Leduc. Post-1900.
Softcover. 5 pages.
Alphonse Leduc #AL30697.
Published by Alphonse
Leduc (HL.48186455).
UPC: 888680828639.
9x12
inches.
“Born
to an Italian father and
a French mother,
Eugène Bozza
(1905-1991) divided his
music studies between the
Academia Santa Cecilia in
Rome and the
Conservatoire de Paris,
where he was taught by
Henri Büsser and
Henri Rabaud. His chamber
music compositions reveal
a marked predilection for
wind instruments, as
reflected in Fantaisie
pastorale for oboe and
piano (1939) and
New-Orléans for
bass saxhorn and piano
(1944). During his stay a
few years earlier at the
Villa Medici in Rome
(1936), Bozza had written
his Aria Pour Saxophone
Alto Et Piano ' a free
adaptation of the third
movement of Johann
Sebastian Bach's Organ
Pastorale in F major BWV
590. This expansive and
nostalgic melody, which
unfolds over a regular
meter, has become one of
the most widely played
SaxoEphone pieces in the
world. Having enjoyed
such success,
Éditions Leduc has
decided to supplement its
republication with an
audio version that will
enable saxoEphonists to
carry out 'full-scale'
practice.&rdquo.