Oboe and Piano

SKU: BT.EMBZ2589

Composed by Bela Bartok. EMB Music of Bela Bartok. Book Only. Composed 1958. 10 pages. Editio Musica Budapest #EMBZ2589. Published by Editio Musica Budapest (BT.EMBZ2589).

English-German.

Bagpipers is the first movement of the three-movement Sonatina composed in 1915 (1. Bagpipers, 2.Bear Dance and 3. Finale). The composer said of the piece, ''Originally I planned a group of Romanianfolk dances for piano. I selected three parts of this and called it Sonatina. The first movement, Bagpipers[...] consists of two dances played by two bagpipers.'' The piece is based on a couple dance fromTransylvania, the ardeleana (also known as the kanászos), while the middle section was inspired bythe bagpipe playing of a middle-aged man recorded by Bartók in Váncsfalva (now Oncesti) of Bihar County during February 1910. In 1931, Bartók arranged it for symphony orchestraunder the title Dances from Transylvania. This arrangement for oboe and piano was made by Liszt Prize-winningoboist Tibor Szeszler (1919 1992).

Oboe, Piano Accompaniment

SKU: HL.14028681

Composed by Esa-Pekka Salonen. Music Sales America. Post-1900. Sheet Music, Instrumental Work. With Text language: English. 32 pages. Chester Music #CH60917. Published by Chester Music (HL.14028681).

UPC: 884088810481. 8.5x11.0x0.094 inches.

Composer's Note Second Meeting was written in January 1992. The first performance took place in Stockholm in February (Bengt Rosengren, oboe and Stefan Bojsten, piano). The work belongs to a planned series of virtuoso duos, “meetingsÃ� �€. The first one (from 1982) is written for clarinet and harpsichord. Formally, Second Meeting is very close to a familiar “theme and variations” category, although there are seven themes, or melodies, all quite closely related. In the autumn of the same year I decided to write a version of the piece for oboe and a small orchestra, trying to remain reasonably faithful to the original (a la Ravel, perhaps). The orchestral version is called Mimo 1). Esa-Pekka Salonen.

By Lennox Berkeley. For Oboe, Piano Accompaniment. 20th Century. Sheet Music. 24 pages. Published by Chester Music.

Oboe and Piano

SKU: HL.14043723

Composed by Francis Poulenc. Music Sales America. Softcover Audio Online. Composed 2016. Chester Music #CH83567. Published by Chester Music (HL.14043723).

ISBN 9781783059522.

This is an updated edition of Francis Poulenc 's 1962 work Sonata For Oboe And Piano , edited by Millan Sachania . Featuring the full score and a separate Oboe part, this exclusive edition also includes a download card, giving you instant online access to demonstration and accompaniment tracks. Originally completed in 1962, Poulenc 's Sonata For Oboe And Piano  had been brewing in his mind for at least five years. The last of Poulenc 's trio of sonatas for woodwind instruments, he tragically passed away before it could be definitively engraved, leaving behind a work with a number of ambiguous notational marks that resulted in an incomplete first edition, publishedposthumously. A number of revisions have taken place, but this, expertly edited by Millan Sachania , aims to provide a playable, legible, precise and authoritative score that reflect closest Poulenc 's intentions. This new edition revises many minor details, including Piano chords, tied notes, the correction of various bars throughout as well as his crescendos during the third movement. At all points, Sachania has aimed to reproduce an authoritative and accurate score that is at once playable and a reflection of what Poulenc himself may have intended. This is a most exciting prospect considering the reputation that this work has garnered as a piece of profound poignancy. Dedicated to Sergey Prokofiev, it has been said that the mournful final movement, Deploration , is something of an obituary.  What makes this edition of Sonata For Clarinet And Piano really special is the unique download card that provides exclusive online access to demonstration and accompaniment audio tracks. Professionally-recorded by renowned oboist Christopher Cowie and pianist Huw Watkins, the demonstration track allows you to hear exactly how the piece as a whole should sound, before the independent Piano-only track lets you take the place of the Oboe in your very own performance. This is a unique opportunity for oboists to learn from an authoritative.