Oboe and Piano SKU: BT.EMBZ3769 Per oboe, archi e cembalo RV 461 (F.VI...(+)
Oboe and Piano
SKU:
BT.EMBZ3769
Per
oboe, archi e cembalo RV
461 (F.VII. No. 5, P.V.
42). By Oliver Nagy.
By Antonio Vivaldi,
Oliver Nagy, and Tibor
Szeszler. Book Only.
Composed 1963. 28 pages.
Editio Musica Budapest
#EMBZ3769. Published by
Editio Musica Budapest
(BT.EMBZ3769).
English-German-Hungari
an.
The source of
the present edition of
the Oboe Concerto in A
minor by Antonio Vivaldi
is the Collected Works of
Vivaldi, edited by
Malipiero, published by
Ricordi 1955. The title
of the original score is
Concerto in La minore per
oboe, archi e cembalo the
original setting: Oboe,
Violini I-II, Viole,
Violoncelli, Contrabassi
and Cembalo. The
arrangement for oboe and
piano is kept in accurate
conformity with the
musical text of score,
the continuo part -
however - has been more
freely adapted (of course
within the possibilities
of baroque style). The
piano part contains the
entire orchestral
material in the Tutti-s,
thus the soloist is not
obliged to play all the
Tutti parts.However, in
Movement I and III the
first and last Tutti may
never be omitted by the
performer.
Die
Grundlage dieser Ausgabe
des Oboenkonzertes in
A-Moll von Antonio
Vivaldi ist die von
Malipiero redigierte
Gesamtausgabe (Ricordi,
1955). Der Titel der
Originalpartitur lautet:
Concerto in La minore per
oboe, archi e cembalo:
die Besetzung ist
folgende: Oboe, Violini
I-II, Viole, Violoncelli,
Contrabassi, Cembalo. Die
Ausgabe für Oboe und
Klavier ist dem Urtext
der Partitur getreu, doch
ist die Ausarbeitung des
Continuos etwas freier
behandelt (natürlich
nur im Rahmen der vom
Stil der Barockmusik
gebotenen
Möglichkeit). Die
Klavierstimme enthält
an den Tuttistellen das
Stimmaterial des ganzen
Orchesters: der Solist
ist daher nicht
verpflichtet,
sämtliche
Tuttimitzuspielen. (Im I.
und III. Satz dürfen
jedoch die ersten und
letzten Tutti vom
Solisten nicht
weggelassen werden.
Oboe and Piano - easy SKU: BT.AMP-298-400 Arranged by Philip Sparke. Angl...(+)
Oboe and Piano - easy
SKU:
BT.AMP-298-400
Arranged by Philip
Sparke. Anglo Music
Play-Along Series.
Classical. Book with CD.
Composed 2013. 16 pages.
Anglo Music Press #AMP
298-400. Published by
Anglo Music Press
(BT.AMP-298-400).
ISBN
9789043138055. 9x12
inches.
English-German-French-Dut
ch.
Part of the
Anglo Music Play-along
Series, Philip
Sparkeâ??s 15 Easy
Classical Solos is
aimed at the young
instrumentalist who can
play just over an octave.
Specifically tailored to
suit the individual
instrument, this book
introduces the beginning
player to the world of
the classics by using
simple yet attractive
melodies that fit their
limited range. The
carefully selected pieces
include music from the
16th to the 20th century
and cover a wide variety
of styles, from Bach to
Grieg and from Purcell to
Satie. This book will
provide invaluable
additional material to
complement any teaching
method and includes both
piano accompaniment and a
demo/play-along
CD.
Philip
Sparkeâ??s 15 Easy
Classical Solos,
onderdeel van de Anglo
Music Play-Along
Series, is bedoeld
voor de jonge
instrumentalist die iets
meer dan een octaaf kan
spelen. Het boek sluit
qua instrumentaal bereik
en gebruikte
toonsoortenaan bij het
Artist Level van Hal
Leonards Essential
Elements ®, maar
kan ook los daarvan
worden gebruikt.De
zorgvuldig geselecteerde
melodieën, die
specifiek zijn
toegesneden op elk
instrument, beslaan een
breed scala van klassieke
stijlen:van Bach tot
Grieg en van Purcell tot
Satie.Het boek bevat
waardevol materiaal ter
aanvulling op elke
lesmethode en wordt
geleverd met
pianobegeleiding en een
cd met demo- en
meespeeltracks.
15 Easy Classical
Solos ist als
Ergänzung zur
bewährten Anglo
Music Play-Along
Reihe gedacht und richtet
sich an Schüler, die
ungefähr einen
Tonumfang von einer
Oktave beherrschen. Das
Niveau entspricht dem des
Artist Levels der
Essential Elements
® Methode von Hal
Leonard, kann aber auch
unabhängig davon
verwendet werden. Genau
auf jedes Instrument
zugeschnitten,
ermöglicht die
wohlüberlegte
Stückeauswahl ein
erstes Kennenlernen von
Melodien aus
verschiedenen Epochen der
Klassik von Grieg über
Purcell bis Satie. Jeder
Band bietet wertvolles
Ergänzungsmaterial,
das zu jeder
Instrumentalschule passt
und enthält sowohl
Klavier- als auch
CD-Begleitungen.
Il concetto della
collana Anglo Music
Play-Along Series
è quello di integrare
al più presto nel
processo di apprendimento
dei giovani strumentisti
la possibilit di poter
suonare accompagnati al
piano o con lâ??ausilio
di unâ??incisione su CD.
Ilchiaro vantaggio di
questo metodo è che
gli allievi imparano da
subito lâ??aspetto
fondamentale del suonare
insieme, vale a dire
tenere il tempo in modo
costante. 15 Easy
Classical Solos
consente agli allievi che
hanno una conoscenza
limitatadelle note di
suonare brani di Bach,
Schubert, Purcell, Grieg
e altri, grazie alle
versioni facilitate. Il
livello di 15
Intermediate Classical
Solos permette invece
agli allievi che
padroneggiano
lâ??estensione superiore
a unâ??ottava
dicimentarsi nei
â??primi concertiâ?
con brani di Haendel,
Clementi, Rameau, Glueck,
Beethoven e altri. Il CD
propone una traccia con
lâ??incisione completa e
una con il solo
accompagnamento.
Oboe, piano SKU: BR.MR-2295 Authenticity disputed. Composed by Ant...(+)
Oboe, piano
SKU:
BR.MR-2295
Authenticity
disputed. Composed by
Antonio Vivaldi. Edited
by Manfred Fechner. Solo
instruments; stapled.
Musica Rara. In this
first edition for oboe
and piano, the
non-ornamented version is
given first and followed
by the version supplied
by editor Sandro Caldini
with ornaments typical of
Vivaldi's time. Solo
concerto; Baroque. Piano
reduction. 16 pages.
Breitkopf and Haertel #MR
2295. Published by
Breitkopf and Haertel
(BR.MR-2295).
ISBN
9790004488430. 9 x 12
inches.
It is
difficult to determine
exactly how many oboe
concertos Antonio Vivaldi
wrote. Although the
present Concerto in F
major was earlier seen as
a secure work by Vivaldi
(therefore it has the old
RV-number 458), Vivaldi's
authorship got even more
disputable (in contrast
to the C major Concerto
RV 446 MR 2294). The
doubts cannot even be
dispelled by the
existence of two sources
from a large collection
in Lund, Sweden. The
Adagio central movement
deserves our particular
attention, as it was
transmitted in different
versions in the two
sources. In this first
edition for oboe and
piano, the non-ornamented
version is given first
and followed by the
version supplied by
editor Sandro Caldini
with ornaments typical of
Vivaldi's time, which
make this version of the
Adagio particularly
interesting for
performers.
In
this first edition for
oboe and piano, the
non-ornamented version is
given first and followed
by the version supplied
by editor Sandro Caldini
with ornaments typical of
Vivaldi's time.