Edited by Martin Winkler. Educational instrumental collection (oboe and piano). 68 pages. Published by Edwin F. Kalmus.

Oboe and Piano - easy

SKU: BT.AMP-298-400

Arranged by Philip Sparke. Anglo Music Play-Along Series. Classical. Book with CD. Composed 2013. 16 pages. Anglo Music Press #AMP 298-400. Published by Anglo Music Press (BT.AMP-298-400).

ISBN 9789043138055. 9x12 inches. English-German-French-Dut ch.

Part of the Anglo Music Play-along Series, Philip Sparkeâ??s 15 Easy Classical Solos is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument, this book introduces the beginning player to the world of the classics by using simple yet attractive melodies that fit their limited range. The carefully selected pieces include music from the 16th to the 20th century and cover a wide variety of styles, from Bach to Grieg and from Purcell to Satie. This book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.

Philip Sparkeâ??s 15 Easy Classical Solos, onderdeel van de Anglo Music Play-Along Series, is bedoeld voor de jonge instrumentalist die iets meer dan een octaaf kan spelen. Het boek sluit qua instrumentaal bereik en gebruikte toonsoortenaan bij het Artist Level van Hal Leonards Essential Elements ®, maar kan ook los daarvan worden gebruikt.De zorgvuldig geselecteerde melodieën, die specifiek zijn toegesneden op elk instrument, beslaan een breed scala van klassieke stijlen:van Bach tot Grieg en van Purcell tot Satie.Het boek bevat waardevol materiaal ter aanvulling op elke lesmethode en wordt geleverd met pianobegeleiding en een cd met demo- en meespeeltracks.

15 Easy Classical Solos ist als Ergänzung zur bewährten Anglo Music Play-Along Reihe gedacht und richtet sich an Schüler, die ungefähr einen Tonumfang von einer Oktave beherrschen. Das Niveau entspricht dem des Artist Levels der Essential Elements ® Methode von Hal Leonard, kann aber auch unabhängig davon verwendet werden. Genau auf jedes Instrument zugeschnitten, ermöglicht die wohlüberlegte Stückeauswahl ein erstes Kennenlernen von Melodien aus verschiedenen Epochen der Klassik von Grieg über Purcell bis Satie. Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.

< I>15 Easy Classical Solos, de Philip Sparke, est un ouvrage qui sâ??adresse aux jeunes musiciens, maîtrisant un peu plus dâ??une octave. 15 Easy Classical Solos a été conçu pour être joué en corrélation avec les séries Artist et/ou Master Level de la collection Essential Elements ®, publiée par les éditions Hal Leonard. Mais il peut également être utilisé indépendamment.Spéc ifiquement adapté chaque instrument, ce volume rassemble quinze mélodies écrites par des compositeurs aussi variés que Bach, Purcell, Grieg et Satie.Comprenant les parties dâ??accompagnement de piano et une version dâ??accompagnement sur compact disc, ces ouvrages représentent une sourcecomplémentaire inestimable toute méthode pédagogique.

Il concetto della collana Anglo Music Play-Along Series è quello di integrare al più presto nel processo di apprendimento dei giovani strumentisti la possibilit di poter suonare accompagnati al piano o con lâ??ausilio di unâ??incisione su CD. Ilchiaro vantaggio di questo metodo è che gli allievi imparano da subito lâ??aspetto fondamentale del suonare insieme, vale a dire tenere il tempo in modo costante. 15 Easy Classical Solos consente agli allievi che hanno una conoscenza limitatadelle note di suonare brani di Bach, Schubert, Purcell, Grieg e altri, grazie alle versioni facilitate. Il livello di 15 Intermediate Classical Solos permette invece agli allievi che padroneggiano lâ??estensione superiore a unâ??ottava dicimentarsi nei â??primi concertiâ? con brani di Haendel, Clementi, Rameau, Glueck, Beethoven e altri. Il CD propone una traccia con lâ??incisione completa e una con il solo accompagnamento.

Two Hymns for Oboe or C Instrument and Piano. By Laura B. Pease. For Oboe or C Instrument and Piano. Christian: Worship. Level: Easy. Octavo. 15 pages. Published by MorningStar Music Publishers.

Edited by Martin Winkler. Instrumental collection (educational). 88 pages. Published by Warner Brothers.

Composed by Thomas Attwood Walmisley. Edited by Christopher Hogwood. For Oboe (or flute/clarinet) and piano. Full score and C instrument part. 28 8(xix) pages. Published by Edition HH Music Publishers

Oboe and Piano

SKU: BT.EMBZ8318

Composed by Bela Bartok. EMB Music of Bela Bartok. Book Only. Composed 1981. 6 pages. Editio Musica Budapest #EMBZ8318. Published by Editio Musica Budapest (BT.EMBZ8318).

English-German-Hungari an.

An Evening in the Village was composed in 1908 as no. 5 of the Ten Easy Piano Pieces. It has become one of Bartók's favorite works, which the composer himself was fond of playing at recitals. As he explained in an American interview, it was ''an original composition that is ... with themes of my own invention but ... the themes are in the style of the Hungarian-Transylvanian folk tunes. There are two themes. The first one is a parlando-rubato-rhythm and the second one is more in a dance-like rhythm. The second one is more or less the imitation of a peasant flute playing.'' Bartók also orchestrated the piece in 1931 as no. 1 of Hungarian Sketches. In 2015 we are launching aseries entitled Bartók Transcriptions for Music Students to mark the 70th anniversary of the composer s death. This involves reissuing our tried publications, and publishing some further, new transcriptions that fulfill in every respect the strict aesthetic demands of the earlier ones. We trust these publications will allow us to introduce still more music students to the realm of one of the great geniuses of 20th-century music.

Das 1908 als Nr. 5 der Zehn leichten Klavierstücke komponierte Klavierwerk Ein Abend am Lande ist ein echter Bartók-Schlager, der auch vom Komponisten selbst mit Vorliebe im Rahmen seiner Konzerte vorgetragen wurde. In einem amerikanischen Interview äußerte er sich dazu, ''… es handelt sich um eine Originalkomposition, das heißt, ihre Themen stammen von mir, wobei diese Themen jedoch den Stil der siebenbürgisch-ungaris chen Volkslieder aufgreifen. Von seinen zwei Themen hat das erste Parlando-Rubato-Charakter , das zweite ist eher von einem Tanzrhythmus geprägt … und ist mehr oder weniger die Imitation eines bäuerlichen Blockflötenspiels.'' Im Jahr 1931 instrumentierte Bartókdas Stück als Nr. 1 der Bilder aus Ungarn auch für Orchester.

Edited by Joyce Kelley. Arranged by Daniel Kelley. For Oboe and Piano. Solos. Recital. Level: Intermediate/Advanced. Piano Score and Solo Part. Published by Last Resort Music Publishing.

Oboe and piano

SKU: ST.C513

Composed by Mary Chandler. Wind & brass music. Clifton Edition #C513. Published by Clifton Edition (ST.C513).

ISBN 9790570815135.

Sonatina for Oboe and Piano was composed in 1967 and given its first performance by Dinah Demuth, to whom it is dedicated. The Sonatina for Cor Anglais and Piano of 1968 was also written for Dinah Demuth, then a member of the Midland Light Orchestra, whose broadcasts included solo works such as these two Sonatinas. This Sonatina was originally published by Phylloscopus Publications in 1995.

Dr. Kristin Leitterman is currently the Assistant Professor of Oboe at Arkansas State University in Jonesboro, Arkansas, USA, where she teaches oboe and bassoon, Double Reed Techniques, and coaches small chamber ensembles. She is also the Director of the Lucarelli Oboe Master Class, a week-long immersive oboe master class founded by Bert Lucarelli in 1996. As a guest artist she has presented master classes at many institutions, including the Manhattan School of Music, New York University, and the Hartt School.

As a researcher, Kirstin has interests in the life and works of Mary Chandler. She has presented her research at The Juilliard School, Music by Women Festival, the International Double Reed Society conferences, and the Brazilian Double Reed Society’s conference in João Pessoa, Paraíba, Brazil.

Former Spartan Press Cat. No.: PP160.

15 Easy Solos for Contest and Performance with Online Audio and Printable Piano Accompaniments. Composed by Various. Arranged by Philip Sparke. Essential Elements Band Folios. Classical. Softcover Media Online. 16 pages. Published by Hal Leonard

Oboe and Piano

SKU: BT.EMBZ2589

Composed by Bela Bartok. EMB Music of Bela Bartok. Book Only. Composed 1958. 10 pages. Editio Musica Budapest #EMBZ2589. Published by Editio Musica Budapest (BT.EMBZ2589).

English-German.

Bagpipers is the first movement of the three-movement Sonatina composed in 1915 (1. Bagpipers, 2.Bear Dance and 3. Finale). The composer said of the piece, ''Originally I planned a group of Romanianfolk dances for piano. I selected three parts of this and called it Sonatina. The first movement, Bagpipers[...] consists of two dances played by two bagpipers.'' The piece is based on a couple dance fromTransylvania, the ardeleana (also known as the kanászos), while the middle section was inspired bythe bagpipe playing of a middle-aged man recorded by Bartók in Váncsfalva (now Oncesti) of Bihar County during February 1910. In 1931, Bartók arranged it for symphony orchestraunder the title Dances from Transylvania. This arrangement for oboe and piano was made by Liszt Prize-winningoboist Tibor Szeszler (1919 1992).

Oboe and piano

SKU: ST.C550

Composed by Mary Chandler. Wind & brass music. Clifton Edition #C550. Published by Clifton Edition (ST.C550).

ISBN 9790570815500.

Traveller’s Joy — Two Walking Tunes for Oboe and Piano was composed in 1956. This is the first time the piece has been published.

Mary Chandler was born in Kent in 1911. She studied music privately, and her teachers included Harry Farjeon (composition), Margaret Eliot and Leon Goossens (oboe) and Harold Craxton (piano). She read English at Oxford University and taught in London schools before joining the City of Birmingham Symphony Orchestra as principal oboist. She appeared with the CBSO as soloist (oboe and piano) and composer and gave broadcasts and recitals in the Midlands. Later, as a free-lance orchestral player, she formed the Mercian Trio (flute, oboe and piano) which gave concerts around the country.

In 1960 Mary became Area Director of the Kent Music School, in charge of its wind teaching and of the varied activities of its Tonbridge Music Centre. She conducted many student groups and composed and arranged music for them until she retired in 1971. She continued to be actively involved in music thereafter, examining, composing and organising concerts. She spent her later years in Gloucestershire and died in 1996.

Dr. Kristin Leitterman is currently the Assistant Professor of Oboe at Arkansas State University in Jonesboro, Arkansas, USA, where she teaches oboe and bassoon, Double Reed Techniques, and coaches small chamber ensembles. She is also the Director of the Lucarelli Oboe Master Class, a week-long immersive oboe master class founded by Bert Lucarelli in 1996. As a guest artist she has presented master classes at many institutions, including the Manhattan School of Music, New York University, and the Hartt School.

As a researcher, Kirstin has interests in the life and works of Mary Chandler. She has presented her research at The Juilliard School, Music by Women Festival, the International Double Reed Society conferences, and the Brazilian Double Reed Society’s conference in João Pessoa, Paraíba, Brazil.

Oboe and piano

SKU: BO.B.3647

Composed by Jordi Cervello. Published by Editorial de Musica Boileau (BO.B.3647).

Al Valles, for oboe and piano, is a work that has two distinct characteristics-it is a concert work but was composed as a work for a final examination piece. The work is dedicated to Vicent Montalt, who performed it for his final examination at the Mozarteum in Saltzburg, 2012.

Al Valles begins with a Paganini-like cadenza for the oboe which introduces the main feature of the work- the alternation of legato with spiccato which is at times rapid and at other times lento. The cadenza is followed by an Allegro which begins with decisiveness by the piano. The two instruments establish a game of brief and very specific rhythmic figures with rapid chromatic descents, which in the piano are in octaves. A tranquil and mysterious passage ends with a sudden fortissimo. The oboe plays another cadenza, reminiscent of the first one, which is followed by a return of the Allegro. However, this time the music stops on a trill on F # in the high register of the oboe. The work concludes with a rapid coda which begins brilliantly in the piano with chromatic descending octaves.

Oboe and Piano

SKU: HL.14030791

Composed by Martin Dalby. Music Sales America. Post-1900. Book [Softcover]. Music Sales #NOV120436. Published by Music Sales (HL.14030791).

8.25x12.0x0.051 inches.

This title is taken from Dvorak. However. The models from which the songs are derived are clearly identifiable, as are the composers from whose language they have been derived. The piece appears to be in one movement though it is in fact two with a coda. The first is French in style, a sort of Waltz. It is quick and harks upon the likes of Francaix and where its idiom becomes more advanced, Messaien. The other is Germanic, a slow movement with echoes of German expressionism - perhaps Richard Strauss, perhaps Mahler. The two movements are partly complete; the cod reconciles their differences and completes them. I see the piece as my own version of En blanc et noir.

Oboe & Piano

SKU: SU.27040310

For Oboe & Piano. Composed by Gregory J. Hutter. Woodwinds, Oboe/English Horn. Score & Parts. Subito Music Corporation #27040310. Published by Subito Music Corporation (SU.27040310).

Post-modernist style; harmonically dissonant and rhythmically complex, yet lyrical. Based on the premise of two opposing forces converging towards uniformity at various points. Difficult.Oboe and Piano Duration: 8' Composed: 2002 Published by: Hutter Music.

Oboe and Piano

SKU: HL.14007465

Composed by Cyril Scott. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV262169. Published by Music Sales (HL.14007465).

Cyril Scott was an English composer, writer, and poet. He was essentially a late romantic composer, whose style was at the same time strongly influenced by impressionism. His harmony was notably exotic. Scott wrote around four hundred works,which include two mature symphonies, three operas, three Piano concertos,concertos for Violin, Cello, Oboe and Harpsichord, several overtures, four oratorios, as well as a mass of chamber music.

Scott  composed his Concerto For Oboe & Orchestra i n 1946. The three movements (Molto vigoroso - Andante,Pastoral e:Tranquillo an d Rondo giocoso: Allegronon troppo - cadenza - Con spirit) are published here with a Piano reduction of the orchestra accompaniment.

Complete performance time of the entire piece is approximately 20 minutes.

Oboe and Piano

SKU: HL.49016017

By Whitney Tustin. By Dieter Rexroth. Edition Schott. Classical. Book Only. 560 pages. Schott Music #GS33019. Published by Schott Music (HL.49016017).

ISBN 9780793554218. UPC: 073999496185. 305 X 229 inches.

Contents: Andante & Allegro (Loeillet) • Aria from St. Matthew Passion (J.S. Bach) • Concerto No. 8 (Handel) • Kuruka-Kuruka (Yamada) • Largo (Fasch) • Mazurka (Debussy) • Romanze (Schumann)• Sonata in A minor (Telemann) • Song (Glière) • Theme from Symphony in C (Bizet) • Toadinha (A Little Song) (Berger) • Träume (Wagner) • Two Songs (Liszt) • Vocalise(Rachmaninoff)&bu ll; 2 Arabian Dances (Laurischkus).Selected and edited by Whitney Tustin. Fifteen pieces offer the player a variety of period and styles. Includes works by Bach, Debussy, Liszt and Rachmaninov. With piano accompaniment.

Contents: Andante & Allegro (Loeillet) • Aria from St. Matthew Passion (J.S. Bach) • Concerto No. 8 (Handel) • Kuruka-Kuruka (Yamada) • Largo (Fasch) • Mazurka (Debussy) • Romanze (Schumann)• Sonata in A minor (Telemann) • Song (Glière) • Theme from Symphony in C (Bizet) • Toadinha (A Little Song) (Berger) • Träume (Wagner) • Two Songs (Liszt) • Vocalise(Rachmaninoff)&bu ll; 2 Arabian Dances (Laurischkus).

Oboe; Piano (Oboe)

SKU: HL.50564714

Oboe with Piano Accompaniment. Composed by Claude Pascal. Editions Durand. Classical. Score Only. Composed 2001. Editions Durand #DF01398900. Published by Editions Durand (HL.50564714).

Inch....this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James,Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire ofBach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.

Oboe, piano

SKU: BR.MR-2295

Authenticity disputed. Composed by Antonio Vivaldi. Edited by Manfred Fechner. Solo instruments; stapled. Musica Rara. In this first edition for oboe and piano, the non-ornamented version is given first and followed by the version supplied by editor Sandro Caldini with ornaments typical of Vivaldi's time. Solo concerto; Baroque. Piano reduction. 16 pages. Breitkopf and Haertel #MR 2295. Published by Breitkopf and Haertel (BR.MR-2295).

ISBN 9790004488430. 9 x 12 inches.

It is difficult to determine exactly how many oboe concertos Antonio Vivaldi wrote. Although the present Concerto in F major was earlier seen as a secure work by Vivaldi (therefore it has the old RV-number 458), Vivaldi's authorship got even more disputable (in contrast to the C major Concerto RV 446 MR 2294). The doubts cannot even be dispelled by the existence of two sources from a large collection in Lund, Sweden. The Adagio central movement deserves our particular attention, as it was transmitted in different versions in the two sources. In this first edition for oboe and piano, the non-ornamented version is given first and followed by the version supplied by editor Sandro Caldini with ornaments typical of Vivaldi's time, which make this version of the Adagio particularly interesting for performers.

In this first edition for oboe and piano, the non-ornamented version is given first and followed by the version supplied by editor Sandro Caldini with ornaments typical of Vivaldi's time.