(30 Repertoire Classics with Piano Accompaniment Including Selected Solos by). E...(+)
(30 Repertoire Classics
with Piano Accompaniment
Including Selected Solos
by). Edited by Nancy
Clauter. For Oboe, Piano.
Repertoire Classics. 48
pages. Published by Carl
Fischer
Oboe and piano SKU: ST.C461 Composed by Various. Wind & brass music. Clif...(+)
Oboe and piano
SKU:
ST.C461
Composed by
Various. Wind & brass
music. Clifton Edition
#C461. Published by
Clifton Edition
(ST.C461).
ISBN
9790570814619.
This edition replaces the
old Nova Edition NM394
and the subsequent but
also now defunct EMA142.
Both previous editions
are now out of print.
This is a freshly edited,
updated and greatly
improved
edition.
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Gioacchino
Rossini: Variations for
Oboe and Piano Rossini
was still a student at
the Liceo Filarmonico in
Bologna when he wrote
these Variations at the
age of 18. Originally
thought to have been
written for Clarinet in C
and Orchestra, recent
scholarship, culminating
in Heinz Holliger’s
brilliant recording
(Philips 9500 564), has
provided many good
reasons why the oboe is
clearly the solo
instrument. Not only does
it ‘look like’ oboe
music but the writing
(within the oboe’s
exact range at that time)
ignores more than an
octave of the
clarinet’s potential
range. Also, it is most
unusual to find the solo
wind instrument
duplicated in the
accompanying orchestral
parts, thus providing
unnecessary competition
in
timbre.
Frédéric
Chopin: Variations on a
Theme by Rossini No
such ambiguity surrounds
the origin of Chopin’s
Variations on a Theme
from Rossini’s opera
La Cenerentola
— orginally for flute.
It is not definitely
known for whom they were
written, but they may
have been either for his
father (who played the
flute), or for his close
friend Matuszynski. They
date from 1826-30 and
here transposed from the
original E major into D
major for the oboe,
provide a valuable
addition to the
oboist’s nineteenth
century
repertoire.
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Arranged
by
Mark
Goddard Grades
7–8 Former Spartan
Press Cat. No.:
EMA142.
Oboe, piano SKU: BR.MR-2295 Authenticity disputed. Composed by Ant...(+)
Oboe, piano
SKU:
BR.MR-2295
Authenticity
disputed. Composed by
Antonio Vivaldi. Edited
by Manfred Fechner. Solo
instruments; stapled.
Musica Rara. In this
first edition for oboe
and piano, the
non-ornamented version is
given first and followed
by the version supplied
by editor Sandro Caldini
with ornaments typical of
Vivaldi's time. Solo
concerto; Baroque. Piano
reduction. 16 pages.
Breitkopf and Haertel #MR
2295. Published by
Breitkopf and Haertel
(BR.MR-2295).
ISBN
9790004488430. 9 x 12
inches.
It is
difficult to determine
exactly how many oboe
concertos Antonio Vivaldi
wrote. Although the
present Concerto in F
major was earlier seen as
a secure work by Vivaldi
(therefore it has the old
RV-number 458), Vivaldi's
authorship got even more
disputable (in contrast
to the C major Concerto
RV 446 MR 2294). The
doubts cannot even be
dispelled by the
existence of two sources
from a large collection
in Lund, Sweden. The
Adagio central movement
deserves our particular
attention, as it was
transmitted in different
versions in the two
sources. In this first
edition for oboe and
piano, the non-ornamented
version is given first
and followed by the
version supplied by
editor Sandro Caldini
with ornaments typical of
Vivaldi's time, which
make this version of the
Adagio particularly
interesting for
performers.
In
this first edition for
oboe and piano, the
non-ornamented version is
given first and followed
by the version supplied
by editor Sandro Caldini
with ornaments typical of
Vivaldi's time.