By Pam Wedgwood. For Oboe and Piano. Book; CD; Woodwind - Oboe Method or Collection. Faber Edition: After Hours

Oboe (Oboe)

SKU: HL.48181136

For Oboe and Piano. Composed by Charles Colin. Leduc. Classical. Softcover. Alphonse Leduc #AL20316. Published by Alphonse Leduc (HL.48181136).

French oboist, organist, teacher and composer, Charles Colin (1832-1881) studied at the Paris Conservatoire where he won many prizes. Colin then went on to lead a successful musical career and his wealth of experience led to the composition of Famous Solos for Competitions, which remain highly regarded to this day. Significantly, the entire compilation of Famous Solos for Competitions was performed 1983 by oboe students at the University of Washington. The first solo, Colin's Opus 33 is challenging for the advanced oboist. The work addresses many technicalities, including complex rhythms, a range of articulation, variations in performance directions, dynamics and time signatures, ornamentation and wide range, among other aspects. For all aspiring, advanced oboe players, Colin's Famous Solos for Competitions is an essential addition to the repertoire, providing excellent audition and competition pieces.

Oboe, piano

SKU: BR.MR-2140

In G major, D minor, C major. Composed by Francois Devienne. Solo instruments; Softbound. Musica Rara. Sonata; Classical. Score. 88 pages. Breitkopf and Haertel #MR 2140. Published by Breitkopf and Haertel (BR.MR-2140).

ISBN 9790004486917. 9 x 12 inches.

Francois Devienne was well known as a virtuoso flutist and bassoonist, composer as well as a teacher. He created well over 300 works in all, including 13 stage works. The sonatas here were published by Chez Sieber around 1795 and are interesting both historically and musically.

Oboe and Piano - intermediate

SKU: BT.DHP-1165698-401

Composed by Pascal Proust. De Haske Oboe Series. Book Only. Composed 2016. 8 pages. De Haske Publications #DHP 1165698-401. Published by De Haske Publications (BT.DHP-1165698-401).

ISBN 9789043150101. English-German-French-Dut ch.

Which instrument renders a better representation of the unfortunate attempt of the young Icarus to fly beneath the sun? The composer Pascal Proust has many years’ experience as a musician and music teacher. His output includes several hundredcompositions for the most diverse instrumentations. He wrote Icare for oboe players at the level of approximately 3 4 years’ study and paid special attention to an easy-to-follow, attractive musical style. As a result, Icare is an idealperformance or competition work for young musicians.

Welk instrument kan de onfortuinlijke poging van de jonge Icarus om onder de zon te vliegen beter bezingen? De componist Pascal Proust heeft jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderden composities voor de meestdiverse instrumentaties. Hij schreef Icare voor hobo sten die ongeveer drie tot vier jaar les hebben, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor is Icare een ideaalvoordrachts- of wedstrijdstuk voor jonge muzikanten.

Welche s Instrument könnte besser die unglücklichen Versuche des jungen Ikarus besingen, der zu nahe an die Sonne flog? Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen; sein Oeuvre umfasstmehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb Icare für Oboisten mit ungefähr 3 4 Jahren Unterrichtserfahrung und legte besonderes Augenmerk auf einen leicht verständlichen, attraktiven musikalischen Stil. Dadurcheignet sich Icare ideal als Vortrags- und Wettbewerbsstück für junge Musiker.

Quel instrument chanterait mieux les malheureuses tentatives du jeune Icare pour voler sous le soleil ? Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique ; son catalogue d’oeuvres englobeplusieurs centaines de compositions pour divers instruments. Il a notamment écrit Icare pour hautbo stes ayant environ 3 4 années de pratique, dans un style musical accessible et coloré. De ce fait, Icare est la pièce idéale pour toutexamen ou audition de jeunes musiciens.

Oboe and Piano - easy

SKU: BT.DHP-1165694-401

Composed by Pascal Proust. De Haske Oboe Series. Book Only. Composed 2016. 8 pages. De Haske Publications #DHP 1165694-401. Published by De Haske Publications (BT.DHP-1165694-401).

ISBN 9789043150064. English-German-French-Dut ch.

A short cruise through the Arctic regions, especially for very young oboe players. The composer Pascal Proust has many years’ experience as a musician and music teacher. His output includes several hundred compositions for the most diverse instrumentations. He wrote Baltic for oboe players at the level of approximately one year’s study and paid special attention to an easy-to-follow, attractive musical style. As a result, Baltic is an ideal performance or competition work for young musicians.

Een kleine cruise door het hoge noorden, speciaal voor zeer jonge hobo sten. De componist Pascal Proust kan bogen op een jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderden composities voor de meest diverse instrumentaties. Hij schreef Baltic voor hobo sten die ongeveer een jaar les hebben gehad, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor is Baltic een ideaal voordrachts- of wedstrijdstuk voor jonge muzikanten.

Eine kleine Kreuzfahrt im hohen Norden für sehr junge Oboisten. Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen; sein Oeuvre umfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb Baltic für Oboisten mit ungefähr einem Jahr Unterrichtserfahrung und legte besonderes Augenmerk auf einen leicht verständlichen, attraktiven musikalischen Stil. Dadurch eignet sich Baltic ideal als Vortrags- und Wettbewerbsstück für junge Musiker.

Une petite croisière dans le Grand Nord pour les très jeunes hautbo stes. Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique ; son catalogue d’oeuvres englobe plusieurs centaines de compositions pour divers instruments. Il a notamment écrit Baltic pour hautbo stes ayant environ une année de pratique, dans un style musical accessible et coloré. De ce fait, Baltic est la pièce idéale pour tout examen ou audition de jeunes musiciens.

Oboe and piano

SKU: ST.C551

Composed by Mary Chandler. Wind & brass music. Clifton Edition #C551. Published by Clifton Edition (ST.C551).

ISBN 9790570815517.

Bagatelle for Oboe and Piano was composed in 1950. This is the first time that the piece has been published.

Mary Chandler was born in Kent in 1911. She studied music privately, and her teachers included Harry Farjeon (composition), Margaret Eliot and Leon Goossens (oboe) and Harold Craxton (piano). She read English at Oxford University and taught in London schools before joining the City of Birmingham Symphony Orchestra as principal oboist. She appeared with the CBSO as soloist (oboe and piano) and composer and gave broadcasts and recitals in the Midlands. Later, as a free-lance orchestral player, she formed the Mercian Trio (flute, oboe and piano) which gave concerts around the country.
In 1960 Mary became Area Director of the Kent Music School, in charge of its wind teaching and of the varied activities of its Tonbridge Music Centre. She conducted many student groups and composed and arranged music for them until she retired in 1971. She continued to be actively involved in music thereafter, examining, composing and organising concerts. She spent her later years in Gloucestershire and died in 1996.

Dr. Kristin Leitterman is currently the Assistant Professor of Oboe at Arkansas State University in Jonesboro, Arkansas, USA, where she teaches oboe and bassoon, Double Reed Techniques, and coaches small chamber ensembles. She is also the Director of the Lucarelli Oboe Master Class, a week-long immersive oboe master class founded by Bert Lucarelli in 1996. As a guest artist she has presented master classes at many institutions, including the Manhattan School of Music, New York University, and the Hartt School.

As a researcher, Kirstin has interests in the life and works of Mary Chandler. She has presented her research at The Juilliard School, Music by Women Festival, the International Double Reed Society conferences, and the Brazilian Double Reed Society’s conference in João Pessoa, Paraíba, Brazil.

Oboe and piano

SKU: ST.C550

Composed by Mary Chandler. Wind & brass music. Clifton Edition #C550. Published by Clifton Edition (ST.C550).

ISBN 9790570815500.

Traveller’s Joy — Two Walking Tunes for Oboe and Piano was composed in 1956. This is the first time the piece has been published.

Mary Chandler was born in Kent in 1911. She studied music privately, and her teachers included Harry Farjeon (composition), Margaret Eliot and Leon Goossens (oboe) and Harold Craxton (piano). She read English at Oxford University and taught in London schools before joining the City of Birmingham Symphony Orchestra as principal oboist. She appeared with the CBSO as soloist (oboe and piano) and composer and gave broadcasts and recitals in the Midlands. Later, as a free-lance orchestral player, she formed the Mercian Trio (flute, oboe and piano) which gave concerts around the country.

In 1960 Mary became Area Director of the Kent Music School, in charge of its wind teaching and of the varied activities of its Tonbridge Music Centre. She conducted many student groups and composed and arranged music for them until she retired in 1971. She continued to be actively involved in music thereafter, examining, composing and organising concerts. She spent her later years in Gloucestershire and died in 1996.

Dr. Kristin Leitterman is currently the Assistant Professor of Oboe at Arkansas State University in Jonesboro, Arkansas, USA, where she teaches oboe and bassoon, Double Reed Techniques, and coaches small chamber ensembles. She is also the Director of the Lucarelli Oboe Master Class, a week-long immersive oboe master class founded by Bert Lucarelli in 1996. As a guest artist she has presented master classes at many institutions, including the Manhattan School of Music, New York University, and the Hartt School.

As a researcher, Kirstin has interests in the life and works of Mary Chandler. She has presented her research at The Juilliard School, Music by Women Festival, the International Double Reed Society conferences, and the Brazilian Double Reed Society’s conference in João Pessoa, Paraíba, Brazil.