By Aaron Copland. Arranged by Quincy C. Hilliard. (Oboe). Boosey and Hawkes Chamber Music. Book only. Size 9x12 inches. 14 pages. Published by Boosey & Hawkes.

By Mozart/ Schwencke. Edited by Christopher Hogwood. For Oboe, (Flute, Clarinet), violin, viola, cello, piano. Full score and parts. 70 4x16(x) pages. Published by Edition HH Music Publishers . Full score and parts.

Composed by Shelley Jagow. Music Education. 48 pages. GIA Publications #129102. Published by GIA Publications

(Complete Oboe Parts to 64 Orchestral Masterworks on CD-ROM) For oboe. Includes CD-ROM (Windows and Mac). With standard notation. Classical. Series: The Orchestra Musician's CD-ROM Library. 9x12 inches. Published by Hal Leonard.

Solo Oboe

SKU: SU.29130500

For Solo Oboe. Composed by Christopher Fulkerson. Woodwinds, Oboe/English Horn. Score. Subito Music Corporation #29130500. Published by Subito Music Corporation (SU.29130500).

CF47, I. Light and Expressive, II. Sustained and Enigmatic, III.Minuet: Bouyant, IV. Relaxed but EcstaticOboe Duration: 13’ Composed: 2004 Published by: Christopher Fulkerson.

By Robert W. Smith, Michael Story. For Oboe. This edition: Texas Edition. Band Method. Expressions Music Curriculum[TM]. Book & CD. 56 pages. Published by Alfred Publishing.

Oboe

SKU: SU.94010762

For Oboe. Composed by James Lee III. Woodwinds, Oboe/Piccolo. Score. Subito Music Corporation #94010762. Published by Subito Music Corporation (SU.94010762).

Dedicated to Titus Underwood, Principal Oboe, Nashville Symphony OrchestraOboe Duration: 5' Composed: 2020 Published by: Subito Music Publishing PROGRAM NOTE: The year 2020 has definitely been a very challenging year with many upheavals. During this time of the COVID-19 health crisis, wearing masks, and high racial tensions, I decided to compose four short solo woodwind works for flute, oboe, clarinet, and bassoon, which represent the core woodwind section in an orchestra. I was inspired to compose these short pieces after I first heard Igor Stravinsky's three short pieces for clarinet, which totals a little more than four minutes in duration. I thought that it would be nice to highlight and honor my African-American male colleagues in the orchestral music world. I wanted to celebrate the fact that they are the principal player in the section of their respective orchestras. The short pieces are as follows: Principal Brother No. 1 for flute solo for Demarre McGill, Principal Flute of the Seattle Symphony Orchestra, Principal Brother No. 2 for oboe solo for Titus Underwood, Principal Oboe of the Nashville Symphony Orchestra, Principal Brother No. 3 for clarinet solo for Anthony McGill, Principal Clarinet of the New York Philharmonic, and Principal Brother No. 4 for bassoon solo for Bryan Young, Principal Bassoon of the Baltimore Chamber Orchestra. These works all begin with notes that are representative of their name; D for Demarre, B for Titus (ti in solfège starting on C), A for Anthony, and Bb for Bryan. There is also a rhythmic figure in the opening measures of each piece, which represent the utterance of their names. All four of these works are rhapsodic in nature with elements of improvisation. - James Lee III.