By Jack Bullock and Anthony Maiello. For Oboe. Band Method. Belwin 21st Century Band Method. Level: Level 2. Book. 1 pages. Published by Alfred Publishing.

By Malcolm Arnold (1921-2006). For Oboe. Masterworks; Part(s); Solo; Woodwind - Oboe Solo. Faber Edition. 20th Century; Masterwork. Published by Faber Music

Arranged by Jack Bullock. For Oboe. Band Supplement. Belwin 21st Century Band Method. Level: Level 1/4 - 2. Book. 20 pages. Published by Alfred Publishing.

Oboe

SKU: HL.48187775

Composed by Darius Milhaud. Leduc. Classical. Softcover. 20 pages. Heugel & Cie #HE31597. Published by Heugel & Cie (HL.48187775).

UPC: 888680872953. 9.25x12.0x0.298 inches.

French composer and teacher, Darius Milhaud (1892-1974) was a prolific composer of the 20th century as a member of 'Les Six'. His compositions remain highly regarded, Concerto for Oboe being no exception. Milhaud's compositions are influenced by jazz and polytonality, as exemplified in Concerto for Oboe, which includes a Piano reduction accompaniment. Composed in 1957, Concerto for Oboe is an alternative, exciting concerto made up of three movements; 1) Animated, 2) With Serenity, and 3) Animated. With a typical performance lasting around 18 and a half minutes, Milhaud makes use of variation in articulation, complex rhythms, chromaticism, altering tempos, variation in dynamics and a wide tessitura, amongst other aspects. Milhaud's Concerto for Oboe is essential to all advanced oboists seeking modern and exciting repertoire..

(Chorales and Exercises to Emphasize the Art of Legato Playing for the Middle-Level Band). By Larry Clark and Sean O'Loughlin. Concert Band. For Oboe. This edition: Oboe part. Carl Fischer Band Books Series. Classical. Student Book. Standard notation. 16 pages. Published by Carl Fischer

Composed by Henri Busser (1872-1973). Masterworks; Woodwind - Oboe Solo. Kalmus Edition. 20th Century; Masterwork. Part(s). 12 pages. Kalmus Classic Edition #00-K04510. Published by Kalmus Classic Edition

Oboe

SKU: HL.49044074

For solo oboe. Composed by Kenneth Hesketh. This edition: Saddle stitching. Sheet music. Woodwind Solo. Softcover. Composed 2002. 12 pages. Duration 8'. Schott Music #ED13220. Published by Schott Music (HL.49044074).

ISBN 9790220134586. UPC: 841886021976. 9.0x12.0x0.075 inches.

Stimulated by my love of automata, this work for solo oboe takes its name from the invention of Wolfgang von Kempelen, who in the late eighteenth century constructed an extraordinary mechanical man powered by clockwork, dressed in a stylish Turkish costume and capable of playing chess. The chess player turned out to be a fraud but sparked many other thinkers and inventors to pondering what the possibilities of automation might be. In Hesketh's highly virtuosic work, the through-composed melody is subjected to a series of distortions by pulleys, cams, gears and cranks. There are also the onomatopoeic effects of winding up and whirring noises that add to the air of the mechanical.

Oboe

SKU: OT.23127

Composed by Daniel Akiva. 4 miniatures for oboe solo. Classical, Jewish. Score. OR-TAV Music Publications #23127. Published by OR-TAV Music Publications (OT.23127).

ISBN 9789655050721. 8.27 x 11.69 inches.

Bakashot are piyyutim (relig ious poems) which are sung late at night mostly on Sabbaths and holidays. These poems have many spiritual and mystical influences, and their origin is among the Sephardic Jews before the Expulsion from Spain. The singing of the bakashot was expanded during the 16th Century, particularly by the mystics in Safed, and appears also in the singing of the the maftirim among Turkish Jews.
These four miniatures for oboe solo are personal prayers written in the inspiration of the bakashot.
Daniel Akiva is a composer, performer, and educator whose performances on guitar and lute have won great acclaim. Mr. Akiva graduated from the Rubin Academy of Music in Jerusalem in 1981, where he studied classical guitar with Haim Asulin and composition with Haim Alexander. In 1987 he completed his studies at the Geneva Conservatorium in Switzerland where he studied lute with Jonathon Rubin and composition with Jean Ballisa. For many years, he headed the Music Department at the WIZO High School for the Arts in Haifa, which he founded in 1986, and served as the Artistic Director of the Guitar Gems Festival from 2006-2019. As part of his work at WIZO High School, he has developed a method for teaching free improvisation that has been incorporated into the music program at the school.
Mr. Akiva has appeared in concert as a guitarist and lutist and given master classes in Israel, Europe, Russia, the United States, and Latin America. Daniel Akiva’s compositional output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. His works have been recorded on twelve CDs, the latest of which, Malchut, was issued by OR-TAV in 2014.
A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic (Jewish-Spanish) tradition from his youth. Much of his compositional output has been devoted to a dialogue with the music of the Sephardic Jews. Daniel Akiva has also maintained a creative dialogue over many years with the poets and writers Amnon Shamash, Rivka Miriam, and Avner Peretz.