Composed by Francesco Geminiani (1687-1762). Edited by Peter Walls. This edition: Critical Edition. Opera Omnia - Vol. 12. Early Music, Instructional. Score (cloth bound). 180 pages. Published by Ut Orpheus

(A Tragicommodity In One Act). Composed by P.D.Q. Bach. Arranged by Prof. Peter Schickele. For Vocal Ensemble. Opera. Vocal score. 60 pages. Theodore Presser Company #411-41138. Published by Theodore Presser Company

(CME Opera Workshop). By Benjamin Britten (1913-1976). Arranged by Lee Kesselman. Treble Voices. Opera Workshop. 32 pages. Boosey and Hawkes #M051480579. Published by Boosey and Hawkes

(A Chamber Opera in One Act). By Gustav Holst (1874-1934). For Voice. Masterworks; Score; Vocal (Opera) Score. Faber Edition. 20th Century; Masterwork; Romantic. Published by Faber Music

(An Opera in Two Acts Vocal Score). By William Bolcom. E.B. Marks. Softcover. 344 pages. Published by Edward B. Marks Music

A Chamber Opera in One Act. Composed by Ricky Ian Gordon. Spiral. Duration 1 hour, 25 minutes. Theodore Presser Company #411-41161. Published by Theodore Presser Company

Opera

SKU: HL.50499669

By Paolo A. Rossini. By Giovanni Simone Mayr. Edited by O. Jacob. CRITICAL EDITIONS. Classical. Hardcover. Composed 2014. 366 pages. Ricordi #SY8008-KPL. Published by Ricordi (HL.50499669).

UPC: 888680025540. 10x13.75 inches.

Full score with critical commentary in 1 volume.

Opera

SKU: HL.14016771

Composed by Judith Weir. Music Sales America. Opera or Operetta. Score. Music Sales #NOV950697. Published by Music Sales (HL.14016771).

8.75x11.75x1.339 inches.

A4 Size Score of the Opera in 3 Acts with libretto by the composer, based on the 13th Century Chinese drama The Chao Family Orphan.

An Opera in 4 Acts. Composed by Robert Ward. Full Length Opera. 20th Century and Opera. Vocal score. With translations and plot synopsis. 288 pages. Galaxy Music Corporation #7.0028. Published by Galaxy Music Corporation

Critical Edition Vocal Score. Composed by Antonio Vivaldi (1678-1741). Edited by Alessandro Borin and Antonio Moccia. Opera. Softcover. 332 pages. Ricordi #CP140505. Published by Ricordi

(Vocal Score). Composed by Richard Wagner (1813-1883). Edited by Egon Voss. For Vocal, Piano Accompaniment (Vocal Score). This edition: Urtext edition. Vocal Score. Vocal score. 672 pages. Schott Music #ED20410. Published by Schott Music

Opera

SKU: HL.14028847

Composed by Robert Saxton. Music Sales America. Post-1900. Sheet Music, Vocal Score. With Text language: English. 172 pages. Chester Music #CH60894. Published by Chester Music (HL.14028847).

UPC: 884088810375. 8.5x11.0x0.386 inches.

Vocal Score for the Opera in Two Acts.Caritas' is in two acts, the first consisting of 12 short scenes, the second being a continuous scena. The overall form of the opera retains the architecture of Wesker's stage play, but alters the proportions, in order to create a musically dynamic form. While each scene of the first act is centred around a specific pitch, the second act is a Passacaglia, whose 'ground' is a Cantus Firmus, each repetition of which begins on a different note from those of its previous statements. These large-scale architectural features are both reflected in, and derived from, the musical material itself.

Opera

SKU: BT.MUSM570362127

Composed by Luís Tinoco. Score Only. University of York Music Press #MUSM570362127. Published by University of York Music Press (BT.MUSM570362127).

English.

Luis Tinoco (Composer) and Stephen Plaice (Libretto) wrote 'Paint Me', and Opera for six singers and Chamber Orchestra. Rui Horta and Joana Carneiro are responsible for the stage direction and the musical direction. My idea in writing Paint Me was to bring together six characters, all of whom have a prolific imaginative interior life, and to explore what they would make of each other in the confines of a railway compartment. The model for my libretto is Geoffrey Chaucer’s The Canterbury Tales. The travellers in Paint Me are also on their way to Canterbury, but they are strangers thrown together by the randomness of modern travel. Their tales are not told publicly, but in theirown imaginations. Most journeys in the modern age are anonymous and conducted in silence. We have only a visual or perhaps manneristic impression of the people sitting opposite us. This introspection in public opens up a private fantasy space, in which our fellow travellers can become the characters in instant psychological dramatisations.I wanted to formalize each character’s fantasy into a full narrative. The result is a kind of anthology of operatic short stories, surrounded by the framework of an ordinary journey.     - Stephen Plaice.

By Conrad Susa. Text: Anne Sexton. For Opera. Opera, Vocal Music. Published by E.C. Schirmer Publishing.

Opera

SKU: HL.14028891

Composed by Jean Sibelius and Poul Knudsen. Music Sales America. Opera or Operetta. Libretto. 44 pages. Edition Wilhelm Hansen #WH16563. Published by Edition Wilhelm Hansen (HL.14028891).

ISBN 9788759854693. Danish. Lyrics by Knudsen. Poul.

A pantomine tragedy by Poul Knudsen.

Opera in a Prologue and Two Acts. By Benjamin Britten. (Libretto). Boosey and Hawkes Stage Works. Size 8.5x11 inches. 40 pages. Published by Boosey and Hawkes.

(Opera in One Act). Composed by Henry Mollicone (1946-). For voices. Full piano/vocal score. Published by Ione Press

(Opera in Three Parts). Composed by George Benjamin, text by Martin Crimp. For Voice. Masterworks; Score; Vocal (Opera) Score. Faber Edition. 20th Century; Masterwork. Published by Faber Music

Opera

SKU: HL.14014797

Composed by Hans Werner Henze. Music Sales America. Opera or Operetta. Score. Composed 2002. 362 pages. Chester Music #CH63415. Published by Chester Music (HL.14014797).

ISBN 9781844496389. 9.5x13.75x9.74 inches.

The fifteenth full Opera from the prolific Hans Werner Henze, and the first to feature a self-penned libretto. After the poems he wrote for his Songs from the Arabian, Henze has produced this unusal tale through adapting both Arab and Persian legends and invoking the same half-real, half-imaginary Arabia as the song cycle. The story itself is a fairy tale comedy with much in common with The Magic Flute. The orchestral arrangement is huge, featuring quadruple wind, five percussionists and a part for tape.

(Vocal Score). By Henry Purcell (1659-1695). For Voice. Masterworks; Score; Vocal (Opera) Score. Faber Edition. Baroque; Masterwork. Published by Faber Music

Opera

SKU: HL.14018078

Klaverudtog. Composed by Vagn Holmboe. Music Sales America. Opera or Operetta. Vocal Score. Edition Wilhelm Hansen #KP01154. Published by Edition Wilhelm Hansen (HL.14018078).

Danish.

Kniven (The Knife ) - A Chamber Opera in 1 Act (1959) by Vagn Holmobe . Danish version. Libretto by the composer. Piano Reduction - English version : WH30944C Full Score: WH30944

Kniven (The Knife) - A Chamber Opera in 1 Act (1959) by Vagn Holmobe. Danish version.

Libretto by the composer.

Piano Reduction - English version : WH30944C

Full Score: WH30944

Opera

SKU: HL.14015279

Composed by Simon Holt. Music Sales America. Opera or Operetta. Part. Composed 2003. 180 pages. Chester Music #CH61418. Published by Chester Music (HL.14015279).

ISBN 9780711995796.

This new Opera was first performed in 1998 in Huddersfield by Opera North. Designed for the modern stage, it utilises only a small cast and orchestra - albeit one with a good variety of percussion! The libretto is adapted by the composer from the play 'The Love of Don Pemperlin for Belisa in the Garden' by Feredico Garcia Lorca, translated into English by David Johnston. The plot revolves around the ill-fated marriage of Don Pemperlin, an ageing bachelor and his beautiful neighbour Belisa, which was suggested by Pemperlin's maid. Tricks and misunderstandings abound and because of them, Pemperlin ends by stabbing himself and dying even as Belisa proclaims her love for him.

Opera

SKU: HL.14004129

Composed by Erik Valdemar Bergman. Music Sales America. Opera or Operetta. Book [Softcover]. 354 pages. Music Sales #NOV072502. Published by Music Sales (HL.14004129).

ISBN 9780711992139.

This Swedish Folk Tale, reminiscent of the myth of Cupid and Psyche, explores new and intriguing instrumental and vocal textures, yet is always poetic, lyrical and accessible, with a fairy tale quality that assures it a universal appeal.