(A Chamber Opera in One Act). By Gustav Holst (1874-1934). For Voice. Masterwork...(+)
(A Chamber Opera in One
Act). By Gustav Holst
(1874-1934). For Voice.
Masterworks; Score; Vocal
(Opera) Score. Faber
Edition. 20th Century;
Masterwork; Romantic.
Published by Faber Music
(Opera in Three Parts). Composed by George Benjamin, text by Martin Crimp. F...(+)
(Opera in Three Parts).
Composed by George
Benjamin,
text by Martin Crimp. For
Voice. Masterworks;
Score;
Vocal (Opera) Score.
Faber
Edition. 20th Century;
Masterwork. Published by
Faber Music
(Vocal Score). Composed by Richard Wagner (1813-1883). Edited by Egon Voss. For ...(+)
(Vocal Score). Composed
by Richard Wagner
(1813-1883). Edited by
Egon Voss. For Vocal,
Piano Accompaniment
(Vocal Score). This
edition: Urtext edition.
Vocal Score. Vocal score.
672 pages. Schott Music
#ED20410. Published by
Schott Music
Composed by Francesco Geminiani (1687-1762). Edited by Peter Walls. This edition...(+)
Composed by Francesco
Geminiani (1687-1762).
Edited by Peter Walls.
This edition: Critical
Edition. Opera Omnia -
Vol. 12. Early Music,
Instructional. Score
(cloth bound). 180 pages.
Published by Ut Orpheus
(Vocal Score). By Henry Purcell (1659-1695). For Voice. Masterworks; Score; Voca...(+)
(Vocal Score). By Henry
Purcell (1659-1695). For
Voice. Masterworks;
Score; Vocal (Opera)
Score. Faber Edition.
Baroque; Masterwork.
Published by Faber Music
The Mikado Opéra [Vocal Score] Faber Music Limited
(Vocal Score). By Gilbert and Sullivan. For Voice. Masterworks; Vocal (Opera) Sc...(+)
(Vocal Score). By Gilbert
and Sullivan. For Voice.
Masterworks; Vocal
(Opera) Score. Faber
Edition. Masterwork;
Romantic. Vocal Score.
Published by Faber Music
SKU: BA.BVK01874 Opera and enlightenment in late 18th century Vienna(+)
SKU: BA.BVK01874
Opera and
enlightenment in late
18th century Vienna.
Composed by Herbert
Lachmayer and Reinhard
Eisendle. In a case.
Book. 254 pages.
Baerenreiter Verlag
#BVK01874_00. Published
by Baerenreiter Verlag
(BA.BVK01874).
ISBN
9783761818749. 29 x 24.5
cm inches. Preface:
Freedberg,
David.
The subject
of this pictorial and
textual monograph is the
relationship between
opera and the
enlightenment in
Josephine Vienna of the
1780s. At that time
Lorenzo Da Ponte was a
poet at the imperial
theater and wrote many
librettos for the opera
stage, including the
three great operas for
Mozart that form the
heart of this volume: Le
nozze di Figaro, Don
Giovanni, and Cosi fan
tutte .
The book
emerged from three
exhibitions mounted by
the Da Ponte Institute in
the Mahler Room of the
Vienna State Opera. A
rare amalgam of pictures,
quotations, and
explanatory notes that
sheds new light on this
exciting decade.
Oratorio in two parts. Composed by George Frideric Handel (1685-1759). Edited ...(+)
Oratorio in two parts.
Composed by George
Frideric
Handel (1685-1759).
Edited by
Michael Pacholke. This
edition: complete
edition,
urtext edition. Cloth
bound.
Hallische Handel-Ausgabe
(HHA) I/4,1. Rome 1707.
Complete Edition, Score.
HWV
46a. Baerenreiter Verlag
#BA10721-01. Published by
Baerenreiter Verlag
Critical Edition Vocal Score. Composed by Antonio Vivaldi (1678-1741). Edite...(+)
Critical Edition Vocal
Score.
Composed by Antonio
Vivaldi
(1678-1741). Edited by
Alessandro Borin and
Antonio
Moccia. Opera. Softcover.
332
pages. Ricordi #CP140505.
Published by Ricordi
For Soprano Saxophone. Classical (chamber). Includes a high-quality printed musi...(+)
For Soprano Saxophone.
Classical (chamber).
Includes a high-quality
printed music score and a
compact disc containing a
complete performance with
soloist; then a second
version with the
accompaniment, minus you,
the soloist. Published by
Music Minus One.
English Language Edition. Composed by Henry Purcell (1659-1695). Masterworks; So...(+)
English Language Edition.
Composed by Henry Purcell
(1659-1695). Masterworks;
Solo; Solo Small
Ensembles; Vocal
Collection. Kalmus
Edition. Baroque;
Masterwork. Book. 60
pages. Kalmus Classic
Edition #00-K06851.
Published by Kalmus
Classic Edition
(CME Opera Workshop). By Benjamin Britten (1913-1976). Arranged by Lee Kesselman...(+)
(CME Opera Workshop). By
Benjamin Britten
(1913-1976). Arranged by
Lee Kesselman. Treble
Voices. Opera Workshop.
32 pages. Boosey and
Hawkes #M051480579.
Published by Boosey and
Hawkes
Soprano/Tenor Saxophone. Arranged by Mike Hannickel, Amy Adam. Curnow Play-Along...(+)
Soprano/Tenor Saxophone.
Arranged by Mike
Hannickel, Amy Adam.
Curnow Play-Along Book.
Book and CD Package. Size
9x12 inches. 20 pages.
Published by Curnow
Music.
Libretto for Opera in Two Parts. Composed by George Benjamin; text by Martin...(+)
Libretto for Opera in Two
Parts. Composed by George
Benjamin; text by Martin
Crimp. Vocal; Vocal
(Opera)
Libretto. Faber Edition.
20th
Century; Masterwork.
Book.
Faber Music
#12-0571540554.
Published by Faber Music
An Opera in 4 Acts. Composed by Robert Ward. Full Length Opera. 20th Century and...(+)
An Opera in 4 Acts.
Composed by Robert Ward.
Full Length Opera. 20th
Century and Opera. Vocal
score. With translations
and plot synopsis. 288
pages. Galaxy Music
Corporation #7.0028.
Published by Galaxy Music
Corporation
Opera SKU: HL.14028847 Composed by Robert Saxton. Music Sales America. Po...(+)
Opera
SKU:
HL.14028847
Composed
by Robert Saxton. Music
Sales America. Post-1900.
Sheet Music, Vocal Score.
With Text language:
English. 172 pages.
Chester Music #CH60894.
Published by Chester
Music (HL.14028847).
UPC: 884088810375.
8.5x11.0x0.386
inches.
Vocal Score
for the Opera in Two
Acts.Caritas' is in two
acts, the first
consisting of 12 short
scenes, the second being
a continuous scena. The
overall form of the opera
retains the architecture
of Wesker's stage play,
but alters the
proportions, in order to
create a musically
dynamic form. While each
scene of the first act is
centred around a specific
pitch, the second act is
a Passacaglia, whose
'ground' is a Cantus
Firmus, each repetition
of which begins on a
different note from those
of its previous
statements. These
large-scale architectural
features are both
reflected in, and derived
from, the musical
material itself.
Composed by Carlo Gesualdo. Edited by Maria Caraci Vela. This edition: compl...(+)
Composed by Carlo
Gesualdo.
Edited by Maria Caraci
Vela.
This edition: complete
edition, urtext edition.
Cloth bund. New Gesualdo
Edition 5. Complete
edition,
Choral score, anthology.
Baerenreiter Verlag
#BA10385-
01. Published by
Baerenreiter
Verlag
Paint Me Opéra [Conducteur] University Of York Music Press
Opera SKU: BT.MUSM570362127 Composed by Luís Tinoco. Score Only. Univers...(+)
Opera
SKU:
BT.MUSM570362127
Composed by Luís Tinoco.
Score Only. University of
York Music Press
#MUSM570362127. Published
by University of York
Music Press
(BT.MUSM570362127).
English.
Luis
Tinoco (Composer) and
Stephen Plaice (Libretto)
wrote 'Paint Me', and
Opera for six singers and
Chamber Orchestra. Rui
Horta and Joana Carneiro
are responsible for the
stage direction and the
musical direction. My
idea in writing Paint Me
was to bring together six
characters, all of whom
have a prolific
imaginative interior
life, and to explore what
they would make of each
other in the confines of
a railway compartment.
The model for my libretto
is Geoffrey Chaucer’s
The Canterbury Tales. The
travellers in Paint Me
are also on their way to
Canterbury, but they are
strangers thrown together
by the randomness of
modern travel. Their
tales are not told
publicly, but in theirown
imaginations. Most
journeys in the modern
age are anonymous and
conducted in silence. We
have only a visual or
perhaps manneristic
impression of the people
sitting opposite us. This
introspection in public
opens up a private
fantasy space, in which
our fellow travellers can
become the characters in
instant psychological
dramatisations.I wanted
to formalize each
character’s fantasy
into a full narrative.
The result is a kind of
anthology of operatic
short stories, surrounded
by the framework of an
ordinary journey.
-
Stephen Plaice.