Opera

SKU: HL.14004129

Composed by Erik Valdemar Bergman. Music Sales America. Opera or Operetta. Book [Softcover]. 354 pages. Music Sales #NOV072502. Published by Music Sales (HL.14004129).

ISBN 9780711992139.

This Swedish Folk Tale, reminiscent of the myth of Cupid and Psyche, explores new and intriguing instrumental and vocal textures, yet is always poetic, lyrical and accessible, with a fairy tale quality that assures it a universal appeal.

Opera

SKU: HL.50499132

Opera Di Musica Immaginistica. Composed by Battistelli. MGB. Contemporary Music. Score Only. Composed 2006. Ricordi #NR134762. Published by Ricordi (HL.50499132).

Italian.

(Piano/Vocal Score (Italian and English Language Edition)). Composed by Gian Carlo Menotti, with the original Italian text and an English translation by George Mead. For Voice. This edition: Piano/Vocal. Score; Vocal (Opera) Score. Belwin Edition. 20th Century; Masterwork. 440 pages. Published by Belwin Music

Tenor Sax/Soprano Sax. De Haske Play-along Book. Book and CD package. Size 9x12 inches. Published by De Haske Publications.

Opera Buffa in Two Acts. By Franz Joseph Haydn. Arranged by Karl Geiringer. Published by Theodore Presser Company.

Composed by Francesco Geminiani (1687-1762). Edited by Peter Walls. This edition: Critical Edition. Opera Omnia - Vol. 12. Early Music, Instructional. Score (cloth bound). 180 pages. Published by Ut Orpheus

(A Chamber Opera in One Act). By Gustav Holst (1874-1934). For Voice. Masterworks; Score; Vocal (Opera) Score. Faber Edition. 20th Century; Masterwork; Romantic. Published by Faber Music

Critical Edition Vocal Score. Composed by Antonio Vivaldi (1678-1741). Edited by Alessandro Borin and Antonio Moccia. Opera. Softcover. 332 pages. Ricordi #CP140505. Published by Ricordi

By Peter Ilyich Tchaikovsky. Vocal (Opera) Score. Masterwork. Full Score. 248 pages. Published by Alfred Publishing.

Operas in three acts. Composed by George Frideric Handel (1685-1759). Edited by Wolfgang Hirschmann. This edition: complete edition, urtext edition. Cloth bound. Hallische Handel-Ausgabe (HHA) II/37. Version of the premiere, London 1737. Complete Edition, Score. HWV 38. Baerenreiter Verlag #BA10719-01. Published by Baerenreiter Verlag

Opera

SKU: HL.14024191

Composed by Inge Marstal and Kaj Norholm. Music Sales America. Opera or Operetta. Softcover. Composed 2005. 176 pages. Edition Wilhelm Hansen #WH30262A. Published by Edition Wilhelm Hansen (HL.14024191).

ISBN 9788759807668. Danish.

Operasan gbogens idé er at præsentere en række af de mest kendte og sangbare arier, duetter og korsatser i en overskuelig og umiddelbar tilgængelig form for et bredt publikum.
Repertoiret spænder fra operaens begyndelse i 1600-tallet med Monteverdi og frem til første halvdel af det 20. århundrede med Gershwin.

Alle satser er forsynet med becifring, udarbejdet således, at at de ligger så tæt op ad originalsatserne som muligt. Hvor det er fundet hensigtsmæssigt bringes forspil, efterspil, mellemspil og udfyldninger i stiknodenotation.

 

 

Opera

SKU: HL.14028847

Composed by Robert Saxton. Music Sales America. Post-1900. Sheet Music, Vocal Score. With Text language: English. 172 pages. Chester Music #CH60894. Published by Chester Music (HL.14028847).

UPC: 884088810375. 8.5x11.0x0.386 inches.

Vocal Score for the Opera in Two Acts.Caritas' is in two acts, the first consisting of 12 short scenes, the second being a continuous scena. The overall form of the opera retains the architecture of Wesker's stage play, but alters the proportions, in order to create a musically dynamic form. While each scene of the first act is centred around a specific pitch, the second act is a Passacaglia, whose 'ground' is a Cantus Firmus, each repetition of which begins on a different note from those of its previous statements. These large-scale architectural features are both reflected in, and derived from, the musical material itself.

An Opera in 4 Acts. Composed by Robert Ward. Full Length Opera. 20th Century and Opera. Vocal score. With translations and plot synopsis. 288 pages. Galaxy Music Corporation #7.0028. Published by Galaxy Music Corporation

(Church Opera in One Act). By Conrad Susa (1935-). For voice(s). Vocal solo, christmas. Choral Score. 40 pages. Published by E.C. Schirmer Publishing

(Ballet buffon en un prologue et trois actes). Composed by Jean-Philippe Rameau (1683-1764). Edited by M. Elizabeth C. Bartlet. For singing voice/choir/orchestra. This edition: Complete edition, Urtext edition. Linen. Jean-Philippe Rameau. Opera Omnia (OOR) IV/10. Score. Duration 3 hours. Published by Baerenreiter Verlag

(Arias, Chansons, Couplets and Ballades from 7 Operas). By Giacomo Meyerbeer (1791-1864). Edited by Peter Kaiser. For Alto (Choir Voice)/Mezzo-Soprano, Piano. Opern, ital. (Italian Opera). Singing Score; Playing Score (paperbound)

Opera Buffa in One Act Vocal Score. Composed by Jacques Offenbach (1819-1880). Edited by Jean-Christophe Keck. Boosey & Hawkes Scores/Books. Classical, Opera. Softcover. 88 pages. Boosey & Hawkes #M202534762. Published by Boosey & Hawkes

Opera

SKU: BT.SONZLB82

Composed by Gino Negri. Opera or Operetta. Libretto. 36 pages. Casa Musicale Sonzogno #SONZLB82. Published by Casa Musicale Sonzogno (BT.SONZLB82).

Italian.

Libretto. By Peter Ilyich Tchaikovsky. Opera. Size 6.75x10.5 inches. 28 pages. Published by G. Schirmer, Inc.

Opera

SKU: BT.SONZLB133

Composed by Gino Negri. Opera or Operetta. Libretto. 36 pages. Casa Musicale Sonzogno #SONZLB133. Published by Casa Musicale Sonzogno (BT.SONZLB133).

Italian.

Opera

SKU: BT.MUSM570362127

Composed by Luís Tinoco. Score Only. University of York Music Press #MUSM570362127. Published by University of York Music Press (BT.MUSM570362127).

English.

Luis Tinoco (Composer) and Stephen Plaice (Libretto) wrote 'Paint Me', and Opera for six singers and Chamber Orchestra. Rui Horta and Joana Carneiro are responsible for the stage direction and the musical direction. My idea in writing Paint Me was to bring together six characters, all of whom have a prolific imaginative interior life, and to explore what they would make of each other in the confines of a railway compartment. The model for my libretto is Geoffrey Chaucer’s The Canterbury Tales. The travellers in Paint Me are also on their way to Canterbury, but they are strangers thrown together by the randomness of modern travel. Their tales are not told publicly, but in theirown imaginations. Most journeys in the modern age are anonymous and conducted in silence. We have only a visual or perhaps manneristic impression of the people sitting opposite us. This introspection in public opens up a private fantasy space, in which our fellow travellers can become the characters in instant psychological dramatisations.I wanted to formalize each character’s fantasy into a full narrative. The result is a kind of anthology of operatic short stories, surrounded by the framework of an ordinary journey.     - Stephen Plaice.