Composed by Martin Bresnick (1946-). For opera without chorus. Full score (large). Carl Fischer #CY04009F. Published by Carl Fischer (CF.CY4009F).

Opera in 3 Acts for mixed voices (2[1.2/pic] 2 [1.2/Eh] 2 2- 4 2 2 1-tmp 2-hp, kbd- str) - Late Intermediate SKU: EC.8932 Composed by Craig Bohmler. Instrumental part. E.C. Schirmer Publishing #8932. Published by E.C. Schirmer Publishing

(Vocal Score). Composed by Richard Wagner (1813-1883). Edited by Egon Voss. For Vocal, Piano Accompaniment (Vocal Score). This edition: Urtext edition. Vocal Score. Vocal score. 672 pages. Schott Music #ED20410. Published by Schott Music

An Opera in 4 Acts. Composed by Robert Ward. Full Length Opera. 20th Century and Opera. Vocal score. With translations and plot synopsis. 288 pages. Galaxy Music Corporation #7.0028. Published by Galaxy Music Corporation

(The Complete Libretto). By Giacomo Puccini (1858-1924). Amadeus. Softcover. 208 pages. Published by Amadeus Press

Operas in three acts. Composed by George Frideric Handel (1685-1759). Edited by Wolfgang Hirschmann. This edition: complete edition, urtext edition. Cloth bound. Hallische Handel-Ausgabe (HHA) II/37. Version of the premiere, London 1737. Complete Edition, Score. HWV 38. Baerenreiter Verlag #BA10719-01. Published by Baerenreiter Verlag

(The Opera, Masterpieces of Operatic History, Volume 4 Clothbound). By Paul Wranitzky. Edited by Christoph-hellmut Mahling and Joachim Veit. Henle Monuments of Music. Hardcover. 308 pages. G. Henle #HN3107. Published by G. Henle

Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second version). Composed by Charles Francois Gounod (1818-1893). Edited by Paul Prevost. This edition: complete edition, urtext edition. Cloth bound. L'Opera francais. Dialogue versions. Complete Edition, Score. Baerenreiter Verlag #BA08714-01. Published by Baerenreiter Verlag

Oratorio in two parts. Composed by George Frideric Handel (1685-1759). Edited by Michael Pacholke. This edition: complete edition, urtext edition. Cloth bound. Hallische Handel-Ausgabe (HHA) I/4,1. Rome 1707. Complete Edition, Score. HWV 46a. Baerenreiter Verlag #BA10721-01. Published by Baerenreiter Verlag

(The Opera, Masterpieces of Operatic History, Volume 6 Clothbound). By Gaspare Spontini. Edited by Jens Wildgruber. Henle Monuments of Music. Hardcover. 354 pages. G. Henle #HN3110. Published by G. Henle . Hardcover.

(The Opera, Masterpieces of Operatic History, Volume 6 Clothbound). By Gaspare Spontini. Edited by Jens Wildgruber. Henle Monuments of Music. Hardcover. 540 pages. G. Henle #HN3111. Published by G. Henle

Dramma per musica in 3 acts. Composed by George Frideric Handel (1685-1759). Edited by J. Merrill Knapp. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series II, Volume 13. Score. HWV 16. Baerenreiter Verlag #BA04046- 01. Published by Baerenreiter Verlag

By Conrad Susa. Text: Anne Sexton. For Opera. Opera, Vocal Music. Published by E.C. Schirmer Publishing.

Opera

SKU: HL.14042653

Composed by Svend Hvidtfelt Nielsen. Music Sales America. Opera or Operetta. Softcover. Composed 2014. Edition Wilhelm Hansen #WH31810. Published by Edition Wilhelm Hansen (HL.14042653).

ISBN 9788759827857.

Kamm eropera efter en novelle af Peter Seeberg Chamber Opera after a short story by Peter Seeberg.

Opera

SKU: HL.14016612

Composed by John Tavener. Music Sales America. Opera or Operetta. Score. Composed 1999. 44 pages. Chester Music #CH55182. Published by Chester Music (HL.14016612).

8.5x11.75x0.428 inches.

An opera by John Tavener and Gerard McLarnon, based on the Dostoyevsky short story. Commissioned by the Bath Festival for the Nash Ensemble and premiered at the Theatre Royal, Bath, in June 1977. Duration c. 45mins. Large (A3) score.

Opera

SKU: HL.14014797

Composed by Hans Werner Henze. Music Sales America. Opera or Operetta. Score. Composed 2002. 362 pages. Chester Music #CH63415. Published by Chester Music (HL.14014797).

ISBN 9781844496389. 9.5x13.75x9.74 inches.

The fifteenth full Opera from the prolific Hans Werner Henze, and the first to feature a self-penned libretto. After the poems he wrote for his Songs from the Arabian, Henze has produced this unusal tale through adapting both Arab and Persian legends and invoking the same half-real, half-imaginary Arabia as the song cycle. The story itself is a fairy tale comedy with much in common with The Magic Flute. The orchestral arrangement is huge, featuring quadruple wind, five percussionists and a part for tape.