Soprano Saxophone.
Learning Music Together.
Method. Book with Online
Audio. Composed 2019. 72
pages.
Oldenkamp-Kastelein
Publications #OKP118-225.
Published by
Oldenkamp-Kastelein
Publications
(BT.OKP118-225).
English.
Followi
ng the huge success of
their instrumental method
Look, Listen and
Learn, Michiel
Oldenkamp and Jaap
Kastelein have focussed
their attention on school
bands and devised a
completely new method
that can be used in both
instrumental lessons and
class bands or wind
ensembles.
Learning Music Together
is the new
method for young wind
players and
percussionists, aged
eight and above.
Learning Music Together
has been
developed in close
collaboration with
professionals from the
class band world, music
schools, and academies in
the Netherlands and
Germany.
Learning Music
Together
combines instrumental
lessons with a course for
class band. The saxophone
lessons offer saxophone
-specific items such as
new notes and technical
exercises while at the
same time supporting the
learning of the class
band, with a focus on
rhythm, melodic structure
and playing music
together.
The method
consists of two volumes.
Volume One introduces the
first instrumental notes
in unison and then
develops part-playing
with duets. Volume Two
builds on the skills
taught in the first
volume and introduces
pieces in three parts.In
addition, supplementary
material is available on
the extensive website,
e.g. demo- and
accompaniment tracks for
all pieces, additional
pieces of music
(well-known songs) and
video tutorials.
Learning Music Together
is logically
structured and
illustrated in a
child-friendly way - a
perfect combination for
young musicians!
Soprano Saxophone.
Learning Music Together.
Tuition. Book with Online
Audio. Composed 2018. 72
pages.
Oldenkamp-Kastelein
Publications #OKP118-205.
Published by
Oldenkamp-Kastelein
Publications
(BT.OKP118-205).
English.
Followi
ng the huge success of
their instrumental method
Look, Listen and
Learn, Michiel
Oldenkamp and Jaap
Kastelein have focussed
their attention on school
bands and devised a
completely new method
that can be used in both
instrumental lessons and
class bands or wind
ensembles.
Learning Music Together
is the new
method for young wind
players and
percussionists, aged
eight and above.
Learning Music Together
has been
developed in close
collaboration with
professionals from the
class band world, music
schools, and academies in
the Netherlands and
Germany.
Learning Music
Together
combines instrumental
lessons with a course for
class band. The saxophone
lessons offer saxophone
-specific items such as
new notes and technical
exercises while at the
same time supporting the
learning of the class
band, with a focus on
rhythm, melodic structure
and playing music
together.
The method
consists of two volumes.
Volume One introduces the
first instrumental notes
in unison and then
develops part-playing
with duets. Volume Two
builds on the skills
taught in the first
volume and introduces
pieces in three parts.In
addition, supplementary
material is available on
the extensive website,
e.g. demo- and
accompaniment tracks for
all pieces, additional
pieces of music
(well-known songs) and
video tutorials.
Learning Music Together
is logically
structured and
illustrated in a
child-friendly way - a
perfect combination for
young musicians!
(Vocal Score). By Henry Purcell (1659-1695). For Voice. Masterworks; Score; Voca...(+)
(Vocal Score). By Henry
Purcell (1659-1695). For
Voice. Masterworks;
Score; Vocal (Opera)
Score. Faber Edition.
Baroque; Masterwork.
Published by Faber Music
Opera SKU: HL.14006376 Music Sales America. Opera or Operetta. Score. 368...(+)
Opera
SKU:
HL.14006376
Music
Sales America. Opera or
Operetta. Score. 368
pages. Music Sales
#NOV170378. Published by
Music Sales
(HL.14006376).
ISBN
9781844495023.
9.25x11.75x1.36
inches.
Opera in
three acts, edited by
Alan Curtis. This opera
was first performed in
Venice in 1666. It may
with justice be
considered to be the
finest opera written
between Monteverdi's
'Poppea' and the dramatic
works of the mature
Purcell. Having in 1983
presided over the first
modern revival of 'Il
Tito' in Innsbruck, the
city of its original
commissioning, Alan
Curtis has now produced
the first complete
performing edition to be
drawn from available
sources.
Opera Buffa in One Act Vocal Score. Composed by Jacques Offenbach (1819-1880...(+)
Opera Buffa in One Act
Vocal
Score. Composed by
Jacques
Offenbach (1819-1880).
Edited
by Jean-Christophe Keck.
Boosey & Hawkes
Scores/Books.
Classical, Opera.
Softcover.
88 pages. Boosey &
Hawkes
#M202534762. Published by
Boosey & Hawkes
Va, Pensiero ((from Nabucco) CME Opera Workshop). By Giuseppe Verdi (1813-1901)....(+)
Va, Pensiero ((from
Nabucco) CME Opera
Workshop). By Giuseppe
Verdi (1813-1901). Edited
by Scott Gilmore. 4 Part
Treble. Opera Workshop.
12 pages. Boosey and
Hawkes #M051479337.
Published by Boosey and
Hawkes
Opera SKU: HL.14016774 Composed by Judith Weir. Music Sales America. Oper...(+)
Opera
SKU:
HL.14016774
Composed
by Judith Weir. Music
Sales America. Opera.
Sheet Music, Score. With
Text language: English.
Music Sales #CP56074.
Published by Music Sales
(HL.14016774).
UPC:
884088815202.
11.5x16.0x0.858
inches.
Full Score
for the Opera in Two
Acts. Scored for SATB
Soli, SATB Chorus and
Orchestra. Commissioned
by English national Opera
with funds from the Arts
Council. Text: Judith
Weir after Ludwig
Tieck.
English Language Edition. Composed by Henry Purcell (1659-1695). Masterworks; So...(+)
English Language Edition.
Composed by Henry Purcell
(1659-1695). Masterworks;
Solo; Solo Small
Ensembles; Vocal
Collection. Kalmus
Edition. Baroque;
Masterwork. Book. 60
pages. Kalmus Classic
Edition #00-K06851.
Published by Kalmus
Classic Edition
The Bear Opéra [Vocal Score] Oxford University Press
(An Extravaganza in One Act). By William Walton (1902-1983). For Opera (flute ( ...(+)
(An Extravaganza in One
Act). By William Walton
(1902-1983). For Opera
(flute ( piccolo), oboe (
english horn), clarinet,
bassoon, horn, trumpet,
trombone, 2 percussion,
harp, piano, strings
quintet or full strings.
Percussion: tbells,
timpani, suspended
cymbal, tenor drum, snare
drum, crotales, 3 wood
blocks, tambourine, vib).
Operas and Stage Works.
William Walton Edition.
Miscellaneous. Vocal
score. 100 pages.
Duration 50'. Published
by Oxford University
Press
Opera SKU: HL.14015279 Composed by Simon Holt. Music Sales America. Opera...(+)
Opera
SKU:
HL.14015279
Composed
by Simon Holt. Music
Sales America. Opera or
Operetta. Part. Composed
2003. 180 pages. Chester
Music #CH61418. Published
by Chester Music
(HL.14015279).
ISBN
9780711995796.
This
new Opera was first
performed in 1998 in
Huddersfield by Opera
North. Designed for the
modern stage, it utilises
only a small cast and
orchestra - albeit one
with a good variety of
percussion! The libretto
is adapted by the
composer from the play
'The Love of Don
Pemperlin for Belisa in
the Garden' by Feredico
Garcia Lorca, translated
into English by David
Johnston. The plot
revolves around the
ill-fated marriage of Don
Pemperlin, an ageing
bachelor and his
beautiful neighbour
Belisa, which was
suggested by Pemperlin's
maid. Tricks and
misunderstandings abound
and because of them,
Pemperlin ends by
stabbing himself and
dying even as Belisa
proclaims her love for
him.
(Arias, Chansons, Couplets and Ballades from 7 Operas). By Giacomo Meyerbeer (17...(+)
(Arias, Chansons,
Couplets and Ballades
from 7 Operas). By
Giacomo Meyerbeer
(1791-1864). Edited by
Peter Kaiser. For Alto
(Choir
Voice)/Mezzo-Soprano,
Piano. Opern, ital.
(Italian Opera). Singing
Score; Playing Score
(paperbound)
(Opera in Three Parts). Composed by George Benjamin, text by Martin Crimp. F...(+)
(Opera in Three Parts).
Composed by George
Benjamin,
text by Martin Crimp. For
Voice. Masterworks;
Score;
Vocal (Opera) Score.
Faber
Edition. 20th Century;
Masterwork. Published by
Faber Music
(Napoli e l'Europa (Naples and Europe). The Neapolitan School from the 17th to t...(+)
(Napoli e l'Europa
(Naples and Europe). The
Neapolitan School from
the 17th to the 19th
Century). By Alessandro
Scarlatti (1660-1725).
Edited by Nicolo
Maccavino, Giampiero
Locatelli. Operas and
Oratorios, Early Music.
Critical commentary. 196
pages. Publ
