Violin and Orchestra SKU: HL.50485236 Composed by Ludwig van Beethoven. C...(+)
Violin and Orchestra
SKU: HL.50485236
Composed by Ludwig van
Beethoven. Classic. EMB.
Solo & Concerto. Book
[Softcover]. Op. 61.
Editio Musica Budapest
#Z40060. Published by
Editio Musica Budapest
(HL.50485236).
ISBN
9790080400609. A/5
(14,2x20) inches. Gabor
Darvas.
Though some
themes of the D major
Violin Concerto appear
fragmentarily among
Beethoven's earlier
drafts, the score
received its final shape
- according to the
autograph manuscript - in
1806 only. The first
performance took place on
December 23 of the same
year in Vienna, the
violon solo was played by
Franz Clement. The
concerto met with a
rather cold reception:
this critic of the Wiener
Theaterzeitung admitted
'some beauty' in it but
for the rest he found
that '...the coherence
often seems totally
broken and the endless
repetitions of some
commonplace sections can
easily become tedious.'
The performance may have
not been totally
satisfying, it is
certainly surprising that
the setof parts published
in 1808 is dedicated to
Stephan von Breuning
instead of Clement. It is
not impossible that
Beethoven lost faith in
the value and future of
his work, too, - his
later attempt to change
it into a piano concerto
can be interpreted in
this way.
Orchestra; Violin (Study Score) SKU: HL.49045166 Study Score. Comp...(+)
Orchestra; Violin (Study
Score)
SKU:
HL.49045166
Study
Score. Composed by
Ryan Wigglesworth. This
edition: Saddle
stitching. Sheet music.
String. Classical.
Softcover. Composed 2011.
72 pages. Duration 16'.
Schott Music #ED13695.
Published by Schott Music
(HL.49045166).
ISBN
9790220135002. UPC:
888680724214.
8.25x11.75x0.276
inches.
Violin
Concerto is scored for a
Classical-sized
orchestra, with the
addition of a harp and
celeste, and lasts around
17 minutes. Although the
work sets out to explore
the lyrical
characteristics of the
solo instrument, it is
only gradually that the
violin finds its full,
lyric voice, and thence,
as the work progresses, a
more dominant role. This,
in one sense, is the
'journey' of the piece.
The work's
straightforward formal
scheme consists of three
movements (roughly
fast-slow-fast) framed by
a reflective introduction
and epilogue. However,
these formal divisions
exist within a single,
unbroken arc. Such an
overall symmetrical shape
places the slow Arioso
(itself divided into
three subsections) at the
midpoint, sandwiched
between the two Allegro
movements. The dramaturgy
of the piece centers on a
twofold search. First
there is the ongoing
pursuit to recapture the
simple melodic material
stated by the solo violin
- accompanied by thar
harp's bass register -
during the opening bars.
Whilst aspects of this
melody are invoked
frequently throughout
(especially in the violin
cadenza which closes the
Arioso movement), it is
only with the final and
most important climax of
the work that the melody
appears again in its
complete form, now
accompanied by violent,
orchestral stabs. The
second search is for a
tonal resting place, the
arrival of which is
delayed until the close
of the epilogue. The
original version of the
Violin Concerto,
commissioned by the
Netherlands Chamber
Orchestra, was premiered
in Amsterdam in February
2012 with Gordan Nikolic
as soloist. The present,
revised version was
created for Barnabas
Kelemen and the
Halle.
Violin and Orchestra SKU: BT.EMBZ40060 Composed by Ludwig van Beethoven. ...(+)
Violin and Orchestra
SKU: BT.EMBZ40060
Composed by Ludwig van
Beethoven. EMB Study
Scores. Solo & Concerto.
Book Only. Editio Musica
Budapest #EMBZ40060.
Published by Editio
Musica Budapest
(BT.EMBZ40060).
Though some
themes of the D major
Violin Concerto appear
fragmentarily among
Beethoven's earlier
drafts, the score
received its final shape
- according to the
autograph manuscript - in
1806 only. The first
performance took place on
December 23 of the same
year in Vienna, the
violon solo was played by
Franz Clement. The
concerto met with a
rather cold reception:
this critic of the Wiener
Theaterzeitung admitted
'some beauty' in it but
for the rest he found
that '...the coherence
often seems totally
broken and the endless
repetitions of some
commonplace sections can
easily become tedious.'
The performance may have
not been totally
satisfying, it is
certainly surprising that
the setof parts published
in 1808 is dedicated to
Stephan von Breuning
instead of Clement. It is
not impossible that
Beethoven lost faith in
the value and future of
his work, too, - his
later attempt to change
it into a piano concerto
can be interpreted in
this way.
Composed by Felix
Bartholdy Mendelssohn.
Edited by R. Larry Todd.
This edition: urtext
edition. Stapled.
Barenreiter Urtext. Set
of wind parts. Opus 64.
12/8/10/8/14/12/12/10/8/8
/6/6/6 pages.
Baerenreiter Verlag
#BA09099_65. Published by
Baerenreiter Verlag
(BA.BA09099-65).
ISBN
9790006565672. 32.5 x
25.5 cm inches. Key: E
minor.
WithElversku
d(The Erl-Kings
Daughter), Gade presented
his secondsecular cantata
for soloists, choir and
orchestra, the first
having been his
successfulComalaOp. 12
(1845/46). The genre was
quite popular among his
contemporaries. This
time, Gade planned to
base the work on the text
of a folk song.
Originally, he had
approached Hans Christian
Andersen for a text but a
collaboration did not
materialize. The text
Gade ultimately chose for
his music was that of a
ballad most likely penned
by Emil Erslev and Gade
himself. A German
translation by Edmund
Lobedanz was added at a
later time.
The
composition, started in
1851 and finished in
March of 1854, soon
became an international
success and one of Gade's
most-performed works. In
1864, the composer made a
number of changes to the
instrumentation. While
the new version was
subsequently used for all
performances conducted by
Gade, the changes were
never incorporated into
the printed edition of
the score. This edition
is the first to present
this 1864
version.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through