(New Edition - Hawkes Pocket Score 1424). Composed by Magnus Lindberg. For Orche...(+)
(New Edition - Hawkes
Pocket Score 1424).
Composed by Magnus
Lindberg. For Orchestra,
Violin (Study Score).
Boosey and Hawkes
Scores/Books. Softcover.
Boosey and Hawkes
#M060119828. Published by
Boosey and Hawkes
(Study Score). By Harrison Birtwistle (1934-). For Orchestra, Violin (Study Scor...(+)
(Study Score). By
Harrison Birtwistle
(1934-). For Orchestra,
Violin (Study Score).
Boosey and Hawkes
Scores/Books. Softcover.
80 pages. Boosey and
Hawkes #M060125256.
Published by Boosey and
Hawkes
For Violin Solo and Instrumental Ensemble. By Peter Maxwell Davies. (Full Score...(+)
For Violin Solo and
Instrumental Ensemble. By
Peter Maxwell Davies.
(Full Score). Boosey and
Hawkes Scores and Books.
16 pages. Published by
Boosey and Hawkes.
(Violin and Piano). By Gerald Finzi (1901-1956). Edited by Howard Ferguson. For ...(+)
(Violin and Piano). By
Gerald Finzi (1901-1956).
Edited by Howard
Ferguson. For Piano,
Violin (Violin). Boosey
and Hawkes Chamber Music.
Book only. 8 pages.
Boosey and Hawkes
#M060079313. Published by
Boosey and Hawkes
By Robert Frost. Orchestra Method/Study. Primo Encores. Individual Methods and S...(+)
By Robert Frost.
Orchestra Method/Study.
Primo Encores. Individual
Methods and Studies.
Level: Grade 2.5. Music
Book. Published by Neil
A. Kjos Music Company.
(Solo Electric Violin and Orchestra Archive Edition). By John Adams (1947-). For...(+)
(Solo Electric Violin and
Orchestra Archive
Edition). By John Adams
(1947-). For Orchestra,
Electric Violin (Full
Score). Boosey and Hawkes
Chamber Music. 120 pages.
Boosey and Hawkes
#M051096251. Published by
Boosey and Hawkes
By Gerald E. Anderson. Edited by Robert Frost. Orchestra Method/Study. All for S...(+)
By Gerald E. Anderson.
Edited by Robert Frost.
Orchestra Method/Study.
All for Strings Method.
Level: Intermediate.
Music Book. Published by
Neil A. Kjos Music
Company.
By Gerald E. Anderson. Edited by Robert Frost. Orchestra Method/Study. All for S...(+)
By Gerald E. Anderson.
Edited by Robert Frost.
Orchestra Method/Study.
All for Strings Method.
Level: Elementary. Music
Book. Published by Neil
A. Kjos Music Company.
SKU: BA.BVK01950 Composed by Andreas N. Tarkmann and Johannes Kohlmann. P...(+)
SKU: BA.BVK01950
Composed by Andreas N.
Tarkmann and Johannes
Kohlmann. Paperback.
Book. 240 pages.
Baerenreiter Verlag
#BVK01950_00. Published
by Baerenreiter Verlag
(BA.BVK01950).
ISBN
9783761819500. 19 x 12.5
cm inches. Language:
German. Preface:
Tarkmann, Andreas
N.
Mendelssohn's
Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
- New
source situation owing to
recently rediscovered
proofs - Revised
Urtext edition - With
a separate booklet on
performance practice
(Eng/Ger).
Violin and Orchestra SKU: HL.50485236 Composed by Ludwig van Beethoven. C...(+)
Violin and Orchestra
SKU: HL.50485236
Composed by Ludwig van
Beethoven. Classic. EMB.
Solo & Concerto. Book
[Softcover]. Op. 61.
Editio Musica Budapest
#Z40060. Published by
Editio Musica Budapest
(HL.50485236).
ISBN
9790080400609. A/5
(14,2x20) inches. Gabor
Darvas.
Though some
themes of the D major
Violin Concerto appear
fragmentarily among
Beethoven's earlier
drafts, the score
received its final shape
- according to the
autograph manuscript - in
1806 only. The first
performance took place on
December 23 of the same
year in Vienna, the
violon solo was played by
Franz Clement. The
concerto met with a
rather cold reception:
this critic of the Wiener
Theaterzeitung admitted
'some beauty' in it but
for the rest he found
that '...the coherence
often seems totally
broken and the endless
repetitions of some
commonplace sections can
easily become tedious.'
The performance may have
not been totally
satisfying, it is
certainly surprising that
the setof parts published
in 1808 is dedicated to
Stephan von Breuning
instead of Clement. It is
not impossible that
Beethoven lost faith in
the value and future of
his work, too, - his
later attempt to change
it into a piano concerto
can be interpreted in
this way.
Violin and Orchestra SKU: BT.EMBZ40060 Composed by Ludwig van Beethoven. ...(+)
Violin and Orchestra
SKU: BT.EMBZ40060
Composed by Ludwig van
Beethoven. EMB Study
Scores. Solo & Concerto.
Book Only. Editio Musica
Budapest #EMBZ40060.
Published by Editio
Musica Budapest
(BT.EMBZ40060).
Though some
themes of the D major
Violin Concerto appear
fragmentarily among
Beethoven's earlier
drafts, the score
received its final shape
- according to the
autograph manuscript - in
1806 only. The first
performance took place on
December 23 of the same
year in Vienna, the
violon solo was played by
Franz Clement. The
concerto met with a
rather cold reception:
this critic of the Wiener
Theaterzeitung admitted
'some beauty' in it but
for the rest he found
that '...the coherence
often seems totally
broken and the endless
repetitions of some
commonplace sections can
easily become tedious.'
The performance may have
not been totally
satisfying, it is
certainly surprising that
the setof parts published
in 1808 is dedicated to
Stephan von Breuning
instead of Clement. It is
not impossible that
Beethoven lost faith in
the value and future of
his work, too, - his
later attempt to change
it into a piano concerto
can be interpreted in
this way.