For Violin and Orchestra Score. Composed by Eivind Buene. Music Sales Americ...(+)
For Violin and Orchestra
Score. Composed by Eivind
Buene. Music Sales
America.
Softcover. 54 pages.
Edition
Wilhelm Hansen #WH32919.
Published by Edition
Wilhelm
Hansen
(Violin and Orchestra Full Score). By Sir Peter Maxwell Davies (1934-). Music Sa...(+)
(Violin and Orchestra
Full Score). By Sir Peter
Maxwell Davies (1934-).
Music Sales America.
Softcover. 48 pages.
Chester Music #CH75350.
Published by Chester
Music
The Lark Ascending Orchestre, Violon [Conducteur d'étude / Miniature] Eulenburg
Romance for Violin and Orchestra. By Ralph Vaughan Williams. (Study Score). Sch...(+)
Romance for Violin and
Orchestra. By Ralph
Vaughan Williams. (Study
Score). Schott. Size
5.25x7.5 inches. 24
pages. Published by
Eulenburg London
(Schott).
Violin, orchestra Urtext based on the Leipzig Mendelssohn Complete Edition. Co...(+)
Violin, orchestra
Urtext based on the
Leipzig
Mendelssohn Complete
Edition.
Composed by Felix
Bartholdy
Mendelssohn (1809-1847).
Edited by Birgit Muller.
Breitkopf and Haertel #OB
5645-27. Published by
Breitkopf and Haertel
Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Ba...(+)
Urtext based on the
Leipzig
Mendelssohn Complete
Edition.
Composed by Felix
Bartholdy
Mendelssohn (1809-1847).
Edited by Birgit Muller.
Score. Breitkopf and
Haertel
#PB 5645. Published by
Breitkopf and Haerte
Violin - Concerto Orchestre, Violon SATB, Orchestre Editorial de Musica Boileau
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumen...(+)
Violin and orchestra
SKU: BO.B.3340
Composed by Jordi
Cervello. Instrumental
Sets. Duration 29:00.
Published by Editorial de
Musica Boileau
(BO.B.3340).
ISBN
9788480207591.
Engl
ish comments: My
dedication to the string
instruments has been a
constant throughout my
compositional career and
I knew that sooner or
later the time would come
to compose a concerto for
violin and orchestra.
That moment came in the
autumn of 2002 and after
ten months of
uninterrupted work I
finished it in August of
2003. It is a work
structured similarly to
the traditional
concertos. An important
impetus for the
elaboration of my
concerto was due to the
ill-fated violinist
Ginette Neveu. Her
version of Sibelius'
Concerto has always
stayed with me. For this
reason the first
movement,
Moderato-Allegro, begins
with a contemplative
atmosphere similar to
that of Sibelius'
Concerto in which the
principal thematic ideas
appear tentatively. These
ideas, two rhythmic and
two melodic, are
reaffirmed through a
broad development that
culminates in an
orchestral fullness. A
calm, mysterious passage
recalls the introduction
and after becoming
blurred, three bars burst
in leading to the rapid
section of the movement.
Soloist and orchestra
engage in a dialectic
struggle of a dramatic
nature. The agitation
subsides leaving only a
tranquil and suggestive
clarinet phrase. This
will be taken up by the
soloist who leads up to
the movement's most
dramatic moment playing
an accelerating triplet
figure supported by an
orchestral pedal in
crescendo. From here the
soloist's cadenza emerges
beginning with soft
double notes. It finishes
with an ascending
progression and the
soloist settles into the
high register to elicit
the orchestra's
intervention in a soft
and transfigured
atmosphere. Once
internalised the second
movement, Adagio poco
sostenuto e leggero
begins. It has a solemn
character and opens with
two trumpet calls
answered by the
violoncellos and the
contrabasses. The violin
soloist introduces and
plays two nostalgic
themes, the first in the
low register and the
second, more extensive,
in the middle register.
The soft and delicate
Misterioso e leggero
begins with the violin
singing on high. The
rhythm of the constant
quaver figures gradually
accelerates until the
soloist provokes a
dramatic full orchestra
as in a cadenza. Once
again, the Calmo, in
which the soloist with
less and less orchestral
attire serenely bids
farewell. A rising series
of double stops by the
soloist serves to
initiate the
Finale-Scherzo. In 6/8
rhythm and with the
character of a rondo it
carries us along in a
carefree, virtuosic
ambiance. The principal
motives, brief and
concise, emerge from the
happy, playful theme
presented by the soloist.
With an intricate
progression of rapid
sixths in double stops it
reaches a tense and
somewhat combative
moment. However this
resolves itself in a
diminuendo that the
soloist peacefully takes
up with the notes re-la
to commence the cadenza.
This culminates in a
series of tied notes to
reintroduce the principal
theme. A moment of
melodic suspension serves
as a farewell before the
brief and jovial final
coda. --The
author
Comentari
os del Espanol: A lo
largo de mi carrera
compositiva mi dedicacion
a los instrumentos de
cuerda ha sido constante
y sabia que, tarde o
temprano, llegaria el
momento de componer un
concierto para violin y
orquesta. Este llego en
otono de 2002 y, tras
diez meses de trabajo
ininterrumpido, lo
termine en agosto de
2003. Se trata de una
obra estructurada de
manera similar a los
conciertos tradicionales.
Un importante impulso a
la elaboracion de mi
concierto lo debo al
recuerdo de la malograda
violinista Ginette Neveu.
Su version del concierto
de Sibelius ha
permanecido siempre
dentro de mi. Por ese
motivo, el primer
movimiento
Moderato-Allegro se
inicia con una atmosfera
contemplativa cercana a
la del mencionado
Concierto, en la que
aparecen cautamente las
principales ideas
tematicas. Con un amplio
desarrollo se llega a un
lleno orquestal en el que
estas ideas -dos ritmicas
y dos melodicas- quedan
reafirmadas. Un pasaje
calmo y misterioso
rememora la introduccion.
Tras desdibujarse,
irrumpen tres compases
que nos llevan a la parte
rapida del movimiento.
Solista y orquesta
establecen un combate
dialectico de caracter
dramatico. La inquietud
desaparece hasta una
tranquila e insinuante
frase del clarinete. Esta
sera recogida por el
solista, quien, a base de
una figuracion de
tresillos cada vez mas
rapidos apoyada por un
pedal de la orquesta in
crescendo, conduce hacia
el momento mas dramatico
del movimiento. De aqui
nace la cadenza del
solista, que se incia con
suaves notas dobles.
Finaliza con una
progresion ascendente y
el solista se coloca en
el registro agudo para
llamar la intervencion de
la orquesta dentro de una
atmosfera suave y
transfigurada.
Interiorizado es el
segundo movimiento Adagio
poco sostenuto e leggero.
Con dos llamadas de las
trompas respondidas por
los violonchelos y
contrabajos inicia el
Adagio de caracter grave.
El violin solista
introduce y canta dos
temas nostalgicos. El
primero en el registro
grave y el segundo, mas
amplio, en el medio.
Inicia el Misterioso e
leggero, de caracter
suave y delicado. Con el
violin cantando en agudo.
La constante figuracion
de corcheas acelerara
poco a poco el ritmo
hasta que el solista a
modo de cadenza provocara
un dramatico lleno
orquestal. De nuevo el
Calmo, donde el solista,
cada vez con menos ropaje
orquestal, se despide
serenamente. Una subida
de dobles cuerdas a cargo
del solista sirve para
iniciar el
Finale-Scherzo. Este, en
ritmo de 6/8 y con
caracter de rondo, nos
transporta en un clima
virtuosistico y
despreocupado. Del tema
alegre y jugueton
presentado por el solista
nacen los principales
motivos, breves y
concisos. Con una
intrincada sucesion de
rapidas sextas en doble
cuerda se llega a un
momento crispado y algo
combativo que, sin
embargo, se resolvera en
un diminuendo que el
solista recoge
apaciblemente con las
notas re-la para inciar
la cadenza. Esta culmina
con un suave rosario de
notas en ligado para
introducir de nuevo el
tema principal. Un
momento de suspension
melodica sirve como
despido antes de la breve
y jovial coda final. La
obra fue estrenada el 23
de septiembre de 2005 en
el Teatre Monumental de
Madrid por la Orquesta
Sinfonica de RTVE con
Markus Placci de solista
y Uwe Mund de director.
Gravacion: RNE y Canal
Clasico de TVE. --El
Autor.
Violin and Orchestra SKU: HL.14028022 Composed by Poul Ruders. Music Sale...(+)
Violin and Orchestra
SKU: HL.14028022
Composed by Poul Ruders.
Music Sales America.
Classical. Set. 80 pages.
Edition Wilhelm Hansen
#WH30180. Published by
Edition Wilhelm Hansen
(HL.14028022).
ISBN
9788759861615.
12.0x16.5x0.52
inches.
Ruders
writes: My second
concerto for violin and
orchestra is a 'reverse'
cousin of Polydrama the
cello concerto. The
former starts out
extremely slow and speeds
up gradually and the
latter progresses in
exactly the opposite way,
but whereas the cello
concerto is composed as
one, uninterrupted
stretch, the violin
concerto is formally
completely different:
there are 4 movements,
each of them combined via
a 'ritornello', a
solo-cadenza which
appears 4 times (the
works conclude with a
solo) in almost the
shape, i.e. the length
varies from time to
time.
Orchestra; Violin (Study Score) SKU: HL.49003321 Study Score. Comp...(+)
Orchestra; Violin (Study
Score)
SKU:
HL.49003321
Study
Score. Composed by
Gavin Bryars. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
Composed 2000. 44 pages.
Duration 18'. Schott
Music #ED 12681.
Published by Schott Music
(HL.49003321).
ISBN
9790220119804. UPC:
073999369168.
8.0x11.75x0.184
inches.
I did not
want to write a virtuoso
show-piece, but rather to
draw on the orchestra's
alertness as an ensemble.
The solo part is
essentially lyrical and
there is no cadenza as
such. But I was also
conscious of the fact
that, as with a baroque
concerto, the soloist may
also direct the work and
does so here. (G.
Bryars).
SKU: BA.BVK01950 Composed by Andreas N. Tarkmann and Johannes Kohlmann. P...(+)
SKU: BA.BVK01950
Composed by Andreas N.
Tarkmann and Johannes
Kohlmann. Paperback.
Book. 240 pages.
Baerenreiter Verlag
#BVK01950_00. Published
by Baerenreiter Verlag
(BA.BVK01950).
ISBN
9783761819500. 19 x 12.5
cm inches. Language:
German. Preface:
Tarkmann, Andreas
N.
Mendelssohn's
Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
- New
source situation owing to
recently rediscovered
proofs - Revised
Urtext edition - With
a separate booklet on
performance practice
(Eng/Ger).
By Earl Kim. Orchestra. For 3 Flutes (3rd Doubles Piccolo), 2 Oboes, 3 Clarinets...(+)
By Earl Kim. Orchestra.
For 3 Flutes (3rd Doubles
Piccolo), 2 Oboes, 3
Clarinets in Bb (3rd
Doubles Bass Clarinet), 2
Bassoons, 3 Horns, 3
Trumpets in Bb, 3
Trombones (3rd Doubles
Bass Trombone),
Percussion [Susp.
Cymbals, High Conga Drum,
Small Bass Drum, Covered
Drum ('pitch' Shou. World
Premiere: New York
Philharmonic, I. Perlman,
violin, Zubin Mehta,
conductor; Avery Fisher
Hall, New York.
Contemporary. Full score
(large). Standard
notation. 68 pages.
Duration 22 minutes.
Published by Theodore
Presser Company
Concerto for Violin and Orchestra. By Wolfgang Amadeus Mozart. Edited by Christo...(+)
Concerto for Violin and
Orchestra. By Wolfgang
Amadeus Mozart. Edited by
Christoph Hellmut
Mahling. For Violin
Solo.orch. B0renreiter
Studienpartituren - Study
scores. Study Score;
Urtext Edition
(paperbound). KV 216.
Published by
Baerenreiter-Taschenparti
turen (German import).
For Violin. Classical (orchestral). Includes a high-quality printed music score ...(+)
For Violin. Classical
(orchestral). Includes a
high-quality printed
music score and a compact
disc containing a
complete version with
soloist, in split-channel
stereo (soloist on the
right channel); then a
second version in full
stereo of the orchestral
accompaniment, minus you,
the soloist.