Violin and Orchestra SKU: HL.50485236 Composed by Ludwig van Beethoven. C...(+)
Violin and Orchestra
SKU: HL.50485236
Composed by Ludwig van
Beethoven. Classic. EMB.
Solo & Concerto. Book
[Softcover]. Op. 61.
Editio Musica Budapest
#Z40060. Published by
Editio Musica Budapest
(HL.50485236).
ISBN
9790080400609. A/5
(14,2x20) inches. Gabor
Darvas.
Though some
themes of the D major
Violin Concerto appear
fragmentarily among
Beethoven's earlier
drafts, the score
received its final shape
- according to the
autograph manuscript - in
1806 only. The first
performance took place on
December 23 of the same
year in Vienna, the
violon solo was played by
Franz Clement. The
concerto met with a
rather cold reception:
this critic of the Wiener
Theaterzeitung admitted
'some beauty' in it but
for the rest he found
that '...the coherence
often seems totally
broken and the endless
repetitions of some
commonplace sections can
easily become tedious.'
The performance may have
not been totally
satisfying, it is
certainly surprising that
the setof parts published
in 1808 is dedicated to
Stephan von Breuning
instead of Clement. It is
not impossible that
Beethoven lost faith in
the value and future of
his work, too, - his
later attempt to change
it into a piano concerto
can be interpreted in
this way.
Violin and Orchestra SKU: BT.EMBZ40060 Composed by Ludwig van Beethoven. ...(+)
Violin and Orchestra
SKU: BT.EMBZ40060
Composed by Ludwig van
Beethoven. EMB Study
Scores. Solo & Concerto.
Book Only. Editio Musica
Budapest #EMBZ40060.
Published by Editio
Musica Budapest
(BT.EMBZ40060).
Though some
themes of the D major
Violin Concerto appear
fragmentarily among
Beethoven's earlier
drafts, the score
received its final shape
- according to the
autograph manuscript - in
1806 only. The first
performance took place on
December 23 of the same
year in Vienna, the
violon solo was played by
Franz Clement. The
concerto met with a
rather cold reception:
this critic of the Wiener
Theaterzeitung admitted
'some beauty' in it but
for the rest he found
that '...the coherence
often seems totally
broken and the endless
repetitions of some
commonplace sections can
easily become tedious.'
The performance may have
not been totally
satisfying, it is
certainly surprising that
the setof parts published
in 1808 is dedicated to
Stephan von Breuning
instead of Clement. It is
not impossible that
Beethoven lost faith in
the value and future of
his work, too, - his
later attempt to change
it into a piano concerto
can be interpreted in
this way.
Composed by Felix
Bartholdy Mendelssohn.
Edited by R. Larry Todd.
This edition: urtext
edition. Stapled.
Barenreiter Urtext. Set
of wind parts. Opus 64.
12/8/10/8/14/12/12/10/8/8
/6/6/6 pages.
Baerenreiter Verlag
#BA09099_65. Published by
Baerenreiter Verlag
(BA.BA09099-65).
ISBN
9790006565672. 32.5 x
25.5 cm inches. Key: E
minor.
WithElversku
d(The Erl-Kings
Daughter), Gade presented
his secondsecular cantata
for soloists, choir and
orchestra, the first
having been his
successfulComalaOp. 12
(1845/46). The genre was
quite popular among his
contemporaries. This
time, Gade planned to
base the work on the text
of a folk song.
Originally, he had
approached Hans Christian
Andersen for a text but a
collaboration did not
materialize. The text
Gade ultimately chose for
his music was that of a
ballad most likely penned
by Emil Erslev and Gade
himself. A German
translation by Edmund
Lobedanz was added at a
later time.
The
composition, started in
1851 and finished in
March of 1854, soon
became an international
success and one of Gade's
most-performed works. In
1864, the composer made a
number of changes to the
instrumentation. While
the new version was
subsequently used for all
performances conducted by
Gade, the changes were
never incorporated into
the printed edition of
the score. This edition
is the first to present
this 1864
version.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Violin and Orchestra SKU: BT.WH33053 Composed by Eivind Buene. Classical....(+)
Violin and Orchestra
SKU: BT.WH33053
Composed by Eivind Buene.
Classical. Score Only.
Composed 2017. 58 pages.
Edition Wilhelm Hansen
#WH33053. Published by
Edition Wilhelm Hansen
(BT.WH33053).
ISBN
9788759840436.
English.
Eivind
Buenes Violin Concerto -
Version for Sinfonietta
(2016).Falling Angels /
Sound Asleep / Among
Voices of the DeadThe
Violin Concerto is in
three movements with
varying instrumentation
within the range of a
sinfonietta.The movements
may be played as
individual pieces.Parts
are available on hire:
hire@ewh.dkOrig. version
for Violin and Chamber
Orchestra: WH32919.
Cinema Paradiso Orchestre, Violon [Conducteur et Parties séparées] Hal Leonard
For Solo Violin and Orchestra Score and Parts. Composed by Andrea Morricone an...(+)
For Solo Violin and
Orchestra
Score and Parts. Composed
by
Andrea Morricone and
Ennio
Morricone (1928-).
Arranged
by Angela Morley.
Symphony
Pops. Movies. Conductor
Score
(Full Score) and Parts.
Published by Hal Leonard
(Piano Reduction and Solo Violin Parts). By Malcolm Arnold (1921-2006). For Pian...(+)
(Piano Reduction and Solo
Violin Parts). By Malcolm
Arnold (1921-2006). For
Piano Reduction and Solo
Violin Parts. Duet or
Duo; Masterworks;
Part(s); String - 2
Violins and Piano. Faber
Edition. 20th Century;
Masterwork. Published by
Faber Music
Composed by Johannes Brahms (1833-1897), edited by Brown Clive. Score for violin...(+)
Composed by Johannes
Brahms (1833-1897),
edited by Brown Clive.
Score for violin solo and
orchestra. Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006526093.
SKU: BA.BVK01950 Composed by Andreas N. Tarkmann and Johannes Kohlmann. P...(+)
SKU: BA.BVK01950
Composed by Andreas N.
Tarkmann and Johannes
Kohlmann. Paperback.
Book. 240 pages.
Baerenreiter Verlag
#BVK01950_00. Published
by Baerenreiter Verlag
(BA.BVK01950).
ISBN
9783761819500. 19 x 12.5
cm inches. Language:
German. Preface:
Tarkmann, Andreas
N.
Mendelssohn's
Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
- New
source situation owing to
recently rediscovered
proofs - Revised
Urtext edition - With
a separate booklet on
performance practice
(Eng/Ger).